<html xmlns:o="urn:schemas-microsoft-com:office:office" xmlns:w="urn:schemas-microsoft-com:office:word" xmlns:m="http://schemas.microsoft.com/office/2004/12/omml" xmlns="http://www.w3.org/TR/REC-html40">
<head>
<meta http-equiv="Content-Type" content="text/html; charset=Windows-1252">
<meta name="Generator" content="Microsoft Word 15 (filtered medium)">
<style><!--
/* Font Definitions */
@font-face
        {font-family:Helvetica;
        panose-1:0 0 0 0 0 0 0 0 0 0;}
@font-face
        {font-family:"Cambria Math";
        panose-1:2 4 5 3 5 4 6 3 2 4;}
@font-face
        {font-family:Calibri;
        panose-1:2 15 5 2 2 2 4 3 2 4;}
@font-face
        {font-family:"Times New Roman \(Body CS\)";
        panose-1:2 11 6 4 2 2 2 2 2 4;}
/* Style Definitions */
p.MsoNormal, li.MsoNormal, div.MsoNormal
        {margin:0cm;
        font-size:11.0pt;
        font-family:"Calibri",sans-serif;}
span.EmailStyle17
        {mso-style-type:personal-compose;
        font-family:Helvetica;
        color:windowtext;
        font-weight:normal;
        font-style:normal;}
.MsoChpDefault
        {mso-style-type:export-only;
        font-family:"Calibri",sans-serif;}
@page WordSection1
        {size:612.0pt 792.0pt;
        margin:72.0pt 72.0pt 72.0pt 72.0pt;}
div.WordSection1
        {page:WordSection1;}
--></style>
</head>
<body lang="EN-CA" link="#0563C1" vlink="#954F72" style="word-wrap:break-word">
<div class="WordSection1">
<p class="MsoNormal"><span style="font-family:Helvetica">Hi All,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Helvetica"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:Helvetica">I am particularly interested in understanding clairsentience as a form of paranormal touch that involves the perception of energies residing in objects.
</span><span style="font-size:12.0pt;font-family:Helvetica">William Denton’s 1863
<i>The Soul of Things: Psychometric Experiments for Re-Living History</i>,<i> </i>
is a foundational text on Spiritualist psychometry and its value to art history. He
</span><span style="font-size:12.0pt;font-family:Helvetica">defined psychometry as the ability to read reputedly magnetic, energetic or “ethereal” signatures of things. Denton
</span><span style="font-size:12.0pt;font-family:Helvetica">theorized that psychometry could convey emotions that radiate from objects. Initially skeptical, his wife, Elizabeth Denton, eventually became a renowned psychometric medium. She would hold objects
to her forehead and describe how impressions came to her like a panorama “with the velocity of lightning,” so fast that the contours of objects were imperceptible, while at other times things appeared still and fixed. The clairsentient inflections of her “sense
of position” during readings presciently conjures the medium of film. While reading, scenes might unfurl in chronological order, or there might be moments of transition, abrupt shifts in scenes, slowed-down or sped-up perception and varieties of perspectives
(from above, distanced, close up) that recall what Gilles Deleuze (1989) has theorized as the “time image,” a series of juxtaposed “presents” that mutually influence each other. In this way, the time image defies set chronological structures and purely intellectual
activity to open perception to involve a complex telescoping of temporalities of both the liminal and the present.
<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:Helvetica"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:Helvetica">Over a hundred years later, psychometry as paranormal touch offers an intriguing technology of intuition for reconstituting the affective knowledges resonant in artifacts. Where Art History
employs forensic methods to study artifacts of the past, it is my contention that psychometry can expand upon that which can be known through objects as part of an expanded art historical epistemology and methodology. DisplayCult’s
<i>Psychometry and the Affective Artifact </i>project involves employing psychics (some of whom have worked with missing person investigations) to recover lost history of unattributed artifacts in museum collections. Professional mediums are invited to read
through the portrait or object to determine aspects of the affective contexts of unknown artists: their mood, surroundings, climate, social station, emotional relationships, challenges and talents. I’ll post more on the project this week.<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:Helvetica"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:Helvetica">Warmly,<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:Helvetica"><o:p> </o:p></span></p>
<p class="MsoNormal"><span style="font-size:12.0pt;font-family:Helvetica">Jennifer<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Helvetica"><o:p> </o:p></span></p>
<div>
<div>
<p class="MsoNormal"><span style="font-family:Helvetica">Jennifer Fisher<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Helvetica">Professor Contemporary Art and Curatorial Studies<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Helvetica">Department of Visual Art and Art History CFA 252<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Helvetica">York University 4700 Keele Street<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Helvetica">Toronto, Ontario M3J 1P3<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-family:Helvetica">jefish@yorku.ca<o:p></o:p></span></p>
</div>
</div>
<p class="MsoNormal"><o:p> </o:p></p>
</div>
</body>
</html>