[-empyre-] N-gons + Green Miles
Michael Angelo Tata, PhD
mtata at ipublishingllc.com
Thu Apr 23 09:24:49 EST 2009
As for your remarks on cognition, thanks for pointing me in the direction of Joe's book. I look forward to reading it, as the life of the mind is always something that interests me, especisally the life of the mind as theorized by one who understands what a technological sublime would involve for contemporary subjects charged with processing a hyperlinked world in whose networks it is necessarily caught up.
My immediate response to your observations on consciousness is to invoke Descartes' chiliagon (6th Meditation) as an example of that which I can cognize without "viewing" or "visualizing" or "imagining," since it is impossible for me as thinking matter to envision what such a poiygon as extended matter would resemble, to turn signifer into image, even though, conceptuially, I "get it," comprehending that it would have 1,000 sides, that it would have more angles than a triangle, etc. I guess I am also returning to Joe'e pouse-cafe: those layers he encourages us to keep separate in order to avoid an obfuscating conflation of cognitive functions which would elide the integrity of specific activities (reading, viewing, perceiving).
As for cognition, I realize that, all along, we have been attempting to cognize capital, at times lapsing into mataphor (Dow Jones as fetish), at times revealing personal narrative (your stories about your dad's speculations, as well as Jeff's remarks on his global everyday), at times bursting with emotion (Brian's misplaced anger toward Jeff)--the problem being how to cognize something as trasncndent as these trillions of dis- ad re-appearing dollars, which to me become a veritable chiliagon requiring the sacrifice of my imagination. It's like processing one of those trans-human prison sentences (What can three life terms mean for a creature with one single life of indeterminate duration? How can this debt be incurred, let alone paid?).
Michael Angelo Tata, PhD 347.776.1931-USA
> From: naxsmash at mac.com
> To: empyre at lists.cofa.unsw.edu.au
> Date: Tue, 21 Apr 2009 14:47:24 -0500
> Subject: Re: [-empyre-] TAZ-mania
> A good thought about how art practice matters, gives me a moment to
> smile while on a very grey bus lumbering into Chicago.
> Sent from my iPhone
> On Apr 21, 2009, at 10:15 AM, davin heckman <davinheckman at gmail.com>
> > Thanks for spending a little time on deCerteau...
> >> And as for your call to revolution, to “arms,” as Nick might
> >> call it, given
> >> his initial interest in creativity and armature, I think of de
> >> Certeau’s
> >> notion of La Perruque in The Practice of Everyday Life: all those
> >> tiny,
> >> little breaks in the system we effect each day, everything from
> >> oppositional
> >> shopping (label-switching, kleptomania) to the simple act of
> >> writing a love
> >> letter “on the boss’ time.” No giant Arendtian break, but
> >> sweet and
> >> individual tears in the social tapestry that give meaning to the
> >> banal, the
> >> programmatic, the codified, the staid, the static.
> > I think this might be wear the artist's work is important. Brian
> > mentioned previously the idea that a crisis of confidence is precisely
> > what is needed to turn people away from this idea that financial
> > markets are the measure of a society's health and that Wall Street is
> > somehow "sexy." For years, the evening news would should the Dow
> > Jones Industrial Average as a shorthand for the "health" of the
> > economy. But as my father got older and had difficulties finding
> > employment and finding stable housing, I always saw the Dow Jones as a
> > fetish that was increasingly divorced from any stable referent... it
> > would climb and people would cheer.... but for a growing segment of
> > the population, things got harder and harder.
> > I don't think that artists should have to worry too terribly much
> > about fixing everything. But what artists can do is illustrate the
> > many small moments and mark them so that others can see them. Rather
> > than exposing the insufficient nature of the financial system at
> > delivering social goods.... art can illustrate the many other sites
> > where social goods are delivered. The artist does not have a special
> > corner on the market of these small detours, they just have a great
> > excuse for talking about detours--they're artists!
> > We all make detours throughout our days. In fact, we live for the
> > detours. Art can provide the occasion, the pretext, and the excuse
> > for making a detour. (If you have a friend shoot you in the arm...
> > normally this is frowned upon. But when Chris Burden decides to do
> > it... people think about it differently.)
> > But even within finance itself, we live for detours. If you listen to
> > talk radio, they love to go on and on about this idea of the "welfare
> > queen"--who has children so she doesn't have to work (The Octo-mom is
> > just an hyper-example of this). Talk radio personalities love to rant
> > and rave about how lazy welfare recipients are... about how unjust it
> > is for them to be unproductive, but still draw an income, by working
> > the system.
> > BUT.... if you listen to these very same talk radio personalities,
> > they gush with praise for elite investors. The paradigmatic hero for
> > our age is the man who gets rich on the stock market. Why? Because
> > the investor figured out a way to make money without breaking his back
> > all day. Warren Buffet or Donald Trump or whoever has figured out a
> > way to make money without actually doing anything, by working the
> > system. This is the kind of a god that we can believe in.... the
> > kind of figure who can transcend the evil that we fear (poverty, being
> > a nobody, etc.)... who can warp the laws of the material world and
> > triumph over them.
> > What is this dream but the hope for a detour? Instead of working all
> > day, I might be snatched from ill-fortune by purchasing the right
> > thing at the right time. Hence, the "success" of
> > multi-level-marketing companies like Amway and Herbalife and
> > Monavie... they offer the working class person a chance to be "the
> > boss" and to reap rewards by having others do the work for them.
> > (And, in the process, they tend to lose money.... but more
> > tragically.... they lose friends. The biggest irony: the money they
> > lose and the work they put in, the very fruits of their failure, will
> > be used, up the ladder, as evidence of "success.")
> > Artists can do a lot just by affirming "human"
> > experiences--imagination, love, tragedy, laughter, absurdity, etc. I
> > cannot tell an artist what he or she should or shouldn't do... but I
> > do prefer artists who can speak to me. I like art that taps into my
> > notions and desires in such a way that I feel validated in my
> > experiences. And, I love art which helps me see something that I
> > didn't quite understand or couldn't precisely articulate in a way that
> > makes the experience useful to me.
> > In short, these little ruptures are everywhere all the time. What
> > artists can do is mark them. They can show people that their own
> > lives are filled with meaningful alternatives to the machinations of
> > capitalism. And, in the process, people might seek happiness in one
> > of the many compelling alternative narratives.
> > Peace!
> > Davin
> > _______________________________________________
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> > empyre at lists.cofa.unsw.edu.au
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