<html><head><style>body{font-family:Helvetica,Arial;font-size:13px}</style></head><body><div style="font-family:Helvetica,Arial;font-size:13px;margin:0px"><span style="font-family:AvenirNext-Medium;font-size:14px">Hi Johannes Birringer ,</span><span style="font-family:AvenirNext-Medium;font-size:14px"> very nice work, thank you.</span></div> <br> <div class="gmail_signature">Li Zhenhua<div>李振华</div></div> <br><p class="airmail_on">开 2020年11月12日 在 下午10:13:38, Johannes Birringer (<a href="mailto:johannes.birringer@brunel.ac.uk">johannes.birringer@brunel.ac.uk</a>) 写到:</p> <blockquote type="cite" class="clean_bq"><span><div><div></div><div>----------empyre- soft-skinned space----------------------
<br>Greetings -
<br>I was struck by Annie Abrahams' comments on the Covid siege and medicalized working conditions,
<br>her reference to students in Amsterdam demanding "physical education." And I wondered how others,
<br>who might teach/work in performance, experience this at the moment? (I felt this week that I had become
<br>the only physical teacher left in my art school, as pressure from management had moved all classes to
<br>the hard-to survive zoomland) and compliance is the new catchword.
<br>
<br>Am also happy sharing my new performance work with you,
<br>& I welcome your feedback.....
<br>
<br>‘Gravel Maraboutage'
<br> site specific movement, 13:11 min 2020
<br>
<br><a href="https://www.youtube.com/watch?v=UlfTUpFYP48&feature=youtu.be">https://www.youtube.com/watch?v=UlfTUpFYP48&feature=youtu.be</a>
<br>
<br>The film was edited after I got invited to write about my experience as a choreographer being in lockdown in an inter-pandemic era, and my
<br>"Electric Dance, or How to Talk with Birds" will appear shortly in Critical Stages/Scènes Critiques #22
<br>(<a href="http://www.critical-stages.org">http://www.critical-stages.org</a>), alongside other theatre artists's reflections on what Annie called the unfulfilled promises.
<br>
<br>thank you for watching
<br>
<br>Johannes Birringer
<br>DAP-Lab, London
<br>
<br>
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