<div dir="ltr">Thanks Selmin for pointing us to Scalar. Sure beats PowerPoint. I sometimes use Google Sites (<a href="https://sites.google.com/">https://sites.google.com/</a>), but otherwise, I'll admit to relying on PowerPoint when I need to present a variety of media in a presentation. It's not an ideal tool. Powerpoint is clunky, it's difficult to move between text and video, and sometimes I have trouble loading videos during the presentation. It's good to know about other tools. I've seen some of my colleagues use Prezi (<a href="http://prezi.com/">http://prezi.com/</a>) and Ustream (<a href="http://www.ustream.tv/">http://www.ustream.tv/</a>). Prezi seems especially popular. It moves seamlessly between images and texts, but it seems to share some of the video problems people encounter with PowerPoint. Ustream basically allows you to stream videos. I once used it for streaming a workshop last year. The video quality was good, but we had deaf audience members watching the video from home, and there wasn't an effective method for transcribing (closed captioning) the video in real time. I've also heard people talk about projeqt (<a href="http://www.projeqt.com/">http://www.projeqt.com/</a>) and Haiku Deck (<a href="https://www.haikudeck.com/">https://www.haikudeck.com/</a>), but I've never tried these myself. I'd love to hear if anyone else has recommendation for multimedia presentations. </div><div class="gmail_extra"><br clear="all"><div><div class="gmail_signature"><div dir="ltr"><span></span><span></span>Patrick Keilty<div>Assistant Professor<br>Faculty of Information<br></div><div>University of Toronto</div><div><a href="http://www.patrickkeilty.com/" target="_blank">http://www.patrickkeilty.com/</a><br></div></div></div></div>
<br><div class="gmail_quote">On Tue, Feb 17, 2015 at 11:59 AM, Selmin Kara <span dir="ltr"><<a href="mailto:selminkara@gmail.com" target="_blank">selminkara@gmail.com</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">----------empyre- soft-skinned space----------------------<br><div dir="ltr">Thanks to Renate and the participants of the past two weeks' discussions. Several colleagues in Toronto are actively engaged in the FemTechNet network so this gives me another opportunity to follow their important and inspiring initiatives. My entry to the conversation about new tools will be from a teaching angle. I am a film scholar and for the last two winters, I have been teaching a course titled "Future Cinema," which predominantly deals with the technological, aesthetic, and narrative shifts in post-cinema, at OCAD University. My other film theory courses (in film studies or contemporary documentary) follow a more or less traditional approach; the class starts with a screening, followed by a lecture and discussion. The topic of future cinema, however, requires one to engage with new/networked modes of film scholarship as well as filmmaking itself. In the first semester that I taught the course, I mixed articles by key theorists with video essays, podcasts, and "making of style" deconstructive clips, and it came as a surprise to my students responded most to scholarship that were annotational. Instead of the video essays, which I thought would appeal to students at an art and design college most, they appreciated Steve Shaviro's formula of podcast + annotational slides in his analysis of Harmony Korine's <i>Spring Breakers </i>(<a href="http://www.shaviro.com/Blog/?p=1178" target="_blank">http://www.shaviro.com/Blog/?p=1178</a>). I assigned the link to the students and we went over the slides (which embed excerpted videos as well) in class, which was a resounding success in the second semester too. When Steve was in town for a conference two weeks ago, we were chatting about the challenges of preparing an effective multimedia presentation that also cites and annotates excerpts properly and Nic Sammond brought up Scalar (<a href="http://scalar.usc.edu/learning_scalar/guided-tour/" target="_blank">http://scalar.usc.edu/learning_scalar/guided-tour/</a>). Scalar is a platform for preparing webinars as many of you know I am sure but it offers a great template for networked film scholarship (with its affordances for making metadata and annotations accessible) too. Especially when one has to navigate diverse media like clips, images, audio, text, softwares, and websites in a short amount of time (I have students interested in diverse aspects of digital filmmaking like credit sequences, typography, graphic design, animation, camera mapping, etc. so I need a flexible networked structure that facilitates my switching between such examples without losing the annotations), the database structure becomes significant. Another advantage of it is that such presentations are easily shareable (hoping that we'll all push for open access publishing and give it credit, of course) and make film scholarship relevant for practitioners too. I am wondering what others think. It might be an old question but what platforms (or blends of platforms) do you feel comfortable with? <div><br></div><div>Selmin </div></div><div class="gmail_extra"><br><div class="gmail_quote">On Tue, Feb 17, 2015 at 7:51 AM, Renate Terese Ferro <span dir="ltr"><<a href="mailto:rferro@cornell.edu" target="_blank">rferro@cornell.edu</a>></span> wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">----------empyre- soft-skinned space----------------------<br>
Thanks to Anne Balsamo for joining us yesterday. I think it is important<br>
to recognize and support the places and spaces where feminist inspired<br>
technology has converged. Just within the last two weeks Helen, Ana, Anne,<br>
and Tracey have highlighted a few: the Eclectic Tech Carnival, the Trans<br>
Hack Feminist Camp, the transmediale event "commoning the networks:<br>
feminist methodology,² the FemTechNet network and the affiliated Fembot<br>
Collective (that<br>
I don¹t think Anne had a chance to mention yesterday). Additionally<br>
