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<p>Oh I adore the work of David-Baptiste Chirot! We used one of his
RubBeings as the cover for Poetry and Cultural Studies: A Reader.<br>
</p>
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<div class="moz-cite-prefix">On 11/15/16 10:29 AM, Murat Nemet-Nejat
wrote:<br>
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cite="mid:CAC0TkuakbxCfyNmr0EpXrm6bWb38=MFGpbskXV1nTbKNO9orvg@mail.gmail.com"
type="cite">
<pre wrap="">----------empyre- soft-skinned space----------------------</pre>
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<div>Of course, Ana is one of these persons on Empyre list,
and I assume there are others.<br>
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Here, I would like to evoke the name of another amazing
thinker, writer, collagist who lives in Milwaukee and
unfortunate can not be part of these discussion. He is David
Chirot. His collection of discarded objects in the streets
of Milwaukee, basically junk, to make his art is very
similar to the process. From what I understand, he was under
constant surveillance while he lived in Europe.<br>
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Ciao,<br>
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Murat<br>
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<div class="gmail_extra"><br>
<div class="gmail_quote">On Tue, Nov 15, 2016 at 9:23 AM, Craig
Saper <span dir="ltr"><<a moz-do-not-send="true"
href="mailto:csaper@umbc.edu" target="_blank">csaper@umbc.edu</a>></span>
wrote:<br>
<blockquote class="gmail_quote" style="margin:0 0 0
.8ex;border-left:1px #ccc solid;padding-left:1ex">----------empyre-
soft-skinned space----------------------<br>
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style="font-variant-ligatures:normal;font-variant-numeric:normal;font-variant-alternates:normal;font-variant-east-asian:normal;line-height:normal;text-align:-webkit-auto;text-indent:0px;word-wrap:break-word">
<div
style="color:rgb(0,0,0);font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-transform:none;white-space:normal;word-spacing:0px;font-variant-ligatures:normal;font-variant-numeric:normal;font-variant-alternates:normal;font-variant-east-asian:normal;line-height:normal;text-align:-webkit-auto;text-indent:0px;word-wrap:break-word">Following
the discussion closely. And, the tech-nic-al
bre-ak dow- on the listserve.</div>
<div
style="color:rgb(0,0,0);font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-transform:none;white-space:normal;word-spacing:0px;font-variant-ligatures:normal;font-variant-numeric:normal;font-variant-alternates:normal;font-variant-east-asian:normal;line-height:normal;text-align:-webkit-auto;text-indent:0px;word-wrap:break-word"><br>
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<div
style="color:rgb(0,0,0);font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-transform:none;white-space:normal;word-spacing:0px;font-variant-ligatures:normal;font-variant-numeric:normal;font-variant-alternates:normal;font-variant-east-asian:normal;line-height:normal;text-align:-webkit-auto;text-indent:0px;word-wrap:break-word">One
thread I hope continues in new week — w/ new
moderators and participants — the role of
e-x-arts in -empyre —in a time when many are
confronting Exile, Escape, … </div>
<div
style="color:rgb(0,0,0);font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-transform:none;white-space:normal;word-spacing:0px;font-variant-ligatures:normal;font-variant-numeric:normal;font-variant-alternates:normal;font-variant-east-asian:normal;line-height:normal;text-align:-webkit-auto;text-indent:0px;word-wrap:break-word"><br>
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<div
style="color:rgb(0,0,0);font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-transform:none;white-space:normal;word-spacing:0px;font-variant-ligatures:normal;font-variant-numeric:normal;font-variant-alternates:normal;font-variant-east-asian:normal;line-height:normal;text-align:-webkit-auto;text-indent:0px;word-wrap:break-word">Here
is something I shared with Alan Sondheim as
a sidebar (off the list) using the sound
track (by <span
style="text-align:-webkit-auto">Azure
Carter, voice and song </span><span
style="text-align:-webkit-auto">Luke
Damrosch, programming, recording,
engineering </span><span
style="text-align:-webkit-auto">and
Sondheim on flute … [</span><span
style="text-align:-webkit-auto">their CD
will be released with Public </span><span
style="text-align:-webkit-auto">Eyesore]. … </span><span
style="text-align:-webkit-auto"> </span><span
style="text-align:-webkit-auto">as the
soundtrack for this excerpt):</span></div>
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style="font-variant-ligatures:normal;font-variant-numeric:normal;font-variant-alternates:normal;font-variant-east-asian:normal;line-height:normal;text-align:-webkit-auto;text-indent:0px;word-wrap:break-word"><span><br>
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<blockquote type="cite">non-fiction allegory
and escape manual :: both literally and
figuratively</blockquote>
<br>
<blockquote type="cite">An excerpt from my
book [play the soundtrack that Sondheim
posted: <a moz-do-not-send="true"
href="http://www.alansondheim.org/protoborrow.mp3"
style="text-align:-webkit-auto"
target="_blank">http://www.<wbr>alansondheim.org/protoborrow.<wbr>mp3</a><span
style="text-align:-webkit-auto">]:</span></blockquote>
<br>
<blockquote type="cite"
style="font-family:Times-Roman">In literary
histories of modernism, the word expatriate
has, until recently, referred to a group of
American writers and artists living in Paris
and the Côte d’ Azur in the 1920s. Ernest
Hemingway immortalized this
supposedly high-living crowd in his novel A
Moveable Feast (1964), as did Gertrude Stein
and F. Scott Fitzgerald, but counter to the
mistaken view of a decadent and
politically detached expatriate group, many
of these same expatriates, including Rose
and Bob Brown, began by fleeing, penniless,
through Mexico and into Latin America in
1917 (often to avoid jail for sedition or
draft dodging). In their actions, they
broadened the definition of expatriates and
stressed the literary and artistic
vanguardists?connections to loss, exile,
violence, and narrow escapes. These were not
just themes in later avant-garde art;
these were the lived experience of a
generation, where a poverty-induced
make-do resourcefulness reinforced collages
of found, often discarded, objects; where
exile led to a fascination with otherness
and displacement; where their disgust with
the xenophobia sweeping the United States
and Europe, in the late teens and early
1920s, led to their flaunting diversity,
difference, internationalism, and otherness;
and where the necessity to avoid arrest
fueled an interest in masquerade, coded
allusions, and inside jokes. (from Chapter
4: Exile, Escape, and World Travels)</blockquote>
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______________________________<wbr>_________________<br>
empyre forum<br>
<a moz-do-not-send="true"
href="mailto:empyre@lists.artdesign.unsw.edu.au">empyre@lists.artdesign.unsw.<wbr>edu.au</a><br>
<a moz-do-not-send="true"
href="http://empyre.library.cornell.edu" rel="noreferrer"
target="_blank">http://empyre.library.cornell.<wbr>edu</a><br>
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<pre wrap="">_______________________________________________
empyre forum
<a class="moz-txt-link-abbreviated" href="mailto:empyre@lists.artdesign.unsw.edu.au">empyre@lists.artdesign.unsw.edu.au</a>
<a class="moz-txt-link-freetext" href="http://empyre.library.cornell.edu">http://empyre.library.cornell.edu</a></pre>
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