<html>
<head>
<meta content="text/html; charset=windows-1252"
http-equiv="Content-Type">
</head>
<body bgcolor="#FFFFFF" text="#000000">
<p>all-star cast! looking forward.</p>
<p>best, md<br>
</p>
<br>
<div class="moz-cite-prefix">On 11/1/16 9:10 AM, Murat Nemet-Nejat
wrote:<br>
</div>
<blockquote
cite="mid:4DFCD8D8-CAF6-4859-8181-A84E6672135E@gmail.com"
type="cite">
<pre wrap="">----------empyre- soft-skinned space----------------------</pre>
<br>
<fieldset class="mimeAttachmentHeader"></fieldset>
<br>
<meta http-equiv="Content-Type" content="text/html;
charset=windows-1252">
<!--[if gte mso 9]><xml>
<o:OfficeDocumentSettings>
<o:AllowPNG/>
</o:OfficeDocumentSettings>
</xml><![endif]-->
<!--[if gte mso 9]><xml>
<w:WordDocument>
<w:View>Normal</w:View>
<w:Zoom>0</w:Zoom>
<w:TrackMoves/>
<w:TrackFormatting/>
<w:PunctuationKerning/>
<w:ValidateAgainstSchemas/>
<w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
<w:IgnoreMixedContent>false</w:IgnoreMixedContent>
<w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
<w:DoNotPromoteQF/>
<w:LidThemeOther>EN-US</w:LidThemeOther>
<w:LidThemeAsian>JA</w:LidThemeAsian>
<w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript>
<w:Compatibility>
<w:BreakWrappedTables/>
<w:SnapToGridInCell/>
<w:WrapTextWithPunct/>
<w:UseAsianBreakRules/>
<w:DontGrowAutofit/>
<w:SplitPgBreakAndParaMark/>
<w:EnableOpenTypeKerning/>
<w:DontFlipMirrorIndents/>
<w:OverrideTableStyleHps/>
<w:UseFELayout/>
</w:Compatibility>
<m:mathPr>
<m:mathFont m:val="Cambria Math"/>
<m:brkBin m:val="before"/>
<m:brkBinSub m:val="--"/>
<m:smallFrac m:val="off"/>
<m:dispDef/>
<m:lMargin m:val="0"/>
<m:rMargin m:val="0"/>
<m:defJc m:val="centerGroup"/>
<m:wrapIndent m:val="1440"/>
<m:intLim m:val="subSup"/>
<m:naryLim m:val="undOvr"/>
</m:mathPr></w:WordDocument>
</xml><![endif]--><!--[if gte mso 9]><xml>
<w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
DefSemiHidden="true" DefQFormat="false" DefPriority="99"
LatentStyleCount="276">
<w:LsdException Locked="false" Priority="0" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Normal"/>
<w:LsdException Locked="false" Priority="9" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="heading 1"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/>
<w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/>
<w:LsdException Locked="false" Priority="39" Name="toc 1"/>
<w:LsdException Locked="false" Priority="39" Name="toc 2"/>
<w:LsdException Locked="false" Priority="39" Name="toc 3"/>
<w:LsdException Locked="false" Priority="39" Name="toc 4"/>
<w:LsdException Locked="false" Priority="39" Name="toc 5"/>
<w:LsdException Locked="false" Priority="39" Name="toc 6"/>
<w:LsdException Locked="false" Priority="39" Name="toc 7"/>
<w:LsdException Locked="false" Priority="39" Name="toc 8"/>
<w:LsdException Locked="false" Priority="39" Name="toc 9"/>
<w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/>
<w:LsdException Locked="false" Priority="10" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Title"/>
<w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" Priority="11" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" Priority="22" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" Priority="59" SemiHidden="false"
UnhideWhenUsed="false" Name="Table Grid"/>
<w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" SemiHidden="false"
UnhideWhenUsed="false" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" SemiHidden="false"
UnhideWhenUsed="false" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" SemiHidden="false"
UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" SemiHidden="false"
UnhideWhenUsed="false" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" SemiHidden="false"
UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" SemiHidden="false"
UnhideWhenUsed="false" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/>
</w:LatentStyles>
</xml><![endif]-->
