[-empyre-] re: textual community
lachlan wrote:
Does the progression from txt->video have more to say about the
assumed critical progression from Post-structuralist literary theory
to screen studies or film and video studies in academia? Can we
consider hyperlinks and cam without forcing filmic discourse,
despite the rather staid and deeply embedded institutional
investments? I mean, do we really need film and video studies as a
filter for ?a new media? or has that all, as October #100
provocatively suggests become ?obsolete?? Can we weave an
intertextuality between the refreshing confessional/observation of
the blog ie jill/txt and what you call ?vog? and a hypermedia
theory that takes into account interruptions that sit comfortably
neither with Lit. Theory nor with Screen Theory, and certainly not
Information Studies, but require a new multi-discipline? Digital
Culture. I?d like to see txt<->vog, worked in intertextuality not
forgetting of course the possibility of non-sequitors (often
productive cultural political vectors, otherwise productive
interpersonal undercurrents) such as those delivered by IM or email
as parrishka [she?s hot] illustrated earlier in this discussion.
I mean... Can't we think of text and cam as mere texts? Can't we
consider the textuality of the 'mere text' the cam work as well as
the 'matrix or mesh?, the WWW, together as an intertextual whole?
about the progression. i hope not. ain't mine :-) i went cinema
studies then hypertext and now i'm finding a way between both. but i
understand hypertext as cinema with words (nodes are shots, links as
edits). and no, i don't think film studies gives us a very good way
to think about new media, though it gives us one way.
(having said that my film theory in relation to new media is all
deleuze cinema theory, so institutionally it doesn't even count as
real film theory except for a very small group.)
at the moment i'm describing my educational practice as new media
humanities. but that's just this week, it isn't computing humanities,
it isn't media arts (not in the australian context anyway), it isn't
quite media studies.
and yes, an intertextual whole, that's why i like the vog quicktime
stuff. i had vogs + text on a web page, then after a year i had a duh
that's obvious moment when i realised that i was still so stuck in
text + image land. now the text is always just another track/s in the
movie. i want the distance/difference maintained (text and image and
video have different semiotic and material economies) but i also
think bringing them together makes the distance/difference visible.
(i dislike some theory's assumption that putting video next to text
is novel or a valuable outcome - if you're a visual arts person the
text still tends to be little more than caption, if you're a text
person the image tends to be little more than illustration to the
wondrous word. of course that could be a strawman argument, but it
works well at making visible the fact that words and images are
different but that doesn't mean they can't work together (can anyone
say blake?), and more importantly at making visible that multimedia
doesn't erase that distinction.)
cheers and thanks for the provocation
adrian miles
--
+ lecturer in new media and cinema studies
[http://hypertext.rmit.edu.au/vog/vlog]
+ interactive desktop video developer [http://hypertext.rmit.edu.au/vog/]
+ hypertext rmit [http://hypertext.rmit.edu.au]
+ InterMedia:UiB. university of bergen [http://www.intermedia.uib.no]
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