Re: [-empyre-] bak.jump: .microsound
>>> where is the cultural and political analysis of laptop music,
Here's a short database so far, organised for microsound list on 10.22.03:
[pasted below]
.
>>> I'm not saying this analysis does not take place but that it tends
>> to circulate in online spaces themselves, as blog posts, journal
>> articles, people's sites -
Also The Wire and e/I magazines [http://www.ei-mag.com ; the latter of which
I write for, column Immediatism, which has specifically delved into these
issues].
Also from Glenn Bach:
'The month of August 2003 featured a discussion on microsound, with guest
panelists Tobias, Trace Reddell, John Hudak, John Kannenberg, and myself.
http://lists.cofa.unsw.edu.au/pipermail/empyre/ '
There are also occasional pieces by various writers including myself on:
http://www.dustedmagazine.com
[ http://www.dustedmagazine.com/writers/tobias ]
best,
tobias
tobias c. van Veen -----------
http://www.quadrantcrossing.org
http://www.thisistheonlyart.com
--- tobias@quadrantcrossing.org
---McGill Communications------
ICQ: 18766209 | AIM: thesaibot
[dada.base]
Lazy places -- everything here:
-http://www.mille-plateaux.net/theory/index.html
-Parachute 107 (journal)
-also everything by Francisco Lopez on his website, Terre Thaemlitz ..
-the new Mille Plateaux _Sound Cultures_ book
-check out the new _Post-Subcultures Reader_ coming out on Berg Press
-the new _sound generation_ book coming out on Autonomedia this year
// .. here's an incomplete list of other stuff -- I'd appreciate any
additions to these ranks -- please share!
Andrews, Ian. "Post-digital aesthetics and the return to Modernism."
http://radioscopia.org/postdig.html
Ashline, William. "Clicky Aesthetics: Deleuze, Headphonics, and the
Minimalist Assemblage of 'Aberrations.'" Strategies: Journal of Theory,
Culture, Politics 15.1 (2002): 87-104.
Betancourt, Michael. "Disruptive Technology: The Avant-Gardness of
Avant-Garde Art." (http://www.ctheory.net/text_file.asp?pick=336)
Cascone, Kim.
--. "The Microsound Scene: An Interview with Kim Cascone" by Jeremy Turner.
Ctheory A101 (12/4/2001): http://ctheory.net/text_file.asp?pick=322
--. "The Aesthetics of Failure: 'Post-Digital' Tendencies in Contemporary
Computer Music." Computer Music Journal, 24:4 Winter 2000, pp. 12-18.
--. "Deleuze and Contemporary Electronic Music." Intersects: between the
disciplines, 1 (1), December 2001. Online only.
http://www.iisgp.ubc.ca/whatsnew/intersects/issues/dec01/cascone.htm
--. "Grain, Sequence, System. (three levels of reception in the performance
of laptop music)." Ms. Forthcoming from Mille Plateaux.
--. Laptop Music?Counterfeiting Aura in the Age of Infinite Reproduction."
Parachute: electrosons_electrosounds 107 (2002): 52-60.
Chapman, Owen and Anna Friz. "Too Big for their Beats? Questions for the
Microsound Revolution." Graduate Researcher: Journal For the Arts,
Sciences, and Technology 1.2 (2003). (With accompanying audio CD).
Hecker, Tim. "Sound and the 'Victorious Realm of Electricity.'" Parachute:
electrosons_electrosounds, 107, 2002. pp. 60-68.
Pepperell, Robert and Michael Punt. _The Postdigital Membrane:
Imagination, Technology and Desire_. Bristol, UK: Intellect, 2000.
Reynolds, Simon. "Low End Theory." The Wire 146 (4/96).
Sangild, Torben. "Glitch - the Beauty of Malfunction" in the anthology _Bad
Music_, Routledge (to be published) spring 2004.
--, "Sensitive Electronics" in the anthology _Look at the
Music/SeeSound_, October 2002 by The Museum of Contemporary Art in
Roskilde.
Szepanksi, Achim. "Digital Music and Media Theory." Parachute 107 (2002):
24-27.
vanHanen, Janne. "Loving the Ghost in the Machine: Aesthetics of
Interruption." Ctheory A099 (11/26/2001):
http://ctheory.net/text_file.asp?pick=312
--. "Neuro-Transmit Me These Empty Sounds: An Interview with Janne vanHanen"
by Jeremy Turner. Ctheory A102 (12/4/2001):
http://ctheory.net/text_file.asp?pick=323
van Veen, tobias c.
*[apologies here; I've limited it just to relevant & more recent
publications .. ]:
--. "2001: Of the Jetone." Discorder November (2001).
--. The 2003-2004 Canadian Electronic Music Directory. Montréal: AEMusic,
Heritage Canada and the Department of Foreign Affairs, 2003.
--. "A Fine Marriage of Madness and the Margins at Mutek 2002." The Wire.
222, August (2002).
--. "All of This Needs to Be Erased: Kit Clayton and Sutekh." Discorder
Jancember (2000/2001).
--. "Andrew Duke Dukes It Out." Discorder October (2001).
--. "Bleeps in the Heart of the Beast?Mutek 2002 in Montréal." Discorder
July (2002).
--, with Lucinda Catchlove and Colin Arason. ³Cities of Glass: The History
of Canadian Electronic Music, Part One.² e|i 2 (2003): 68-76.
--, "Cities of Glass: Part Two (Vancouver)." e|I 3 (2004).
--. "Digital DJing: Richie Hawtin and (the) Final Scratch." Discorder
Jancember (2001/2002).
--. "From the Mole to the Molar: Dirt, Decks, and Dub." Discorder November
(2002).
--. "FUCK ART LET'S DANCE." FUSE 26.3 (2003).
--. "Immediatism" [1]. e|I 1 (2003): 20.
--. "Immediatism" [2]. e|I 2 (2003): 22.
--. "Immediatism" [3]. e|I 3 (2004).
--. "It's Not A Rave, Officer." FUSE 26.1 (2003).
--. "It's Not A Rave, Officer [15 Minute Remix]." The Graduate Researcher:
Journal for the Arts, Sciences and Technology 1.2 (2003). (With
accompanying audio CD).
--. "Laptops & Loops: The Advent of New Forms of Experimentation and the
Question of Technology in Experimental Music and Performance." UAAC
National Conference 2002. 10.30-11.2.02. University of Alberta, Calgary,
Canada. http://www.quadrantcrossing.org/papers/Laptops&Loops-UAAC-tV.pdf
--. ³Laptop Libido on Rewind?Mutek to Sonar 2003.² Discorder October (2003)
and Dustedmagazine.com <http://www.dustedmagazine.com/features/153>.
--. "Mutek 2001." Discorder August (2001).
--. "[Mutek] 2003." Dustedmagazine.com June (2003):
http://www.dustedmagazine.com/features/117
http://www.dustedmagazine.com/features/115
http://www.dustedmagazine.com/features/116
http://www.dustedmagazine.com/features/118
http://www.dustedmagazine.com/features/119
--. "Safety Scissors, Loscil, a refrigerator, and a waiter." Discorder
February, (2002).
--. "Sophistry with DJ Spooky." Discorder August (2001).
--. "Vinyauralism: The Art and the Craft of Turntablism. The DJ School."
Discorder March, April (2002).
--. "warehouse . space: rave culture, selling-out, and sonic revolution."
Capital 1.1 (2003).
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.