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<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true">All my deepest love to Arthur for his loss.</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true"><br>
</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true">Marilouise will always be dancing all night long with Critical Art Ensemble in Miami in the late 80's after our show "Forget Foucault."</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true">She was a brilliant shining star and along with Arthur offered us deep support even if we were young and bumbling.
<br>
</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true"><br>
</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true">(I have an endless tales of her support of all the work I have been involved in).
<br>
</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true"><br>
</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true">I first encountered the hyper-research on excremental cultures while taking a lunch break from Rubyfruit Books, an independent lesbian bookstore, I worked at in
Tallahassee, Fl in the 80's. I would get high and go across the street to Florida State University Lib. journal stacks floor and do my own version of psychogeographics by closing my eyes and randomly drifting, then stopping and just pulling out whatever journal
my fingers happen to be touching. I pulled out something entitled <i>The Canadian Journal of Theory and Politics</i>. It was CRITICAL CRACK!! Exactly what I needed, what my crew Critical Art Ensemble needed and we sniffed it up and didn't stop.
<br>
</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true"><br>
</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true">A couple of months after discovering the Krokers I had set up my book table to sell my wares (by then I had
<i><span class="bookTitle">Feminism Now: Theory and Practice</span></i> and <span class="bookTitle">
<a href="http://www.ctheory.net/book2.asp?bookid=15" id="LPlnk934206" class="OWAAutoLink" previewremoved="true">Technology and the Canadian Mind: Innis/McLuhan/Grant</a></span> and issues of the journal that would later be published as the<i> Postmodern Scene</i>.
The first day of the conference had started and then (remember this was before you could instantly stalk peoples visages on-line), I saw to fingers dressed in deep black with neon yellow backpacks with a segments of a poem in French tracing across them. In
my dazed and confused mind I automatically knew that what was sauntering down the hall were the Krokers (it is amazing what a critically high mind can do :-). I hailed them over and presented my self and their books. They were so happy to see them present
in the cultural frontier of Tallahassee, Fl. I tolled them to the ditch the conference and come party with CAE. Without hesitation that followed me down the yellow brick road and they never left our side.<br>
</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true"> <br>
</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true">Marilouise via the multiple gestures she co-produced with Arthur established a critical aesthetics and algo-rhythms at the edges of what could be thought and felt.
She worked with me on getting the very first gesture that I published under my own name in the 90's in Ctheory on Digital Zapatismo. It with deepest love that remember her kindness, her support and most importantly the depth and fearlessness of her critical
investigations. <br>
</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true"><br>
</span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true">The last time I saw her was in a show I co-curated at Gallery@CALIT2 at UCSD entitled
<span class="text">"Drones at Home" in 2012. Arthur and Marilouise came down and did a series of lectures and performances. In the video you will get a sense of her voice and also about an hour into the video you can see and hear their experimental videos as
well:</span></span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true"><span class="text"><br>
</span></span></span></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true"><span class="text"><a href="https://www.youtube.com/watch?v=m2sq4YO9hYE" class="OWAAutoLink" id="LPlnk389893" previewremoved="true">https://www.youtube.com/watch?v=m2sq4YO9hYE</a></p>
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<a id="LPUrlAnchor_15274194357920.06391510164512548" style="text-decoration: none;" href="https://www.youtube.com/watch?v=m2sq4YO9hYE" target="_blank">Exits to the Post Human Future + After the Drones</a></div>
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This lecture by theorists Arthur and Marilouise Kroker and reception will mark the closing of Phase 3 of Drones at Home, a three-part exhibition in the gallery@calit2 ...</div>
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Con Amor Infinito,</span></span></span>
<p></p>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true"><span class="text">Ricardo<br>
</span></span></span></p>
<br>
<p style="margin-top:0;margin-bottom:0"><span data-offset-key="ejh1b-0-0"><span data-text="true"><em></em><span class="st" data-hveid="94" data-ved="0ahUKEwj689ev16XbAhUBulMKHU0ZBQsQ4EUIXjAB"><em></em></span></span></span><br>
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<div id="divRplyFwdMsg" dir="ltr"><font face="Calibri, sans-serif" style="font-size:11pt" color="#000000"><b>From:</b> empyre-bounces@lists.artdesign.unsw.edu.au <empyre-bounces@lists.artdesign.unsw.edu.au> on behalf of Renate Terese Ferro <rferro@cornell.edu><br>
<b>Sent:</b> Saturday, May 26, 2018 10:37:20 PM<br>
<b>To:</b> soft_skinned_space<br>
<b>Subject:</b> Re: [-empyre-] In memory of Marilouise Kroker 1943-2018</font>
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<div class="PlainText">----------empyre- soft-skinned space----------------------<br>
Thanks Tim and Ana, If there are others of you who have thoughts or memories about Marilouise Kroker please post. We will keep this thread open until the 31st of May.
