Re: [-empyre-] LANGUAGE, STEREOCENA, SPACES, INTERNET

["arteonline" <arteonline@arteonline.arq.br>]

Hello Ale,

Thanks for this feedback and for let we know a little bit more about your
life/bio.  I think that Art and Artist Life/Time  always walk together. To
really know an artist for me is necessary to investigate his/her art, life
and time. We can not investigate only one of these.

I like very much this part of your answer:

>I can only think that every law today will be a crime tomorrow.  (If you
think about women, for example, you will see how it is true!)

>How to understand an adult for his childhood if the life all he is guided
how a child? Will it be that only an artist understands the adults' traumas?

I do not know if I understood perfectly this part of  your thought, but for
me Artists are guided by the child inside them. What I see in your Art is
the freedom of a child and it is just this that is wonderful for me. I
really think you have a child inside, guiding you. I have too, but I think
she is not so visible in my works like in yours. If you want to understand
what I am saying, browser at
http://arteonline.arq.br/museu/reformas/admin.html (press F11 to see full
screen if you have a PC computer), there you will see my three Egos: Regina
(me, the mix) Célia (the curator, sometimes I hate whem she appears and
wants to govern the situation) and Alice (anagram of Celia, the child, the
artist, I consider Alice my best and joyful part, I always love whem she
appears).

I think you can bowser too the touching interview that the visual poet David
Daniels,  gave to Jorge Luiz Antonio and me and that will be launched soon,
with the news of the museum  http://www.arteonline.arq.br/museu/
interviews/david.htm. It seems to me that he is saying things that will
interest you a lot.

> I make art about the adultery (the adult's betrayal)

It is MARVELOUS! That is it!

Congrats,

Regina



----- Original Message -----
From: "aLexandre Venera" <e.ale@ig.com.br>
To: "soft_skinned_space" <empyre@lists.cofa.unsw.edu.au>;
"soft_skinned_space" <empyre@lists.cofa.unsw.edu.au>
Sent: Thursday, March 04, 2004 4:40 AM
Subject: [-empyre-] LANGUAGE, STEREOCENA, SPACES, INTERNET


> forgive this child
>
> >
> >....... n) which from far seem flies.
> >( BORGES, Jorge Luis, apud FOUCAULT, Michel. As palavras  e as coisas.
.......
> >
> >1- I would like you tell us about your process of creation, where you
use, I
> >think,  words and things. Perhaps you can tell us a little bit of your
> >childhood. I believe that our creativity is developped in our yards.
> >
> >2- Do not you think that this impossibility of think like the other is
what
> >do the Art so magic? Is not it that turns Art the kingdom of freedom?
> >
> >Regina
> >
>
>
> Hi great world. I am a dwarf. Descending of Italians and Germans.
> I was born in the south of Brazil 10 years after any more war
> to change this world. Here it was a nationalist time in that prohibited to
> speak any foreign language (their uses and habits). All of my family,
> previous to me, they spoke two or more languages, but me not. The city
> in that I live wants to be industrial, and we were born educated for the
> work... and to have natural concerns with things that we never reached.
> But I re-returned, I am not more dwarfish.
> Me (as many) re-involui in the demo-socialism (I divided me), in the
> existentialism (I ponder me), in the psychedelic rules of the
> market " mafonics " (I almost disappeared), and in situacionism
> (which from far seem I am a fly in the soup). Therefore, with so many
> re-evolutions, I can only think that every law today will be a crime
tomorrow.
> I have now 1,78 centimeters (of height and in the widths I am thin), but,
> I feel, I continue varying. I grew larger than my father, but mine sons
are
> higher than me. Then I ask:
> what height will the humanity arrive?
>
> I also see a great magic in the art: to wake up thoughts and questions...
> How to understand an adult for his childhood if the life all he is guided
> how a child? Will it be that only an artist understands the adults'
traumas?
>
> I make art about the adultery (the adult's betrayal), re-involved inside
> of that impressionism that explores an artist that cut his ear and doesn't
> understand the individual expressive terrorism of so many anonyms that are
> auto-exploded today.
>
>
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