earlier Tracey Benson mentioned the ADA Camp she had attended in India and<br>
the mother and daughter team from Kerala who facilitated a Wiki-thon on<br>
International Women's Day to include entries on prominent women into<br>
Wikipedia.<br>
Anne also mentioned the wiki-storming initiative that FemTechNet has<br>
spearheaded.<br>
<br>
<br>
A few years ago at Harvestwork in New York City, Stefanie Wuschitz from<br>
Vienna collaborated with Harvestwork¹s 2010 Artist In Residence Lesley<br>
Flanigan to<br>
host a two day workshop for women artists on interactive tools. I<br>
attended that event and though the mission of the workshop was to<br>
demystify the tools of technology, I recognized that to teach or share<br>
only the technology was not addressing the complicated and embedded layers<br>
of social, cultural and<br>
political values that are inscribed in these tools. Many of our<br>
technological innovations originated from our military industrial complex.<br>
Unless critically<br>
dissected and understood these patriarchal systems simply remain<br>
unchecked. I have been a proponent since I began working in digital<br>
culture and technology to create and teach from a critical perspective,<br>
one that is cross-disciplinary where tools and technology do not exist in<br>
the void of the workshop or lab but where they were understood as a ways<br>
and means to be thought through via other disciplines and modes of<br>
communication.<br>
<br>
<br>
Thanks to all of you including Anne Balsamo and others of you<br>
participating in simultaneous threads this month. We all seem to agree<br>
that thinking through technology is just as important as tinkering with<br>
it. Selmin Kara and Patrick Keilty are joining us for the next couple of<br>
days. Both<br>
Patrick and Selmin are -empyre moderators and I have included their<br>
biographies below.<br>
<br>
Renate<br>
<br>
<br>
Originally from Turkey, Selmin Kara is an Assistant Professor of Film and<br>
New Media at OCAD University in Toronto, Canada. She has critical<br>
interests in the<br>
use of new technologies, tactical media, and sound in documentary, as well<br>
as post-cinematic aesthetics and new materialist approaches in film. Her<br>
work has<br>
appeared and is forthcoming in Studies in Documentary Film, Poiesis: A<br>
Journal of the Arts & Communication, Sequence, the Oxford Handbook of<br>
Sound and<br>
Image in Listening. Selmin is currently co-editing an anthology on<br>
contemporary documentary media and working on her book project<br>
Reassembling Documentary: From Actuality to Virtuality, which proposes a<br>
new materialist framework for understanding the sound and image<br>
relationships in documentary in the age of networks.<br>
<br>
<br>
Patrick Keilty is an Assistant Professor in the Faculty of Information at<br>
the University of Toronto. His primary teaching and research fields are<br>
new media studies, with a particular focus on digital theory, technology<br>
studies, visual culture, gender, sexuality, and critical theory.<br>
He is co-editor of Feminist and Queer Information Studies Reader (2013).<br>
His monograph project, provisionally titled Database Desire, engages the<br>
question of how our embodied engagements with labyrinthine qualities of<br>
database design mediate aesthetic objects and structure sexual desire in<br>
ways that abound with expressive possibilities and new narrative and<br>
temporal structures. Recently, he has published and presented his<br>
SSHRC-funded research on a wide variety of topics, including embodiment<br>
and technology, algorithmic display, the history of information retrieval,<br>
technology and transformations<br>
of gendered labor, women in computing, design and experience, compulsion<br>
and control, metadata and the creation of fetishistic networks, new forms<br>
of sexual nomenclature as taxonomies for navigating pornographic<br>
databases, and feminist and queer new media and techno-science issues<br>
generally.<br>
<br>
<br>
<br>
<br>
Renate Ferro<br>
Visiting Assistant Professor of Art,Cornell University<br>
Department of Art, Tjaden Hall Office: 306<br>
Ithaca, NY 14853<br>
Email: <<a href="mailto:rferro@cornell.edu" target="_blank">rferro@cornell.edu</a> <mailto:<a href="mailto:rtf9@cornell.edu" target="_blank">rtf9@cornell.edu</a>>><br>
URL: <a href="http://www.renateferro.net" target="_blank">http://www.renateferro.net</a> <<a href="http://www.renateferro.net/" target="_blank">http://www.renateferro.net/</a>><br>
<a href="http://www.privatesecretspubliclies.net" target="_blank">http://www.privatesecretspubliclies.net</a><br>
<<a href="http://www.privatesecretspubliclies.net/" target="_blank">http://www.privatesecretspubliclies.net/</a>><br>
Lab: <a href="http://www.tinkerfactory.net" target="_blank">http://www.tinkerfactory.net</a> <<a href="http://www.tinkerfactory.net/" target="_blank">http://www.tinkerfactory.net/</a>><br>
<br>
Managing Co-moderator of -empyre- soft skinned space<br>
<a href="http://empyre.library.cornell.edu/" target="_blank">http://empyre.library.cornell.edu/</a><br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
<br>
On 2/17/15, 4:32 AM, "helen varley jamieson" <<a href="mailto:helen@creative-catalyst.com" target="_blank">helen@creative-catalyst.com</a>><br>
wrote:<br>
<br>
>----------empyre- soft-skinned space----------------------<br>
<br>
_______________________________________________<br>
empyre forum<br>
<a href="mailto:empyre@lists.artdesign.unsw.edu.au" target="_blank">empyre@lists.artdesign.unsw.edu.au</a><br>
<a href="http://empyre.library.cornell.edu" target="_blank">http://empyre.library.cornell.edu</a><br>
</blockquote></div><br></div>
<br>_______________________________________________<br>
empyre forum<br>
<a href="mailto:empyre@lists.artdesign.unsw.edu.au">empyre@lists.artdesign.unsw.edu.au</a><br>
<a href="http://empyre.library.cornell.edu" target="_blank">http://empyre.library.cornell.edu</a><br></blockquote></div><br></div>