<br>
Renate<br>
<br>
Renate Ferro<br>
Visiting Associate Professor<br>
Director of Undergraduate Studies<br>
Department of Art<br>
Tjaden Hall 306<br>
rferro@cornell.edu<br>
<br>
<br>
<br>
On 5/26/18, 2:04 PM, "empyre-bounces@lists.artdesign.unsw.edu.au on behalf of Timothy Conway Murray" <empyre-bounces@lists.artdesign.unsw.edu.au on behalf of tcm1@cornell.edu> wrote:<br>
<br>
----------empyre- soft-skinned space----------------------<br>
What a shock it was to learn of Marilouise Kroker’s death on Tuesday after an extremely short illness. Renate and I have so valued our years of friendship and collaboration with Marilouise. As Renate mentioned, it was very much the influence of Arthur
and Marilouise that urged us to join in collaboration for –empyre- and other writing and curatorial projects after firmly keeping our work separate for the first period of our professional lives together, when Renate would work separately in her studio and
I would write my stuff across the house in my study, only to meet in the middle of house at the end of the day to share our creations. Marilouise and Arthur helped us to understand that it could be exciting and creative to share our voices in public. Strangely
the other couple similarly influencing us were Helen and Newton Harrison, with Helen also leaving us in April (at 90, with a good fifteen years of more production than Marilouise would be granted).<br>
<br>
Marilouise joined with Arthur to usher in the first wave of “critical digital studies” with their tireless work on CTHEORY – the first online journal – and their many publishing projects. So many –empyre- subscribers will remember the verve and edge of
their infamous public critical performances when, clad in cool black and amplified by body mics, they would alternate reading their experimental prose with their characteristic flat and edgy voices as if cyborgs clad in human bodies. Marilouise was one of
the early critical figures to insist on the fractious rub of the feminist voice on the culture of the big daddy mainframe. Her 1993 collection with Arthur, The Last Sex: Feminism and Outlaw Bodies, provided a cyberfeminist stage for the likes of Kathy Acker
and provided an added echo chamber for the growing and loud resonance of global cyberfeminist voices of those pioneering figures and collectives such as Donna Haraway, Sadie Plant, VNS Matrix, Old Boys Network, and subRosa.<br>
<br>
Renate and I enjoyed a magical semester with Marilouise in Ithaca when she and Arthur were in residence at Cornell’s Society for the Humanities for the 1998-99 theme year, “The Virtual.” Even when Marilouise was struggling with severe back pain at the
time, she was always laughing and mischievous in planning the next critical disruption of the utopic digital scene or when sending me and Arthur off to the ice rink for what she would call our “philosophical skates.” And I so well recall her infectious glee
when Reggie Woolery and Srinivas Aravamudan cooked up the idea to launch a pirate internet radio program of music and critical interviews in which she and Arthur starred (perhaps one of the very first such online radio shows, which Cornell soon shut down over
copyright paranoia). Just before they came to Ithaca, Marilouise and Arthur seized upon the emergent multimedia capacities of the internet to launch their first multimedia version of CTHEORY: “Digital Dirt” (<a href="http://ctheorymultimedia.cornell.edu">http://ctheorymultimedia.cornell.edu</a>).
