Re: [-empyre-] notes on the future



Hi Marek -

Indeed - I love speculations on the future. I always believe that if you cannot imagine it (the best & worst case scenarios) then it will never happen. That's why it is important to empower the tools of "today" to become what we want them to be "tomorrow".

And I completely believe that "categories" are something of the past. Definitions of artists (do you perform / make objects / do video = or all of the above?) as well as media (sound / image / text / soft / hard / real / virtual) are meeting up in interesting ways. If there is one thing that they computer offers is this opportunity to mix digital media. I look forward to a context where making installation / performance / painting / interactive art work will not be such an anomaly. And why should it? This is the world we live in. And I might not be the first person to say that - sometimes it's nice to do things away from the computer & then come back to it and integrate what one has done in the "physical" world into the "digital" world.

Valerie


Thinking about the people who go to the 'Upgrade' in NY, and people I know
showing on Turbulence, etc., its curious that altho many are into
databases/networking, few create works for the Internet. Even those that do,
its only one of several directions they use to make works.

Take one type of Netart, where the Internet is used as a global database.
The first I know of was 2D>3D for Port, 1997. People typed in urls and the
program converted webpages to 3D. It did this based on the html, plugins
found, as well as keyword searches, text length, color and images used. More
famous are Shredder and Netomat. However, I've seen several Shredders since
and none excite me. To do this well now I think you need to be specialized,
for example Golan Levin's The Secret Life of Numbers, on Turbulence, which
looks at the popularity of numbers on the net, its a brilliant piece.

Over the next 5-10 years convergence will happen. There will be no clear
boundary between video, sound and new media. Already Martin and I are
planning 4 projects using interactive video for multiple modes of
distribution, its great fun and barely explored.

Current Netart making will become a niche, just like art using game boys.

The nature of computing will change, slowly, over the next 20 years, by
which time mice and keyboards will be quaint.

Over 50 years museums will change. They will no longer be repositories for
artefacts. Like the Turner Prize shows at the Tate, they will be light
projections, temporary installations or cumulative assemblies. Or like the
Tate Modern, in whose galleries the curators create tableaus based on
personal  themes. Or the Whitney Biennial where different ways of creating
will be shown, not always linked to artmaking directly. People will browse
museums in social interactions similar to Ikea. At the end they can take
home a manifestation of current cultural ideas. At this time, netart and
museum practice will converge, and their grandchildren will be the mechanism
for cultural production.
Marek.
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MobileGaze: on-line culture.
http://www.mobilegaze.com

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http://www.mobilegaze.com/m+m

Location / Dislocation
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