<html><head><meta http-equiv="Content-Type" content="text/html charset=utf-8"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div class="">Hello empire!</div><div class=""><br class=""></div><div class="">Here is Aneta Stojnic, artist, theoretician, researcher and curator (not necessarily in that order!). My main interests are in theory and practice of performing arts, politics of new media technologies, contemporary art practices that affirm critical thinking and various intersections of art, philosophy and cultural studies especially when they include the decolonial perspective. </div><div class=""><br class=""></div><div class="">Originally from Belgrade (Yugoslavia), but have been traveling all the time, living and working in different the places, most recently in Vienna as a postdoc researcher at Academy of Fine Arts Vienna, Conceptual Art study program, and previously in Belgium where I was a postdoctoral research-fellow at Ghent University, Research centre S:PAM (Studies in Performing Arts & Media). </div><div class="">Since a few weeks ago I am back to Belgrade where I am engaged as assistant professor at the Faculty of Media and Communications, teaching at the Department of Transdicsiplinary Humanities and Art Theory. </div><div class="">I was Artist in residence in Tanzquartier Vienna in 2011 and writer in residence at KulturKontakt Austria in 2012, and have collaborated with institutions and organizations such as: Tanzquartier Wien, Open Systems (Vienna), Les Laboratoires d’Aubervillier (Paris), WUK / Kunsthalle Exnergasse (Vienna) , Quartier21 (MQ Vienna), Dansens Hus Stockholm, Odin Teatret (Denmark), BITEF (Belgrade), TkH Walking Theory, Pančevo Biennal and many others.</div><div class="">I've authored a number of international publications on contemporary art and media. </div><div class="">(I should update my webpage with the “publications” section sometime soon but if someone happens to be interested here are a couple of links to some of my recent(ish) writings:</div><div class=""><span style="color: rgb(51, 51, 51); font-family: Arial, sans-serif;" class=""><a href="http://www.tandfonline.com/eprint/sn6jyZDAYzzJ4qmEdzPD/full" class="">http://www.tandfonline.com/eprint/</a><a href="http://www.tandfonline.com/eprint/sn6jyZDAYzzJ4qmEdzPD/full" class="">sn6jyZDAYzzJ4qmEdzPD</a><a href="http://www.tandfonline.com/eprint/sn6jyZDAYzzJ4qmEdzPD/full" class="">/full</a></span></div><div class=""><a href="https://anetastojnic.files.wordpress.com/2011/05/cyborgs_aneta-stojnic487.pdf" class="">https://anetastojnic.files.wordpress.com/2011/05/cyborgs_aneta-stojnic487.pdf</a></div><div class=""><a href="http://www.fmk.singidunum.ac.rs/content/artmedia/12_AM%207_Aneta%20Stojnic.pdf" class="">http://www.fmk.singidunum.ac.rs/content/artmedia/12_AM%207_Aneta%20Stojnic.pdf</a></div><div class=""><br class=""></div><div class="">Also, my first single-authored book was published last year in Belgrade based on my PhD thesis “Theory of Performance in Digital Art: Towards a New Political Performance” (for now only in Serbian though). </div><div class=""><br class=""></div><div class="">I was introduced to Empire by Johannes Birringer during the amazing discussion he and Alan Sondheim moderated in November 2014. Since then I have been mostly a lurker, though I’ll try to engage in the upcoming discussions at this great space more actively in the future!</div><div class=""><br class=""></div><div class="">
<div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div style="color: rgb(0, 0, 0); letter-spacing: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px; word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space;" class=""><div class="" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px;"><div class="">--</div><div class=""><div class=""><font face="Arial" size="2" class="">Dr. Aneta Stojnic</font></div><div class=""><font face="Arial" size="2" style="color: rgb(17, 85, 204);" class=""><a href="http://anetastojnic.wordpress.com/news/" target="_blank" class="" style="color: rgb(17, 85, 204);">http://anetastojnic.wordpress.com/news/</a></font></div><div class=""><br class=""></div></div></div><div class="" style="color: rgb(0, 0, 0); font-family: Helvetica; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-text-stroke-width: 0px;"><div class=""><div apple-content-edited="true" class="">
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</div></div></div></div></div></div></div></div></div></div><div class=""><br class="webkit-block-placeholder"></div><br class=""><div><blockquote type="cite" class=""><div class="">On Feb 3, 2016, at 11:32 AM, Marco Donnarumma <<a href="mailto:lists@marcodonnarumma.com" class="">lists@marcodonnarumma.com</a>> wrote:</div><br class="Apple-interchange-newline"><div class="">----------empyre- soft-skinned space----------------------<div dir="ltr" class=""><div class="">Dear all,<br class=""><br class=""></div><div class="">here's Marco, I'm a performer, computational sound artist and writer. I perform with, and write about, human bodies, sound and machines and the politics of their relation.<br class=""><br class="">I have been reading the list with great interest for the past two or three years, chimed in once, if I remember correctly.<br class=""></div><div class="">Here's a bit about me:<br class=""></div><div class=""><br class=""><br class=""></div><div class="">// Research<br class=""></div><div class=""><br class=""></div><div class="">I'm about to defend my PhD thesis at Goldsmiths, University of London, under the supervision of Atau Tanaka and Matthew Fuller.<br class=""><br class=""></div><div class="">My research focusses on corporeality and computation for sound performance