Aiming to infect “the antiseptic cleanliness” of “the ruling illusion of digital reality,” “Digital Dirt” provided a mixed media platform for interventions in noise, e-art, and text. As we spent that Virtual period together at Cornell, we hatched the idea
of creating a separate space for critical net.art, “CTHEORY Multimedia,” which we opened at the Cornell Library with the help of Associate Librarian, Tom Hickerson. Profiting from library programmers and designers dedicated to CTHEORY Multimedia, we produced
three additional issues of net.art whose criticality and artistic breadth were unparalleled on the international scene: “Tech Flesh: The Promise and Perils of the Human Genome Project,” “Wired Ruins: Digital Terror and Ethnic Paranoia,” and “NetNoise” for
which we jointly wrote curatorial statements. These issues are remarkably still accessible. Co-writing with Marilouise and Arthur was such an intellectual and stylistic thrill for me. My critical style has never been the same! One of my favorite memories
was joining them on a phone call, when I dialed them in Montreal as I sat in the parking lot of Arthur and my favorite Ithaca ice rink, when Marilouise characteristically and so gently yet firmly always came up with the perfect solution to the prosaic differences
we were struggling over. For NetNoise, we also recorded our readings of our curatorial statements. We combined our voices for the introductory curatorial statement and then each of our voices were featured on the statements framing the individual net.art
pods. On Tuesday night, after learning the sad news from Arthur, I clicked on the link to the curatorial note for “Sound Culture” and marveled, as I’m doing again right now, at the remarkable grain of Marilouise’s voice. As I conclude this brief homage to
Marilouise, I invite you all to join me in listening to the critical verve and haunting voice of Marilouise’s contributions to critical digital culture:
<a href="http://ctheorymultimedia.cornell.edu/four.php">http://ctheorymultimedia.cornell.edu/four.php</a> ).<br>
<br>
The grain of your NetNoise lingers on the net, dear Marilouise.<br>
<br>
Tim<br>
<br>
Timothy Murray<br>
Director, Cornell Council for the Arts and Curator, CCA Biennial<br>
<a href="http://cca.cornell.edu">http://cca.cornell.edu</a><br>
Curator, Rose Goldsen Archive of New Media Art <br>
<a href="http://goldsen.library.cornell.edu">http://goldsen.library.cornell.edu</a> <<a href="http://goldsen.library.cornell.edu/">http://goldsen.library.cornell.edu/</a>><br>
Professor of Comparative Literature and English<br>
<br>
B-1 West Sibley Hall<br>
Cornell University<br>
Ithaca, New York 14853<br>
<br>
<br>
<br>
On 5/26/18, 11:54 AM, "empyre-bounces@lists.artdesign.unsw.edu.au on behalf of Renate Terese Ferro" <empyre-bounces@lists.artdesign.unsw.edu.au on behalf of rferro@cornell.edu> wrote:<br>
<br>
----------empyre- soft-skinned space----------------------<br>
Sorry all. Sent out the unedited version inadvertently. Use this version to pass on to others please.
<br>
<br>
Tim and I are heartbroken to write to all of you today. <br>
<br>
Marilouise Kroker, died earlier this week at home on May 22, 2018. She was an author and Senior Research Scholar at the Pacific Centre for Technology and Culture, University of Victoria. With her collaborator and husband, Arthur Kroker, she wrote Hacking
the Future (1996). She also co-edited and introduced numerous anthologies including Critical Digital Studies A Reader (2008), Digital Delirium (1997), Body Invaders (1987), The Last Sex (1993). Arthur and Marilouise also jointly edited the online academic
journal Ctheory, an international journal of theory, technology and culture. Collaborating with Tim Murray they created the curatorial online project, C-theory Multimedia. For more of their work:
<br>
<a href="http://krokers.net/">http://krokers.net/</a><br>
<a href="http://ctheory.net/ctheory_wp/author/marilouisekroker/">http://ctheory.net/ctheory_wp/author/marilouisekroker/</a><br>
<a href="http://ctheorymultimedia.cornell.edu/">http://ctheorymultimedia.cornell.edu/</a><br>
<br>
Marilouise and Arthur Kroker have been vital parts of our personal fiber for the past twenty years. It has been their courage and trailblazing efforts at personal collaboration that provided us the beacon of example for us personally. Tim’s common
work and writing for CTHEORY Multimedia has been one of the personal and artistic highlights of his career. Marilouise was ripped from Arthur so quickly and cruelly.<br>
<br>
Over the next week, until we introduce the next topic hosted by ShuLea Cheang please feel free to add thoughts and narratives about Marilouise. We send our heartfelt condolences to Arthur at this time from the entire –empyre- soft-skinned community.
