[-empyre-] see, below
swht at clear.net.nz
Sat Jun 8 09:39:40 EST 2013
I slept in a box in the back of the Singer Gazelle station-wagon,
between Christchurch, Auckland, Wellington, later Dunedin, New Zealand,
grew up in theatre, usually under the rostra, wrote, was educated in
languages, French, German, Russian, short times in Germany, France,
wrote a thesis on dandyism and Dorian Gray, wrote lyrics for a band,
Colony, performed spoken word, Repeater, started a theatre company,
Stronghold, directed, designed, dramaturged, waged theatre against
theatre being unwaged, wrote, managed a café , Café Brazil, directed
music videos, about one a year, and finding no publisher, sometimes no
stage, often no screen and never any money for what I wrote, I made
squarewhiteworld.com, closed a café, Stronghold ended, I founded a
start-up, the idea burns brightly but funding fizzled - company- under
the aegis of Little Elephant Ltd., wrote, nursed my parents, now turn,
turning again, towards
renewed academic engagement with theatre. In the broadest of senses,
from its atomisation in the performance of identity, the public private
drama, to the amnesiac break, the interval that has seemed to separate
theatre from itself as an art form, the curtain closing, opening ever
after on the blank whiteness of a screen.
I have questions about this, no solutions, since it seems itself
solvent, whatever one's own solvency or anxiety, and want to engage in
the exchange that possibly remains a solitary political recourse.
I am looking for support from the institution to do this work while
there is still an institution able.
a little more linked here: http://about.me/squarewhteworld
and about company here: https://gust.com/c/littleelephantltd
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