[-empyre-] Re:oh my god

[ian <ian@laudanum.net>]

>

I'm in that fabulous spot where one just lands in a 
conversation....such as a bar
and SPINS literally spins out...oh my god!
What are you talking about. Can someone rescue this dialogue?

Are the collective authors proposing that:

1/ there is a code/inscription that functions as a record and forms a
pre-kinesthetic intention or script for gestures to be enacted by the 
body.

2/ There are gestures that operate as code for kinesthetic memory to 
reveal
experience in the conscious.

3/ If gesture/code/kinesthetic memory are intertwined why doesn't 
scores for choreography
reflect this.

4/ Where is choreography when it comes to the kinds of extended 
discourses such as found in music, and music theory; sound, harmonics, 
psycho-acoustics, intervals, rhythm, acoustics, scores, translation, 
transposition, spatial acoustics, spatial mapping, jamming, improv. to 
name a few....

5/ Have we discussed Reich yet?

I'd love to pick up on this
cheers
Ian




Ian Hobbs

Lens
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