<br>
<br>
Renate Ferro<br>
and Tim Murray<br>
<br>
<br>
<br>
<br>
<br>
Renate Ferro<br>
Visiting Associate Professor<br>
Director of Undergraduate Studies<br>
Department of Art<br>
Tjaden Hall 306<br>
rferro@cornell.edu<br>
<br>
<br>
<br>
On 5/26/18, 11:47 AM, "empyre-bounces@lists.artdesign.unsw.edu.au on behalf of Renate Terese Ferro" <empyre-bounces@lists.artdesign.unsw.edu.au on behalf of rferro@cornell.edu> wrote:<br>
<br>
----------empyre- soft-skinned space----------------------<br>
Tim and I are heartbroken to write to all of you today. <br>
<br>
Marilouise Kroker, died earlier this week at home on May 22,nd 2018. She was an author and Senior Research Scholar at the Pacific Centre for Technology and Culture, University of Victoria. With her collaborator and husband, Arthur Kroker, she wrote
Hacking the Future (1996). She also co-edited and introduced numerous anthologies including Critical Digital Studies A Reader (2008), Digital Delrium (1997), Body Invaders (1987), The Last Sex (1993). Arthur and Marilouise and Arthur also jointly edited the
online academic journal Ctheory, an international journal of theory, technology and culture. Collaborating with Tim Murray they created the curatorial online project, C-theory Multimedia. For further colaborations see the following links:
<br>
<a href="http://krokers.net/">http://krokers.net/</a><br>
<a href="http://ctheory.net/ctheory_wp/author/marilouisekroker/">http://ctheory.net/ctheory_wp/author/marilouisekroker/</a><br>
<a href="http://ctheorymultimedia.cornell.edu/">http://ctheorymultimedia.cornell.edu/</a><br>
<br>
Marilouise and Arthur Kroker have been vital parts of our personal fiber for the past twenty years. It has been their courage and trailblazing efforts at personal collaboration that provided us the beacon of example for us personally. Tim’s common
work and writing for CTHEORY Multimedia with the Krokers has been one of the personal and artistic highlights of his career. Marilouise was ripped from Arthur so quickly and cruelly.<br>
<br>
Over the next week, until we introduce the next topic hosted by ShuLea Cheang please feel free to add thoughts and narratives about Marilouise. We send our heartfelt condolences to Arthur at this time from the entire –empyre- soft-skinned community.
<br>
<br>
Renate Ferro<br>
and Tim Murray<br>
<br>
<br>
<br>
Renate Ferro<br>
Visiting Associate Professor<br>
Director of Undergraduate Studies<br>
Department of Art<br>
Tjaden Hall 306<br>
rferro@cornell.edu<br>
<br>
<br>
<br>
_______________________________________________<br>
empyre forum<br>
empyre@lists.artdesign.unsw.edu.au<br>
<a href="http://empyre.library.cornell.edu">http://empyre.library.cornell.edu</a><br>
<br>
_______________________________________________<br>
empyre forum<br>
empyre@lists.artdesign.unsw.edu.au<br>
<a href="http://empyre.library.cornell.edu">http://empyre.library.cornell.edu</a><br>
<br>
_______________________________________________<br>
empyre forum<br>
empyre@lists.artdesign.unsw.edu.au<br>
<a href="http://empyre.library.cornell.edu">http://empyre.library.cornell.edu</a><br>
<br>
_______________________________________________<br>
empyre forum<br>
empyre@lists.artdesign.unsw.edu.au<br>
<a href="http://empyre.library.cornell.edu">http://empyre.library.cornell.edu</a></div>
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