[-empyre-] Re: love, crunch, and the internal debt
swht at clear.net.nz
Thu Oct 30 19:06:04 EST 2008
Sergio writes: "don't Deleuze & Guatari speak of "desiring machines"?"
Harun writes of Barthes's concept of the punctum and the prickings of
love which he suggests might be one result of the pincer movement to
which I'd earlier referred.
The reference was an allusion to Deleuze & Guattari's /God is a
lobster,/ the double articulation they read signs of throughout a
thousand plateaux of creation.
Many of David Byrne's songs have 'machines of love' in them and a
'master plan.' It seems like this idea is a construction like that of
the desiring machine. Different because the master plan is not ours:
involuntary gestures are made, dumb signals sent, smells smelt. Things
go according to plan but the plan is not ours, impersonal. And yet
interested in the inmost minutiae of our secret lives.
Do you ever get the feeling you're being used? We ask, exasperated.
'The facts of life' Byrne sings about are supposed to be sensible but
not intelligible. On the other hand, desiring machines don't open up
some panoply of freedoms from which we've so far been excluded. There's
no Reichian orgasm of release or Marcusian polymorphic field of dreams
and desires into which we ride our machines of love.
Deleuze and Guattari are critical of both the facts of life as they are
given and the artificial paradise into which our desires taken as
guiltless givens are expected to deliver us.
For the former, the sensible conditions of aesthesis are opened to the
guiltless disinterest of noesis.
For the latter, a desiring machine suffers a primordial constraint. It
is a constructivism constrained once by a necessity exclusive of
subjective or objective relativism and twice by itself being opened up
The only choice remaining lies in affirming the univocity of being but a
being of becoming which is not a diversity of options or possibilities
but an active principle of variation.
Deleuze addresses himself rather to the conditions of love than to its
conditionality: the love of love, or its internal and genetic conditions
The punctum of Barthes's /camera lucida/ has an extra dimension as well:
the studium, which is not properly noetic as I understand it but
epistemological. With the punctum Barthes seems to be thinking in terms
of a transcendental. Not his. Not general. And not particular. Not just Mum.
He seems to be looking at a condition of possibility: the being of being
in the photo, its internal difference.
Anne Carson's /Economy of the Unlost/ I read alongside Deleuze's Bergson
whose negativity and impossibility may be retroactivated to include
(without explaining) its possibility, like a double negative.
And Aldo Busi's /Sodomies /where an absolute /No/ opens for the writer
the condition for a writing within writing, like the empty space, a
uterus outside of the phallologocentricities upon which such depend, the
semen-like splash of Bacon's paint: a love of/in love.
A final and faulted note on desire in Deleuze and Guattari: it is not
desire. If desire is the body, it is the genome. (Consistency here cums
courtesy of Levi Bryant, antinomianism wilde-mine.)
p.s. I seek work.
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