<!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Table Normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:"";
mso-padding-alt:0in 5.4pt 0in 5.4pt;
mso-para-margin:0in;
mso-para-margin-bottom:.0001pt;
mso-pagination:widow-orphan;
font-size:12.0pt;
font-family:Cambria;
mso-ascii-font-family:Cambria;
mso-ascii-theme-font:minor-latin;
mso-hansi-font-family:Cambria;
mso-hansi-theme-font:minor-latin;}
</style>
<![endif]-->
<!--StartFragment-->
<p class="MsoNormal"><span style="font-family:Calibri">____________________________________<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">Welcome to
November, 2016
on –empyre soft-skinned space: <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri">Overcoming
Technique:
Multi-Media, Dialectics or Synthesis? <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri">Moderated
by Murat
Nemet-Nejat (TURKEY, US) with invited discussants Peter
Valente (US), Mustafa
Ziyalan (TURKEY, US), Adeena Karasick (CANADA, US), Alan
Sondheim (US), Michael Boughn (CANADA),
Jerome Sala (US), Chris Funkhauser (US). <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">November
1h Week 1: Peter Valente (US), Mustafa
Ziyalan (TURKEY, US) <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri">November
8th Week 2: Adeena Karasick (CANADA, US),
Alan Sondheim (US)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri">November
15th Week 3: Michael Boughn (CANADA), Jerome
Sala (US) <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri">November
22nd Week 4: Chris Funkhauser (US), Sally
Silvers (US), Bruce Andrews (US)<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">The
computer is now a fact
of our life, and in the last decade or so its dark underside
has become
visible. In the virtual world a lie is no different than
truth—that is
mathematically and epistemologically (and politically) equal
to each other. In
the world of digital art, infinite (i.e. algorithmic) openings
are potentially
overwhelming and equal to no choice at all. Infinity
seductively mutates to
paralysis (or into the positive virtual sealed reality of a
loopgamespace). That beauty is achieved where there is
friction. Friction
is the pod of desire, creating what is humanly infinite.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">The above
statement is
only a working hypothesis—based on this moderator's belief
that technology is
first of all about the posession of power. In the arts (as in
society), it may
easily become an "easier," seductively efficient weapon
suppressing
expression. Of course, one may agree or disagree with this
point of view. The
next question has to do with the idea of truth. In the sense
Martin Heidegger
uses in his essay "The Question Concerning Technology," to
what
extent does (or doesn't) digital technology lead to the
revelation of "the
truth" in the arts? The third question has to do with the
concept of
multi-media. Is the goal of multi-media progressive to achieve
an ideal
Wagnerian synthesis or is it more dialectical—each acting on
the other
reflectively (as is the case in a translation) revealing the
other's nature and
limits, the gap separating them as powerful and relevant as
the desire for
union. These are all open questions. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">The guests
this month all
work both within and outside the digital world and are
intensely conscious of
the questions raised above. Peter Valente creating his filmic
and photographic
images uses oppositional techniques to bypass the cooked
perfection and colors
of photoshop images. Mustafa Ziyalan, on the other hand, uses
the cellphone,
including the manipulation of colors, to depict the chaos he
sees around
himself. Alan Sondheim, in his multi-media work of recent
years, often
contrasts in the same work a text subjected to digital
procedures with a piece
of acoustic music performed on a single musical instrument.
