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<p>Hi everyone,</p>
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<p>Here are the books that are currently on my reading list.</p>
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<p><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">Fuchs, Thomas. 2018. </span><i style="font-family: "Arial Unicode MS", Arial, Verdana, sans-serif; font-size: 11px;"><span style="font-size: 11pt; font-family: Calibri, Helvetica, sans-serif;">Ecology
of the brain: the phenomenology and biology of the embodied mind</span></i><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">. Oxford: Oxford University Press.</span><br>
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<p><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">Borgdorff, Henk, Peter Peters, and Trevor Pinch. 2020. </span><i style="font-family: "Arial Unicode MS", Arial, Verdana, sans-serif; font-size: 11px;"><span style="font-size: 11pt; font-family: Calibri, Helvetica, sans-serif;">Dialogues
between artistic research and science and technology studies</span></i><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">. New York: Routledge.</span><br>
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<p><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">Pitts-Taylor, Victoria. 2016. </span><i style="font-family: "Arial Unicode MS", Arial, Verdana, sans-serif; font-size: 11px;"><span style="font-size: 11pt; font-family: Calibri, Helvetica, sans-serif;">The
brain's body: neuroscience and corporeal politics</span></i><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">. </span><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">Durham: Duke University Press</span><span style="font-family: "Arial Unicode MS", Arial, Verdana, sans-serif; font-size: 11px;"><br>
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<p><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">McCray, Patrick. 2020. </span><i style="font-family: "Arial Unicode MS", Arial, Verdana, sans-serif; font-size: 11px;"><span style="font-size: 11pt; font-family: Calibri, Helvetica, sans-serif;">Making
art work: how Cold War engineers and artists forged a new creative culture</span></i><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">. Cambridge, MA: MIT Press.</span><br>
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<p><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">Beck, John, and Ryan Bishop. 2020. </span><i style="font-family: "Arial Unicode MS", Arial, Verdana, sans-serif; font-size: 11px;"><span style="font-size: 11pt; font-family: Calibri, Helvetica, sans-serif;">Technocrats
of the imagination: art, technology, and the military-industrial avant-garde</span></i><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">. Durham: Duke University Press</span></p>
<p><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">Berardi, Franco. 2015. </span><i style="font-family: "Arial Unicode MS", Arial, Verdana, sans-serif; font-size: 11px;"><span style="font-size: 11pt; font-family: Calibri, Helvetica, sans-serif;">And:
phenomenology of the end</span></i><span style="font-family: Calibri, Helvetica, sans-serif; font-size: 11pt;">. Los Angeles: Semiotext(e)</span><span style="font-family: "Arial Unicode MS", Arial, Verdana, sans-serif; font-size: 11px;"><br>
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<span style="font-size: 11pt; font-family: Calibri, Helvetica, sans-serif;">Shaughnessy, Nicola. 2012. </span><i><span style="font-size: 11pt; font-family: Calibri, Helvetica, sans-serif;">Applying Performance: Live Art, </span></i><i><span style="font-size: 11pt; font-family: Calibri, Helvetica, sans-serif;">Socially
Engaged Theatre and Affective Practices. </span></i><span style="font-size: 11pt; font-family: Calibri, Helvetica, sans-serif;">Hampshire: Palgrave</span></p>
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<p>I'm a new member of this listserver. My name is Cristina Albu and I am an art historian teaching at University of Missouri - Kansas City. I am currently working on a book project which charts the history of biofeedback art and examines how contemporary artists
are inquiring into the situated nature of consciousness. My prior publications include the book
<i>Mirror Affect: Seeing Self, Observing Others in Contemporary Art </i>(Minnesota University Press, 2016) and the co-edited volume
<i>Perception and Agency in Shared Spaces of Contemporary Art </i>(Routledge, 2018).</p>
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<p>All the best,</p>
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<p>Cristina</p>
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<div style="font-family:Tahoma; font-size:13px">Cristina Albu
<div>Associate Professor of Contemporary Art History and Theory</div>
<div>Department of Art and Art History</div>
<div>University of Missouri - Kansas City<br>
<a href="http://cas.umkc.edu/art/about-us/faculty-and-staff/name/cristina-albu/" class="OWAAutoLink" id="LPNoLP"></a><a href="http://cas.umkc.edu/art/about-us/faculty-and-staff/name/cristina-albu/" class="OWAAutoLink" id="LPNoLP"></a></div>
<div><a href="https://cas.umkc.edu/directory/albu-cristina/" class="OWAAutoLink" id="LPNoLP">https://cas.umkc.edu/directory/albu-cristina/</a><br>
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