<div dir="ltr">thanks so much for these thoughtful answers Matt. <div><br></div><div>In case anyone wants to see some example image relations from I'm Feeling Lucky, here are some direct links:<div><br></div><div>"appears to be" : <a href="http://im-feeling-lucky.surge.sh/#/i/appears%20to%20be" target="_blank">http://im-feeling-lucky.surge.sh/#/i/appears%20to%20be</a></div><div>"extends over" : <a href="http://im-feeling-lucky.surge.sh/#/i/extendes%20over" target="_blank">http://im-feeling-lucky.surge.sh/#/i/extendes%20over</a></div><div>"covered by a" : <a href="http://im-feeling-lucky.surge.sh/#/i/covered%20by%20a" target="_blank">http://im-feeling-lucky.surge.sh/#/i/covered%20by%20a</a></div><div>"has many" : <a href="http://im-feeling-lucky.surge.sh/#/i/has%20many" target="_blank">http://im-feeling-lucky.surge.sh/#/i/has%20many</a><br></div><div><br></div><div><div>Link to "I'm feeling lucky" on View Recent Changes: <a href="https://recentchanges.ca/I%27m_Feeling_Lucky" target="_blank">https://recentchanges.ca/I%27m_Feeling_Lucky</a></div><div>And of course the at the accumulations exhibition: <a href="http://accumulations.online/recentchanges.html" target="_blank">http://accumulations.online/recentchanges.html</a></div><div></div></div><div><br></div><div>I really love these very abstract fragments of phrases, made visually concrete by the algorithm, which picks one set of images among infinite combinations.</div><div><br></div><div>I recently discussed Vannevar Bush and his Memex machine with my students. As I'm sure many people know, the memex was an analogue device designed to help a user make connections within and between images, texts, and other visual records. It then recorded the process of making these links so that each set of associations could be recalled later. On many platforms that we use today, algorithms make these links for us based on behavioral data, surveillance and big data. This project explores the poetic potential of these automatic associations.</div><div><br></div><div>This also brings to mind <a href="https://www.are.na">https://www.are.na</a>, the platform in which users, rather than the platform, create their own cross referenced collections of webpages, images and other documents. Maybe a contemporary, visually-oriented update to some of the original ideals of hypertext. </div><div><br></div><div>Thanks again Matt, and everyone at View Recent Changes!</div><div><br></div><div><br></div><div><br></div></div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Tue, Nov 17, 2020 at 12:54 PM Matt Nish-Lapidus <<a href="mailto:matt@emenel.ca" target="_blank">matt@emenel.ca</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">----------empyre- soft-skinned space----------------------<div><div>Hi empyre--</div><br><div><blockquote type="cite"><div>On Nov 16, 2020, at 4:17 PM, Daniel Lichtman <<a href="mailto:danielp73@gmail.com" target="_blank">danielp73@gmail.com</a>> wrote:</div><br><div><span style="font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration:none;float:none;display:inline">how you see the relation between human and AI generated poetry? What happens when visual references that draw on our own, personal associations with (for example braided hair and snake curled around a stick in the entry for “curled”), are collected and remixed by the algorithm?</span><br style="font-family:Helvetica;font-size:12px;font-style:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;text-decoration:none"></div></blockquote></div><br><div>Thanks for the thoughtful question, Dan.</div><div><br></div><div>This piece started with the list of relational terms you see on the wiki page. I was really drawn to the poetics of it, and the complication of its purpose. The list of terms is used by computer vision systems to describe relationships between objects in images, the the terms themselves were written by people and compiles into this dataset. </div><div><br></div><div>In the piece there’s this strange feedback loop--people define the things that the system can recognize as relationships, and the image search results tries to piece together a number of images that expresses that relation. The image search doesn’t actually use this type of image recognition system, so it looks for the relationship in metadata and we infer some other meaning in the collage of returned images. … which in turn is fluid and responding to the structure of the web via the search ranking algorithm. … so there are a number of layers of feedback between human input/activity and machine algorithms/ways of seeing. Ultimately the machine doesn’t know what a braid is, or even what an image is… it identifies patterns of pixels and metadata and supplies us with material from which we can try to make meaning.</div><div><br></div><div>You’re right to see the relationship between this and the types of image assemblages we encounter daily—instagram, twitter, image search, tiktok … they are all different types of algorithmically aligned images (based on our mostly passive input as behaviour and relational metadata (what Yuk Hui calls a “digital object)). With “I’m Feeling Lucky” we were really trying to expose and mine the poetics of metadata itself, as well as the resulting images that are often both strange and compelling.</div><div><br></div><div><br></div><div><br></div></div>_______________________________________________<br>
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