Re: [-empyre-] "stereocena"

["arteonline" <arteonline@arteonline.arq.br>]

Hello Ale and all,

I would like to add that Reiner Strasser (http://nonfinito.de/ ) is  not
only a great creative artist, he is too a very good human being. He was the
first one that helps me to build the Museum of the Essential and Beyond That
when it was a very simple magazine yet. After this we work together in the
Attic of the museum (http://arteonline.arq.br/museu/attic/introattic.htm),
there you can see an excellent  colection of Reiner works, a very
interesting work of Ale: sotom som
(http://arteonline.arq.br/museu/attic/ale_sotom/ale_sotom.html), this name
is a joke about the word attic in portuguese  - sótão and the words tom
(tone) and som (sound). Ale is always joking with words. There is a very
fine work ( "With many thanks" ) of Ana Maria Uribe too.

I would like to call your attention  to the last work of Reiner:
http://nonfinito.de/tao/ . This is a collab  work with another great artist
and thinker Alan Sondheim, who was interviewed in Empyre sometime ago.Well,
I think that everybody knows Alan ( http://www.asondheim.org/ ).

In fact Reiner is German, but as he said to me sometime ago "Strange - seem
to have deep connections to South America / Brasil ..." So,  I think it is
very interesting to talk about him in this forum which is dedicated to South
America. Better than this would be to invite Reiner Strasser to another
Empyre forum.

Warmest regards,

Regina




----- Original Message -----
From: "aLexandre Venera" <e.ale@ig.com.br>
To: "soft_skinned_space" <empyre@lists.cofa.unsw.edu.au>
Sent: Monday, March 08, 2004 9:33 PM
Subject: [-empyre-] "stereocena"


> I would like to complement a little the stereocena...
>
> I continue to stressing that reiner strasser is a great creative artist
> and he has a method of him to create his things.
> strasser created CARAMBOLA their second own impressions on
> the theme that I thought (*). and he is a happy artist = it is
complemented.
> .. I invite other artists to this artistic billiards (* *).
> and happy other creator that is complemented was confusion with the poem
BOLA
> (I don't have a link now for BOLA (BALL), maybe babel has...;),
> you would see an amazing synthesis than I try to explain, of as I see,
> for my angle, as an artist creates his art and as I can relate.
>
> as well as CARAMBOLA, The Magic Rat (already very well related for
regina),
> they are examples of like me try to create several "emotional originators"
> for they be related with the work.
> maybe it is a type of inverted constructivism to be reverse-inverted, or
one
> media concept being used as art (when transforming media in scene).
> then you will remind that I spoke smiling that sonnets can only be
> fertilized with the imagination. we can activate a sonnet through the
scene
> emotional but not through the literature...
> and at this time I would like you to check the solid ones works of
> ana maria uribe:::::
> http://www.vispo.com/uribe/
> ana is a poet of letters (not of sonnets) that does visual sonatas with
the
> letters (me leaning: ana uses "emotional musical originators" but no the
sound),
> it is this that enchants me for the explicit scenic humanity.
> See " My Head is Aching: An Anipoem "
>
> we spoke so much in media, multimedia, and I remember the marketing
artist.
> because we also spoke about art in the multimedia, then it would be good
if
> we had a " Artometro " (an art meter), and in a zero scale up to thousand
> you would not put in the same degree an artisan, a magician, an
advertising one...
> I don't know in that height you would be framed, but in this art barometer
> we would have two ends distancing art and no art; true and false;
> tradition and it experiences; communication and relationship; erudite and
popular...
> but that " artometro " (that meter like me leaning) it would not be full
as a ruler,
> but yes would have a circular form (it cubes), I want to say::: a little
for more
> (or for less) and it is already the other thing.
> and here I can go to my third discussion topic:::
> SPACES.
>
>
>
> (*) aCaRamBoLa is an exercise to stimulate to see other things in a thing.
> this is a scenic proposal for the actor called of " verfrendungefect "
> for bertold brecht. I used things of the theater to do literature.
> here I looked for to build other words using the combination of the
syllables
> contained in the word Star fruit, and for each word to create a poem.
>
> (* *) Carambola, besides being a fruit, is also a billiards that consists
> in beating a ball in other two balls...
>
>
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