Adeena Karasick
reverses technology's relationship to power, wresting it back
by creating a
poetics based on 12th century Kabbalah principles. In
performances, the poems
culminate in ecstatic, erotic-mystical sequences—what the
critic Maria Damon
calls "the wall of sound"—where words—often neologisms or word
combinations invented by the poet—richochet against each
other. The poems may
use visual and audio digital effects, but always words and the
poet's body
performing them is at the center. Along with the controversial
poet Kent
Johnson, Michael Boughn is the founder of the blog Dispatches
whose basic goal
is to archive texts and elicit discussions that go against the
grain of
contemporary artistic, literary or political opinion. Jerome
Sala is interested
"in the poetics of corporate and digital jargon and the new
subjectivities
to which these languages give rise." His forthcoming book of
poetry is <i>Corporations Are People, Too!</i> Chris
Funkhauser explores digital poetry as a new, independant form
with unique
pssibilities where the verbal, visual and aural achieve a
fluid sysnthesis and
potentially infinite versions of a work coexist
simultaneously, depending on
the reader's/player' choices.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">This month
of November,
2016 I invite the –empyre subscriber list to discuss these
issues in our
soft-skinned space with our distinguished group of weekly
guests. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">Murat <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">TO MAKE A
POST TO THE
SUBSCRIPTION LIST USE:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"><</span><a
moz-do-not-send="true"
href="mailto:empyre@lists.artdesign.unsw.edu.au"><span
style="font-family:Calibri;
color:windowtext;text-decoration:none;text-underline:none">empyre@lists.artdesign.unsw.edu.au</span></a><span
style="font-family:Calibri">><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">TO ACCESS
ARCHIVES USE
THIS URL:<o:p></o:p></span></p>
<p class="MsoNormal"><a moz-do-not-send="true"
href="http://lists.artdesign.unsw.edu.au/pipermail/empyre/"><span
style="font-family:Calibri;color:windowtext;text-decoration:none;text-underline:
none">http://lists.artdesign.unsw.edu.au/pipermail/empyre/</span></a><span
style="font-family:Calibri"><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">TO ACCESS
THE WEBSITE FROM
THE CORNELL SERVER TO FIND OUT MORE ABOUT EMPYRE GO TO:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"><a
moz-do-not-send="true"
href="http://empyre.library.cornell.edu">http://empyre.library.cornell.edu</a><o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">Biographies:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri">Moderator:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri">Murat
Nemet-Nejat (TURKEY,
US) is a poet, essayist, translator from Turkish poetry and
editor. He is
presently working on his poem "Camels and Weasels." His recent
publications include his translation from the Turkish poet Ece
Ayhan, <i>A Blind Cat Black and Orthodoxies</i> (1997,
new edition 2015), his poems <i>The Spiritual Life of
Replicants</i> (2011)
and <i>Animals of Dawn</i> (2016), and the
essays "Holiness and Jewish Rebellion: 'Questions of Accent'
Twenty Years
Afterwards," Languages of Modern Jewish Cultures: Comparative
Pers[ectives
(University of Michigan Press, 2016), "Dear Charles. Letters
from a Turk:
Mayan Letters, Herman Melvile and Eda," Letters for Olson,
gathered and
ed. Benjamin Hollander (Spuyden Duyvil, 2016), and "A Dialogue
with
Olga," Drawing Papers 129, Olga Chernysheva Vague Accent (The
Drawing
Center, 2016). He is also the editor of <i>Eda:
An Anthology of Contemporary Turkish Poetry</i> (Talisman
Publishers, 2004). <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">Weekly
Guests:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri">PETER
VALENTE is the
author of <i>A Boy Asleep Under the Sun:
Versions of Sandro Penna</i> (Punctum
Books, 2014), which was nominated for a Lambda award, <i>The
Artaud Variations</i> (Spuyten Duyvil, 2014), Let the Games
Begin:
Five Roman Writers (Talisman House, 2015), a book of
photography, <i>Street Level</i> (Spuyten Duyvil, 2016), and
the chapbook, <i>Forge of Words a Forest</i>
(Jensen Daniels, 1998). He is the co-translator of the
chapbook, <i>Selected Late Letters of Antonin Artaud,
1945-1947 </i>(Portable Press at Yo-Yo Labs, 2014), which
includes six of
Artaud’s letters, and has translated the work of Luis Cernuda,
Gérard de
Nerval, Cesare Viviani, Pierre Lepori, and Pier Paolo
Pasolini, as well as
numerous Ancient Greek and Latin authors. Forthcoming is a
second book of
photography entitled <i>Blue</i> (Spuyten
Duyvil, 2016), and a translation of Nanni Balestrini’s <i>Blackout</i>
(Commune Editions, 2017). In 2019. City Lights will
publish all 33 of Artaud’s late letters with an introduction
by Stephen Barber.
