[-empyre-] Welcome to Week 3 on -empyre-: Internet/Online Representation

abram stern (aphid) aphid at ucsc.edu
Sun Apr 19 12:58:24 AEST 2015

Hi fellow panelists and empyrians,

Trying to weave together (as I think we all are) some of the strands of
research and conversation with some stuff I've had stewing here.

I love this question: "What are the ideological underpinnings and agendas
at work?" -- to turn this into a methodological question, how can we expose
the ideological underpinnings and agendas at work when the technologies and
the institutions that deploy them are often so opaque?  For instance, you
mentioned research on recommender algorithms (eager to hear more on
this!).  Is there any transparency as to how they operate?  One of the
difficulties in analyzing much of this technology is that it is
proprietary; much of the apparatus and its algorithms are obfuscated.

One of the artworks I found when doing research on the face detection
Sanctum is an art project produced by Juan Pampin and James Coupe currently
being exhibited at the University of Washington's Henry Art Gallery; as you
approach it it detects your gender and approximate and age using a
commercial API* and then shows you images and social network updates of
people 'like you' on screens; in speaking with the artists, I learned that
it records gender on a 30 point scale, -15 being the most masculine and +15
being the most feminine.  Is this non-binary gender coding (by the API
designers [or perhaps by whatever researchers they based the API on], not
the artists) an assertion of progressivity or addressing a technical
limitation of a system that can only guess its subject based on
similarities between two defined poles produced by compositing lots of
'male' and 'female' faces?  Both answers suggest underpinnings but they go
off in different directions.

One last thing I'll leave here since it seems on topic:
http://aphid.org/ucsc_ethnicities.jpg I took this photograph outside of an
administration office here at UCSC, it's part of a larger poster that shows
how students are stored within the University's IT system.  Yes, that's a
very 90's matrix-y face in the background!

More soon,

*I don't know which API -  http://www.faceplusplus.com/detection_detect/ is
an example, check out the JSON about halfway down and imagine it being run
across social networks, even if only on 'public' photos.  Yikes.  For what
it's worth, Face.com was very popular API for face matching (a colleague
used it to identify members of the VA senate in an archive of their
legislature) until a couple years ago when facebook bought them up and
closed down the service.

On Sat, Apr 18, 2015 at 8:25 AM, Anna Everett <everett at filmandmedia.ucsb.edu
> wrote:

> ----------empyre- soft-skinned space----------------------
> Aphid, your research into the politics of the archive is quite
> exciting. And in particular I find your ideas about how archival
> "records provide opportunities to re-present, reconfigure and detourn
> the performance of politics into more critical engagements with issues
> these institutions seem unable to address on their own." In many ways,
> your work transects some of my own, some of Kishonna's, and some of
> Andre's, especially your current project on the "Unreliable
> Interrogator." I am pleased that all of our works are attuned to the
> ideological basis of who may read, write and archive content, in your
> analysis, who controls diversity narratives in Kishonna's, and what's
> next in technocultural politics of respectability in Andre's?
> Underlying all these is the question of what is at stake here? What
> are the ideological underpinnings and agendas at work.
> Aphid, when you said "I am deploying visual, auditory and textual
> analysis on records of the SSCI.  One mode utilizes facial feature
> detection, locating a speaker's face in video through which various
> demographic information can be derived (race, gender, age -- very
> unreliably) and compared . . ." it reminded me of a current line of
> inquiry that I am working up. That is interrogating the
> intersectionality  of big data's recommender algorithms and race. I
> will discuss that a bit more more in my next post. Thanks for
> reminding me of that.
> Fellow panelists, I am so pleased to be in this discussion topic with
> you alll. I am wondering, though, where are the rest of the
> empyrians??? I know you guys have something great to say. I know
> because lurked last week. I could not participate because I was
> traveling and wrapping up an overdue project.
> Anna .
> On Thu, Apr 16, 2015 at 2:55 AM, abram stern (aphid) <aphid at ucsc.edu>
> wrote:
> > ----------empyre- soft-skinned space----------------------
> > Hi all, excited to be part of the discussion here.  Thanks, Soraya, for
> the invitation!
> >
> > My work primarily addresses the politics of the archive, particularly
> looking at how the material of public media (in particular,
> government-produced, public domain documents) are produced/reproduced and
> distributed.  I'm interested in the way in which democratic institutions
> present themselves, through online archives and collections, to their
> publics.  Most of my projects have been implemented as prototypes, trying
> to imagine how open and participatory archives might operate in the same
> institutional context as what I critique.  I'm increasingly interested in
> how these records provide opportunities to re-present, reconfigure and
> detourn the performance of politics into more critical engagements with
> issues these institutions seem unable to address on their own.
> >
> > I'm about a year into my current project, The Unreliable Interrogator,
> which is still very much a work in progress.  It's a return to internet art
> for me after a decade of more traditional research projects and
> prototypes.  The Interrogator's focus is the online Hearing Archive of US
> Senate Select Committee on Intelligence (SSCI).  The SSCI is the main
> oversight body of the US intelligence apparatus (oversight denoting both
> the act of overseeing and a failure to notice).  The Committee's website,
> which still bears a Copyright notice from 2006, only lists hearings from
> 2009 forward despite containing hearing data back to 2002 (if you know
> where to look!).  Hearing videos exist, but hide behind broken and absent
> links.
> >
> > The first part of this project is a process of media archaeology and
> interrogation: locating and downloading videos, testimony PDFs and
> associated metadata (witness names, titles and so on) and converting, when
> necessary, to more legible or open formats before publishing to the
> Internet Archive.  This excavation serves as a platform -- for media reuse
> but also for critique: an interrogation of mediality, the formats deployed
> by the committees are also products of ideology and deserve scrutiny for
> the way in which they delimit who may read, write and archive content
> through the use of Digital Rights Management, network throttling and other
> methods.
> >
> > The second part of the project uses the reconstituted archive discussed
> above as a platform for a different mode of media interrogation.  Using
> widely available tools and public APIs, I am deploying visual, auditory and
> textual analysis on records of the SSCI.  One mode utilizes facial feature
> detection, locating a speaker's face in video through which various
> demographic information can be derived (race, gender, age -- very
> unreliably) and compared against witness and committee composition data
> (all white, until this year when Hirono joined the Committee). Another
> visual analytic mode uses cut detection to determine when camera changes
> occur, which also signal a change in speaker, allowing for a rough mapping
> of the discursive shape of a hearing.  An audio analytic searches for
> content that won't occur in a transcript, off-mic chuckles, breathing, and
> silence.  Testimony PDF text is compared against a list of terms the
> Department of Homeland Security apparently uses to mon
>  itor social networks for threats.
> >
> > This "work" is distributed, and takes place in the web browser of each
> visitor for as long as they let it run, in a way like SETI @ HOME (I
> suppose both seek intelligence in unlikely locations /rimshot); data
> gathered is broadcast to a server which will collect and publish reports
> nightly.    I'm reluctant to link to things that barely or don't work, but
> here's a prototype of the audio analysis module that should run in an up to
> date chrome or firefox: http://unreliable.interrogator.us/sound/ht.html
> >
> > In terms of key challenges, I've been stuck on something Trevor Paglen
