Re[2]: [-empyre-] microsound as music's digital praxis

hi John and list,

JH> Sometimes it seems one outcome is the subjugation of the embodied 
JH> experience to the critical review of same.  I find that subjugation 
JH> VERY problematic these days.  Where the re-production of something, 
JH> the simulation of something, seems to carry more social weight than 
JH> the original thing/event.

Could you elaborate a bit more on this? In the case of music and now
also media art the reproduction is of course a large chunk of the
experience of an audience often. What is the problem you have with
this exactly, or am I misunderstanding you?



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