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<p>Dear empyreans,</p>
<p>languages of the body ... these are the languages in which we
live, no?</p>
<p>they may be contrasted with Derrida's "schemas and languages that
are already there"<br>
</p>
<p>there is an historic debate about there being <i>a </i>language
of the body, or language of a body</p>
<p>as one who works in theatre against performance, against
representation, such a language, for me, is in the gesture to the
<i>point in depth</i>, from which what is coming is coming. It is
virtual.</p>
<p>Its virtuality consists in being not yet, or no longer, or not
merely actual. So it is displacement without replacement--or what
we might call an action.</p>
<p>I like that Mir<span>รณ called it painting's assassin, this point
in depth, with infinite motility, since it displaces,
virtualising, space onto time, and since it displaces,
virtualising, time onto space ...</span></p>
<p><span>thought may be said to have this infinite speed</span></p>
<p><span>Best,</span></p>
<p><span>Simon</span></p>
<p><span><a class="moz-txt-link-freetext" href="http://squarewhiteworld.com">http://squarewhiteworld.com</a><br>
</span></p>
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