> said at UC Berkeley last year at an event on Pan-Optics: (paraphrasing; the
> talk wasn't recorded)  "Representational media is slowly being replaced by
> operational media, which is made for and by machines with us as its
> subjects and targets."
> >
> > There's more, but this is already running longer (and later!) than I
> intended. Looking forward to the discussion!
> >
> > Best regards,
> > Aphid
> >
> > On Wed, Apr 15, 2015 at 9:41 PM, Andre Brock <brocka at umich.edu> wrote:
> >>
> >> ----------empyre- soft-skinned space----------------------
> >> Hello, all!
> >>
> >> Thank you for inviting me to this discussion, and "hey!" to my
> co-panelists this week!
> >>
> >>
> >> My intellectual investment in this area has changed over the last
> decade.  When I first started researching online Black identities, my
> intention was to follow the path blazed by folk like Dr. Everett, Alondra
> Nelson, and Lisa Nakamura - to highlight that minorities (in my case,
> African Americans) were always already part of the burgeoning online spaces
> hailed as Web 2.0.  I felt then, as i do now, that it's important to
> interrogate digital interfaces for the meanings their designers impose,
> while also mining discourses created by users of those interfaces to see
> how they adapt themselves to the new medium.  Over the last few years, i've
> examined browsers, video games, and Twitter to see how digital
> representations of Black identity have been composed, contested, and
> destroyed.
> >>
> >> Given the proliferation of attention towards Black digital activity
> over the last few years, from the Commander-in-Chief on down to Black
> Twitter and even back to HotGhettoMess.com, I've become interested in a
> different take on Black online representation.
> >>
> >> As more and more Blacks access online spaces, segments of Black online
> users have begun to articulate a growing technocultural politics of
> respectability.  The "New" New Blacks (h/t Ms. Anna) are much more
> interested in political and polite representations of Blackness online, and
> in the process deprecate the gossip blogs, ugly BlackPlanet pages, and
> ratchet-ass tweets and images that signaled the spread of Black culture to
> online venues.  My current work has me investigating the way that
> perceptions and arguments about Black Twitter use have shifted over the
> last few years - from celebrations of folk culture and 'individual'
> blackness to an insistence on 'proper' political uses of the service.
> >>
> >>
> >>
> >> I'm especially pleased to be part of this discussion, as I have of late
> been pondering my role/stake as an internet researcher pursuing questions
> of African American identity in various digital spaces.  I have three
> questions about identity, representation, and the digital/Internet that are
> pulling in me in multiple directions, and it is my hope that my
> articulation of them can push this conversation in interesting directions.
> >>
> >> 1) Whither identity in post-PC, post-racial (heh) cyberculture and the
> continual fragmentation of online representation?  Are we our devices?  Our
> wearables?  Our profiles?
> >>
> >> 2) Isn't it past time that research into performances of identity and
> online representation start addressing Whiteness?  Particularly in the
> light of GamerGate, MRAs, and #alllivesmatter, where is the corresponding
> research into how racial ideologies shape White online identity, especially
> since the aforementioned online movements draw heavily upon
> digitally-mediated beliefs about race and gender?
> >>
> >> Brenda Laurel's excellent commentary last week referenced race and
> GamerGate, but I am always troubled when deviant activities are assumed to
> be perpetrated by deviant society members.  Brenda's (if i may be so bold)
> argument that GamerGaters are men with "poor educations and a degree of
> poverty" seems to let 'brogrammers', Kleiner Perkins VCs, and other highly
> educated wealthy white (and non-whites afflicted by false consciousness
> (yeah, I said it) men and women off the hook.  Just like Klansmen were
> usually highly respected businessmen in their communities, much of the
> racist and sexist online activities we see daily are done by elites, not
> just by the dispossessed.
> >>
> >> *Kishonna, i know that your work addresses race and gender specifically
> WRT gaming, but (correct me if i'm wrong) not many folk are making
> connections between XBL gamer behavior and GamerGater behavior.*
> >>
> >> 3) With the maturation of minority political activism in social
> networks (#blacklivesmatter) and near parity in material access/broadband
> access through mobile devices, is it time for new media/internet research
> to move past online identity politics and online representation?  /sarcasm
> >> If so, where do we go from here?
> >>
> >> That's all i have for now...i look forward to seeing what's on the
> minds of my co-panelists and the empyre audience.  Thanks for having me!
> >>
> >> PS - Ms. Anna, congrats on the new publication!
> >>>
> >>>
> >>
> >>
> >> _______________________________________________
> >> empyre forum
> >> empyre at lists.artdesign.unsw.edu.au
> >> http://empyre.library.cornell.edu
> >
> >
> >
> > _______________________________________________
> > empyre forum
> > empyre at lists.artdesign.unsw.edu.au
> > http://empyre.library.cornell.edu
> --
> Anna Everett, Ph.D.
> Professor
> Department of Film and Media Studies
> 2322 Social Sciences and Media Studies (SSMS) Bldg.
> University of California
> Santa Barbara, CA  93106-4010
> Email:  everett at filmandmedia.ucsb.edu
> Phone: 805.893.8706
> Fax:   805 893.8630
> <http://www.filmandmedia.ucsb.edu/people/faculty/everett/everett.html>
> _______________________________________________
> empyre forum
> empyre at lists.artdesign.unsw.edu.au
> http://empyre.library.cornell.edu
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