Re[2]: [-empyre-] microsound as music's digital praxis
- To: soft_skinned_space <empyre@lists.cofa.unsw.edu.au>
- Subject: Re[2]: [-empyre-] microsound as music's digital praxis
- From: Josephine Bosma <jesis@xs4all.nl>
- Date: Mon, 1 Sep 2003 12:57:34 +0200
- Delivered-to: empyre@bebop.cofa.unsw.edu.au
- In-reply-to: <a05210606bb715d1a5cda@[128\.138\.159\.195]>
- References: <20030823065430.5099.qmail@web41507.mail.yahoo.com> <000801c36b8c$35495e20$192fe33f@pharmakopolis> <a05210606bb715d1a5cda@[128.138.159.195]>
- Reply-to: Josephine Bosma <jesis@xs4all.nl>, soft_skinned_space <empyre@lists.cofa.unsw.edu.au>
hi John and list,
JH> Sometimes it seems one outcome is the subjugation of the embodied
JH> experience to the critical review of same. I find that subjugation
JH> VERY problematic these days. Where the re-production of something,
JH> the simulation of something, seems to carry more social weight than
JH> the original thing/event.
Could you elaborate a bit more on this? In the case of music and now
also media art the reproduction is of course a large chunk of the
experience of an audience often. What is the problem you have with
this exactly, or am I misunderstanding you?
yours,
J
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