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<p class="MsoNormal">Before I introduce week two I thought I would update our bibliography and artist’s list. See below and feel free to update.
<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">A huge thank you to Catherine and Marissa (and Ellie for chiming in). To recap this past week, I would like to talk about some of the highlights within our conversation that perhaps our week 2 guests may want to pick up on. Somatic “knowing”
or awareness and the practice of making connections between the way we live our personal lives and the networked inter-dependent world may help all of us to understand “residual contamination.” This bio/environmental network that is directly relational affects
our health and environment. Residual contamination is connected in a rhythm of movement though our bodies and everything that that surrounds us.<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Can we work through residual contamination through critical transformation and intervention? Can there be a positive side of contamination that emerges through art practice?
<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Can we become mindful and re-familiarize ourselves with the concept of time? By consciously connecting with our networked environment we can share mindfulness and DIY options creating a linked chain of reactions much less dependent on processed
and manufactured solutions. <o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
<p class="MsoNormal">Bibliograph/ Resources on Contamination<o:p></o:p></p>
<p class="MsoNormal"> <o:p></o:p></p>
<p class="MsoNormal">Patricia Reed’s recent article "Xenophily and Computational Denaturalization <<a href="http://www.e-flux.com/architecture/artificial-labor/140674/xenophily-and-computational-denaturalization/">http://www.e-flux.com/architecture/artificial-labor/140674/xenophily-and-computational-denaturalization/</a>><o:p></o:p></p>
<p class="MsoNormal">Stephen J. Gould’s “An Evolutionary Perspective on Strengths, Fallacies, and Confusions in the Concept of Native Plants” (Arnoldia, Spring 1998)<o:p></o:p></p>
<p class="MsoNormal">Anna Tsing "Arts of Living on a Damaged Planet":<a href="http://edgeeffects.net/anna-tsing/">http://edgeeffects.net/anna-tsing/</a><o:p></o:p></p>
<p class="MsoNormal">Edited by <a href="https://mitpress.mit.edu/authors/nato-thompson"><span style="color:windowtext;text-decoration:none">Nato Thompson</span></a> and <a href="https://mitpress.mit.edu/authors/gregory-sholette"><span style="color:windowtext;text-decoration:none">Gregory
Sholette</span></a>, “The <b>Interventionists </b>Users' Manual for the Creative Disruption of Everyday Life (MIT Press, 2004<o:p></o:p></p>
<p class="MsoNormal">Marc Auge, “Non-Places: An Introduction to Supermodernity, (Verson, 2009)<o:p></o:p></p>
<p class="MsoNormal"><a href="http://scorecard.goodguide.com/chemical-groups/one-list.tcl?short_list_name=pest">http://scorecard.goodguide.com/chemical-groups/one-list.tcl?short_list_name=pest</a><o:p></o:p></p>
<p class="MsoNormal"><a href="http://www.debatingeurope.eu/2017/10/24/live-debate-sustainable-agriculture-without-pesticides/#.Wgjh9EFWqaM">http://www.debatingeurope.eu/2017/10/24/live-debate-sustainable-agriculture-without-pesticides/#.Wgjh9EFWqaM</a><o:p></o:p></p>
<p class="MsoNormal">Timothy Morton's "Hyperobjects", 2013,<o:p></o:p></p>
<p class="MsoNormal"><o:p> </o:p></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Arial",sans-serif;color:black">Art work/ Artists<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Arial",sans-serif;color:black">Catherine Grau<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Arial",sans-serif;color:black"><a href="http://www.environmentalperformanceagency.com/">http://www.environmentalperformanceagency.com/</a><o:p></o:p></span></p>
<p class="MsoNormal"><a href="http://chancecologies.org/">http://chancecologies.org/</a><o:p></o:p></p>
<p class="MsoNormal"><span lang="FI">Marissa Tesauro<o:p></o:p></span></p>
<p class="MsoNormal"><span lang="FI"><a href="http://marisatesauro.com/works/"><span lang="SV">http://marisatesauro.com/works/</span></a></span><span lang="SV"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="SV">Rum Cake Brigade <o:p></o:p></span></p>
<p class="MsoNormal"><span lang="SV"> </span><span lang="FI"><a href="http://www.rumcakebrigade.net"><span lang="SV">www.rumcakebrigade.net</span></a></span><span lang="SV"><o:p></o:p></span></p>
<p class="MsoNormal"><a href="http://www.worldofmatter.net/"><span lang="SV">http://www.worldofmatter.net/</span></a><span lang="SV"><o:p></o:p></span></p>
<p class="MsoNormal"><span lang="SV"><o:p> </o:p></span></p>
<p class="MsoNormal"><span lang="SV"><o:p> </o:p></span></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Arial",sans-serif;color:black">Renate Ferro</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Arial",sans-serif;color:black">Visiting Associate Professor</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Arial",sans-serif;color:black">Director of Undergraduate Studies</span><o:p></o:p></p>
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<p class="MsoNormal"><span style="font-size:10.5pt;font-family:"Arial",sans-serif;color:black">Department of Art</span><o:p></o:p></p>
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<p class="MsoNormal">Moderator –empyre soft-skinned space<o:p></o:p></p>
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