[-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!

{ Indira Montoya } simbolosocultos at yahoo.com
Tue Jul 2 06:37:46 EST 2013

To all, I follow messages but never posted.

Indira Montoya is the director of hipermedula.org, a digital platform for the arts and cultural work in Iberoamerica.
She works as an artist in the performance field and also in new media and poetry.
Teaches literature and cinema in University in Córdoba, Argentina.
Worked as a photographer for many years.
Here last works can be found here:

Indira Montoya
http://www.hipermedula.org  // Plataforma Cultural Iberoamericana 

twitter: @mariposafuriosa
skype: mariposafuriosa

 From: Lucia Santaella <lbraga at pucsp.br>
To: soft_skinned_space <empyre at lists.cofa.unsw.edu.au> 
Sent: Monday, July 1, 2013 1:27 PM
Subject: Re: [-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!

I have never posted any message, but I follow with great interest what appears in Empyre.

Lucia Santaella is full professor at São Paulo  Catholic University  (Pucsp), PhD in Literary Theory (1973-PUCSP) and in Communication Sciences (1993-São Paulo University). Head of the post-graduate program in Technologies of Intelligence and Digital Design (Pucsp), one of the honorary Presidents of the Latin-American Federation of Semiotics and member of the Argentinian Academy  of Fine Arts, and President of the Charles S. Peirce Society, USA , 2007. I have published 39 books, organized 11 books, and also published around 300 articles in journals and books in Brazil  and abroad. I was awarded with 3 Jabuti Prizes, for the best published books in 2002, 2009, 2011, also awarded with the Nelson Motta prize in Art and Technology (2005), and the Luis Beltrão prize for my career, 2010.

Am 01.07.2013 16:15, schrieb Paul Vanouse:

----------empyre- soft-skinned space----------------------
>Hi Renate and empyre, 
>hope this is ok.
>Paul Vanouse has been working in emerging media forms since 1990.  Interdisciplinarity and impassioned amateurism guide his art practice. His electronic cinema, biological experiments, and interactive installations have been exhibited in over 20 countries and widely across the US. Venues have included: Walker Art Center, Albright-Knox Art Gallery, Carnegie Museum, Andy Warhol Museum, New Museum, Museo Nacional de Bellas Artes in Buenos Aires, Louvre in Paris, Haus Der Kulturen Der Welt, Berlin, Zentrum fur Kunst und Medientechnologie in Karlsrhue, Centre de Cultura Contemporania in Barcelona, and TePapa Museum in Wellington, New Zealand.
>Recent solo exhibitions include: Schering Foundation in Berlin
        (2011), Kapelica Gallery in Ljubljana (2011), Muffathalle in
        Munich (2012), and Beall Center at UC Irvine, California
        (2013).  This work has been discussed in journals including: Art
        Journal, Art Papers, Art News, Flash
        Art International, Leonardo, New Scientist, New Art
        Examiner, New York Times and numerous academic books on art and
>Vanouse’s artworks have been funded by Renew Media Arts
        Fellowship (formerly known as Rockefeller New Media Fellowship,
        2008), Creative Capital (2006), New York State Council on the
        Arts project grant (2000, 2005), New York Foundation for the
        Arts Fellowship (2002), Pennsylvania Council on the Arts project
        grants (94, 95, 98), PCA Fellowship (98), Mellon Charitable
        Trust (98), Heinz Foundation (98), Pennsylvania Humanities
        Council (98), Sun Microsystems equipment grant (2000), National
        Science Foundation (1997).  He has received awards at festivals
        including Prix ARS Electronica (2010 and 2007) in Linz, Austria,
        and Vida, Art and Artificial Life competition (2002, 2011), in
        Madrid, Spain.  Museum commissions include the Walker Art Center
        for “The Consensual Fantasy Engine online” (1998), and the Henry
        Art Gallery in Seattle for “The Relative Velocity Inscription
        Device” (2002).
>Vanouse is a Professor of Visual Studies at the University at
        Buffalo, NY. He has been a Senior Artist at Banff
        Center, Alberta, Canada (2011), Foreign Expert at Sichuan Fine
        Arts Institute, China (2006) Honorary Research Fellow at
        SymbioticA, University of Western Australia (2005), Visiting
        Scholar at the Center for Research and Computing in the Arts, UC
        San Diego (1997), and Research Fellow at the Studio for Creative
        Inquiry, Carnegie Mellon University (1997-2003). He holds a BFA
        from the University at Buffalo (1990) and an MFA from Carnegie
        Mellon University (1996).
>For the past decade, Vanouse has been specifically concerned
        with forcing the arcane codes of scientific communication into
        a broader cultural language. In The Relative Velocity
        Inscription Device (2002), he literally races DNA from his
        Jamaican-American family members, in a DNA sequencing gel, in
        a installation/scientific experiment that explores
        the relationship between early 20th Century Eugenics and
        late 20th Century Human Genomics.  The double entendre of
        race highlights the obsession with “genetic fitness” within
        these historical endeavors. Similarly, his recent projects,
        “Latent Figure Protocol” (2007), “Ocular Revision” (2010) and
        “Suspect Inversion Center” (2012) use molecular biology
        techniques to challenge “genome-hype” and to confront issues
        surrounding DNA fingerprinting.
>On Jun 29, 2013, at 10:45 PM, Renate Ferro wrote:
>----------empyre- soft-skinned space----------------------It has been incredibly great to read about so many of your projects.  We are hoping that many of you will take this last day of June to respond to our call.  
>>Whether you are a participant or a lurker please let us know what your current projects are and post a short bio. Thanks to all of you this month who have shared.  Thanks.  Renate
>>Renate Ferro
>>Visiting Assistant Professor of Art
>>Cornell University
>>Department of Art, Tjaden Hall Office #420
>>Ithaca, NY  14853
>>Email:   <rtf9 at cornell.edu>
>>URL:  http://www.renateferro.net
>>      http://www.privatesecretspubliclies.net       
>>Lab:  http://www.tinkerfactory.net
>>Managing Co-moderator of -empyre- soft skinned space
>>empyre forum
>>empyre at lists.cofa.unsw.edu.au
empyre forum empyre at lists.cofa.unsw.edu.au http://www.subtle.net/empyre

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