Re: [-empyre-] ACERTATA + SPACE

["aLexandre Venera" <e.ale@ig.com.br>]

space  
  
this moment can be filled out better with sounds
check these resonant adventures
1 - two algorithmic movements to do sound with MIDI
in the pieces "DUCZ2" and "MANHANZ"
2 - two movements with Juliana using "musical" samples
in the pieces "MADALENA" and "SUSPIRO"
3 - a movement resonant human "descontrutivist" of sound-poetry 
to find a good place for the civilized in "CABORAM"
4 - and a visual movement of Babel with "EBOLA"
http://www.eale.hpg.ig.com.br/2004/somtom/0_index.htm
  
Or then I can use the space with a history::::
I had some of the largest pleasures in the life when "communicating"
during months for emails, only with images and poetic dirty tricks
with barry smiley.
http://barrysmylie.com/
smiley, is artist plastic, agile programmer, that uses with perfection
the most several languages of the art. . .
enjoy  
  
/ / / / / / / / / / / / / / / /  
  
the space + the action = the space-time
  
the space - the time = anything
  
before everything, poetry is to do
and art is an action accomplished for a time
(to build a space)
  
a space is a malleable form
and it is limited, as the frames of paintings
but a time is also malleable
(we can become a drama in a joke)
but art is neither drama nor joke::: it is a time with space
the art has the accomplishment rendered in a minimum space of time 
the work is inert, it is a stopped space, between the originator and the receiver
the work is resulted between the author's time and the reader's time
  
here I should finish!  
  
but I could still ask (in this space): as so many north American,
of Canada, of Mexico... and south American, of Brazil, of Argentina, of Uruguay...
they can link with Europeans, of Germany, of France... all tied
for Australians???
well, I don't resist to explain that "The Phenomenological and the Fantastic
in South American new media" is in this internet, with a pun
enter -empyre - and empire.
  
this forum is in the beginning, but I am already learning how to know better
what is far and what is close, the real dimensions of the art...
I met a lot of thing in me. and also a little more of that fast dynamo 
of the thought and action that it is the brian mackern. I would never like to 
forget somebody important for me even in the art, as it is (for instance) the 
komninos zervos, an artist (there / here in Australia) that always impresses me a lot. 
and I was able to finally to see some of the works of alan sondheim (before my old 
computer didn't carry)...
  
in this point I finish my nine days of participation in -empyre -
the understanding focus changes if it alters

I think that now who will feel the heat of "many toes in the lamp"
is the teacher jorge luis antonio
  
thank you very much for all
aLe