RE: [-empyre-] Re: Method Manifesto
For if you agree that nobody really knows what art is, then it is also true
that institutional and historical judgements about what art is have
no more ontological
authority than your or my feelings and ideas about what art is.
<snip>
In any case, if no one really knows what art is, then what is taken
for art is not a matter of
ontological acuity but of a whole range of other considerations,
none of which are necessarily
more valid than your or my feelings and ideas about art.
The word is 'ontological': concerning the reality-status of
a) art
b) a particular work or job of work
The question concenring what art is - is art
Art is that practice which meticulously questions its own ontological
status. The art 'object' is an object that struggles to exist. That
struggle, that puzzle over whether it exists and in what mode
(conceptual, phenomenological, virtual . . .) is what constitutes art
at least in the Western tradition
The question as to whether digital and especially network practices
are art is a question about the delimitation and boundary of art - ie
another variant on the ontological querstion - but in a global
network, the contestaion also arises over the aplicability of a
western art practice to other creative activitiesto which the word
art is perhaps applied in a colonial way
at which point the question 'is this art?' is less a question about
'this' than about 'art', and the this-ness of this particular
practicemight be answered in other ontological traditions (this is
maya, this is a god)
?
s
--
Sean Cubitt * Screen and Media Studies * University of Waikato *
Private Bag 3105 * Hamilton * New Zealand * seanc@waikato.ac.nz * T:
+64 (0)7 838 4543 * F: +64 (0)7 838 4767
http://www.waikato.ac.nz/film
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