Valente has also written two experimental sci-fi novellas and
two books of
music, one on the improvised music scene and the other on the
Northern Soul
movement. Presently, he is at work translating Guillaume
Dustan’s Nicolas Pages
for Semiotext(e). In 2010, he turned to filmmaking and has
completed 60 shorts
to date, 24 of which were screened at Anthology Film Archives.
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">MUSTAFA
ZIYALAN was born
at the Black Sea coast of Turkey. He worked as<br>
a general practitioner and coroner in a rural Anatolian
village. Now he<br>
lives and practices psychiatry in New York. He has worked with
torture<br>
victims, prison inmates, children abusing volatile substances,<br>
pathological gamblers, and persons with AIDS. His poetry,
short fiction,<br>
and essays have appeared in many literary periodicals,
anthologies and<br>
in book form in Turkey. He poetry appears in English in <i>Eda:
An Anthology of Contemporary Turkish Poetry</i>.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">Cited as
the Kabbalah
Kohenet (High Priestess), ADEENA KARASICK is a New York based
poet, performer,
cultural theorist and media artist and the author of seven
books of poetry and
poetics. Writing at the intersection of post-Language
Conceptualism and
neo-Fluxus performatics, her urban, Jewish feminist mashups
have been described
as “electricity in language” (Nicole Brossard),
“proto-ecstatic jet-propulsive
word torsion” (George Quasha), noted for their
“cross-fertilization of punning
and knowing, theatre and theory” (Charles Bernstein) "a twined
virtuosity
of mind and ear which leaves the reader deliciously lost in
Karasick's signature
‘syllabic labyrinth’” (Craig Dworkin). Most recently is <i>This
Poem </i>(Talonbooks, 2012)
and <i>The Medium is
the Muse: Channeling Marshall McLuhan </i>(NeoPoiesis Press,
2014). She teaches Literature and Critical Theory for the
Humanities and Media
Studies Dept. at Pratt Institute, co-founding Director of the
KlezKanada Poetry
Festival and Retreat, and a 2016 Andrew W. Mellon Foundation
Award recipient.
The “Adeena Karasick Archive” has just been established at
Special Collections,
Simon Fraser University. <o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">ALAN
SONDHEIM is a
Providence-based new media artist, musician, writer, and
performer concerned
with issues of virtuality, and the stake that the real world
has in the
virtual. He has worked with his partner, Azur Carter and the
performer/choreographer Foofwa d'Imobilite. Sondheim is
interested in examining
the grounds of the virtual and how the body is inhabited. He
performs in
virtual, real, and cross-over worlds; his virtual work is
known for its highly
complex and mobile architectures. He has used altered
motion-capture technology
extensively for examining and creating new lexicons of
behavior. His current
work is centered around notions of gamespace, 'edgespace' (the
border areas of
gamespace) and 'blankness,' projections around edgespace. His
current music is
based on the impossibility of time reversal, on fast
improvisation, and anti-
gestural approaches to playing.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">MICHAEL
BOUGHN's
publications include 12 books of poetry (most recently <i>City
-- a poem from the end of the world</i> (Spuyten Duyvil,
2016)), a mystery novel, and multiple essays with a common
interest in
postmodern developments in writing, film, and architecture. In
April, 2016,
along with poet Kent Johnson, he launched <i>Dispatches
from the Poetry Wars</i>, an online pirate poetry website of
often satirical
resistance to both the official verse culture and its
Professional Avant-Garde