and body art. With corporeality I refer to the physiological,
phenomenological and cultural basis of embodied practices. I have a
multidimensional approach to research which brings together sound art,
cultural and philosophical studies of the body, and human-computer
interaction.<br class=""><br class="">My thesis proposes the notion of <em class="">configuration</em> as an analytical device and a
blueprint for artistic creation. Configuration defines the relationship
of the human being and technology as one where they affect each other’s
properties through a continuous, situated negotiation. In musical
performance, this involves a performer’s intuition, cognition, and
sensorimotor skills, an instrument’s material, musical and computational
properties, and sound’s vibrational and auditive qualities.<br class=""></div><div class="">I contend that particular configurations in musical performance
reinforce, alter or disrupt societal criteria against which human bodies
and technologies are assessed.<br class=""><br class=""></div><div class="">more in detail: <a href="http://marcodonnarumma.com/research/themes/" class="">http://marcodonnarumma.com/research/themes/</a><br class=""><br class=""><br class=""></div><div class="">// Works<br class=""><br class="">My latest performance, <a href="http://marcodonnarumma.com/works/corpus-nil" class="">CORPUS NIL</a>,
creates a tense choreographic interchange between a performer and an
autonomous machine using human bioelectrical and bioacoustic signals. <a href="http://marcodonnarumma.com/works/0-infinity" class="">0-INFINITY</a>
is a monumental architecture of infrasound vibrations, audible sounds
and high-powered lights morphing in response to biosignals and movement
data from the visitors’ bodies. In <a href="http://marcodonnarumma.com/works/ominous" class="">OMINOUS</a> and <a href="http://marcodonnarumma.com/works/music-for-flesh-ii" class="">MUSIC FOR FLESH II</a> I play interactive music by amplifying sounds from my body. The installation <a href="http://marcodonnarumma.com/works/nigredo" class="">NIGREDO</a>
induces visitors in altered states of self-perception by feeding sounds
from their bodies back to their skulls and bones. The sculptural object
<a href="http://marcodonnarumma.com/works/septic" class="">SEPTIC</a> physicalises digital viruses in the body.<br class=""></div><div class=""><br class=""></div><div class="">I'm now in the process to gather funds and partners for a long-term project focused on live, physical performance of human beings and autonomous machines: machines that possess cognitive and sensorimotor skills, embodied in robots or computational systems.<br class=""></div><div class=""><br class=""></div><div class=""><br class="">// Misc<br class=""><br class=""></div><div class="">I love to tour, doing it regularly since about 8 years. I'm an open source / open hardware advocate.<br class=""></div><div class="">Have a company base in NYC and Berlin, <a href="http://www.xth.io/" class="">XTH</a>, Inc., making open bioexpressive instruments for creators.<br class=""></div><div class="">Won a number of awards and grants, all detailed on my website.<br class=""><br class=""></div><div class="">hope this was not too long,<br class=""></div><div class="">wishing you well,<br class=""></div><div class="">M<br class=""></div></div><div class="gmail_extra"><br clear="all" class=""><div class=""><br clear="all" class=""><div class=""><div class="gmail_signature"><div dir="ltr" class=""><div class="">--<br class="">Marco Donnarumma<br class="">Performer, body tinkerer, teacher and writer.<br class=""></div><div class="">#soundandmusic #biotech #freeculture<br class=""></div><div class="">EAVI - Goldsmiths, University of London<br class="">~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<br class="">Portfolio: <a href="http://marcodonnarumma.com/" target="_blank" class="">http://marcodonnarumma.com</a><br class="">
Research: <a href="http://res.marcodonnarumma.com/" target="_blank" class="">http://res.marcodonnarumma.com</a></div></div></div></div>
</div>
<br class=""><div class="gmail_quote">On Mon, Feb 1, 2016 at 5:17 PM, Renate Terese Ferro <span dir="ltr" class=""><<a href="mailto:rferro@cornell.edu" target="_blank" class="">rferro@cornell.edu</a>></span> wrote:<br class=""><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex">----------empyre- soft-skinned space----------------------<br class="">
<br class="">
Hi all, Just a note that we are keeping the January discussion board open until Wednesday. For those of you who have not posted you current projects and bios please feel free to do so. On Wednesday we will open a new discussion up "Across borders and networks: migrants, asylum seekers, or refugee? Moderated by Ana Valdes (UR, SW) and Ricardo<br class="">
Dominguez. Looking forward to that. Renate<br class="">
<br class="">
Renate Ferro<br class="">
Cornell University<br class="">
College of Architecture, Art and Planning<br class="">
Department of Art<br class="">
_______________________________________________<br class="">
empyre forum<br class="">
<a href="mailto:empyre@lists.artdesign.unsw.edu.au" class="">empyre@lists.artdesign.unsw.edu.au</a><br class="">
<a href="http://empyre.library.cornell.edu/" rel="noreferrer" target="_blank" class="">http://empyre.library.cornell.edu</a><br class="">
</blockquote></div><br class=""></div>
_______________________________________________<br class="">empyre forum<br class=""><a href="mailto:empyre@lists.artdesign.unsw.edu.au" class="">empyre@lists.artdesign.unsw.edu.au</a><br class="">http://empyre.library.cornell.edu</div></blockquote></div><br class=""></body></html>