[-empyre-] interactivity beyond the monitor? what is it.

[Barbara Lattanzi <threads@wildernesspuppets.net>]

At 12:02 PM 3/24/2005, Alan Sondheim wrote:

> Hi Nicolas -
>
> I want to say what I appreciate most of all in your work is its dirtiness, 
> the ability to break through the clean and prper body (Krsteva) of the 
> interface itself, not with debris, but with content that relates for me, 
> more than anything, to experimental cinema and all that implies in terms 
> of film theory etc. Not only does the 'grain of the voice' come through, 
> but also the border's dissolved in a way that can only tend towards a 
> future of interactivity beyond the monitor etc.


I am wondering about this last statement.  What does "future of 
interactivity beyond the monitor" mean?

One part of me says, isn't my life interactive beyond the monitor?  Doesn't 
the frame of the monitor give me an ability to use the screen as a focal 
point of dialogue with everything outside the frame?

The other part of me says, once we arrive at a ubiquitous technology of 
immersion, won't we find ways of framing (setting apart) some areas of 
immersive experience from others?  For example, online games and online 
communities use spatial metaphors to set things apart as objects of 
interaction (as in a simulated house or castle).

Then there is a third part of me that says, we are already immersed in 
virtualized environments... phantasmatic, logo-emblazoned object-worlds 
mediated by scientifically-engineered public relations spin.  Why would I 
want to place myself in another bubble?  How can you dialogically interact 
with something that you are immersed in?

Barbara




> Of Vadim's work, I have seen this in film itself...
>
> Alan -
>
>
> On Thu, 24 Mar 2005, Nicolas Clauss wrote:
>
> > Hello,
> >
> > It seems that the list is on holliday (easter break I guess), I'll try to
> > contribute here in relation to the interactive video subject by invited you
> > to visit a few works.
> >
> > the first one is a very last piece made with video I shot in Linz last fall
> > during the ars electronica festival where I was invited for somnambules.not.
> > It is not completed yet (the sound is not correct at the moment) and I'll
> > launch it sometime next week when I'm happy with the sound, but you can
> > have a look at picture (if you have a very fast computer, it works on my 1,5
> > Mhz speed pc but more is better). I guess it is what you could call
> > interactive video, I've tried here to make a kind of moving painting from
> > video where you use the mouse as a kind of digital brush.
> >
> > http://www.flyingpuppet.com/shock/linz.htm
> >
> >
> > Then I invite you to take a look at these two pieces about interactive
> > video, you can play and click on the stage and around the stage. The first,
> > Heritage (with sounds from Jean-Jacques Birge) you play with Georges Bush
> > son and father in a psychoanalytic nightmare if I can say.
> > The second, 3 studies show 3 short interactive movies.
> >
> > http://www.flyingpuppet.com/shock/heritage.htm
> > http://www.flyingpuppet.com/shock/etudes/index.htm
> >
> > and to finish I would like to introduce this work from a french young artist
> > called Vadim Bernard :
> > http://incident.net/hors/landscape/vibration/
> >
> > it is not really interactive but I find it very interesting as a video for
> > internet, the subject might not be the most interesting but the treatment is
> > beautiful
> >
> > I wish you all the best
> >
> > Nicolas
> >
> >
> >
> >
> > _______________________________________________
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>
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