doppelganger. It dreams of becoming a non-central centre for a
shifting
gathering of like-minded and not so like-</span>minded people
to be in common
in a way that unfolds into surprise. <o:p></o:p></p>
<p class="MsoNormal"><span
style="font-family:Calibri;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri">JEROME SALA
is a poet,
independent scholar and essayist, who, for most of his life,
has earned a
living writing direct response advertising, both digital and
print. His books
of poetry include cult classics such as <i>Spaz
Attack</i>, <i>I Am Not a Juvenile
Delinquent</i>, <i>The Trip</i>, <i>Raw Deal</i>, <i>Look
Slimmer Instantly</i>, and <i>The
Cheapskates</i>. His essays and poems have appeared widely
in publications such
as <i>The Nation</i>, <i>the Brooklyn Rail</i> and <i>Rolling
Stone</i>. Before moving to New York in the 80s, Sala and
his spouse, poet
Elaine Equi, did numerous readings together, helping to create
Chicago’s lively
performance poetry scene. His blog, on “poetry, pop culture
and everyday life,”
is espresso bongo: </span><a moz-do-not-send="true"
href="http://www.espressobongo.typepad.com"><span
style="font-family:Calibri;color:windowtext;text-decoration:none;text-underline:none">http://www.espressobongo.typepad.com</span></a><span
style="font-family:
Calibri"> : </span><a moz-do-not-send="true"
href="http://www.espressobongo.typepad.com"><span
style="font-family:Calibri;color:windowtext;text-decoration:none;text-underline:none">http://www.espressobongo.typepad.com</span></a><span
style="font-family:
Calibri">. His forthcoming book of poems, <i>Corporations
Are People, Too!,</i> features a series of “Corporate
Sonnets” constructed from
“business speak” and the clichés of digital marketing and
entrepreneurial
self-help, towards their new subjectivity.<o:p></o:p></span></p>
<p class="MsoNormal"><span
style="font-family:Calibri;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin"> </span></p>
<p class="MsoNormal"><span
style="font-family:Calibri;mso-ascii-theme-font:major-latin;
mso-hansi-theme-font:major-latin">Multimedia artist and writer
CHRISTOPHER
FUNKHAUSER is author of <i>Prehistoric
Digital Poetry: An Archeology of Forms, 1959-1995</i>, <i>New
Directions in Digital Poetry</i>, <i>Whereis Mineral:
Selected Adventures in MOO</i>, the chapbooks <i>pressAgain</i>,
<i>Subsoil Lutes</i>, <i>Electro Þerdix</i>,
and <i>LambdaMOO_Sessions</i>. He was a
Visiting Fulbright Scholar at Multimedia University (Malaysia)
in 2006. In
2009, the Associated Press commissioned him to prepare digital
poems for the
occasion of Barack Obama’s inauguration. <i>Funk’s</i></span><i><span
style="font-family:Calibri"> SoundBox
2012</span></i><span style="font-family:Calibri">, nominated
for a 2013 Digital
Humanities award, interactively unites more than 400
recordings he produced. In
2016, he was a featured presenter at the Whitney Museum of
American Art's Open
Plan: Cecil Taylor exhibition. Funkhouser is Professor and
Director of the
Communication and Media program at New Jersey Institute of
Technology, a
Contributing Editor at PennSound, and hosts POET RAY’D YO on
WGXC in Hudson.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><span style="font-family:Calibri"> </span></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<!--EndFragment-->
<br>
<fieldset class="mimeAttachmentHeader"></fieldset>
<br>
<pre wrap="">_______________________________________________
empyre forum
<a class="moz-txt-link-abbreviated" href="mailto:empyre@lists.artdesign.unsw.edu.au">empyre@lists.artdesign.unsw.edu.au</a>
<a class="moz-txt-link-freetext" href="http://empyre.library.cornell.edu">http://empyre.library.cornell.edu</a></pre>
</blockquote>
<br>
</body>
</html>