Re: [-empyre-] MORE Footnotes -New Language (Pierce and Code sidebar)

[marcus bastos <bastos.marcus@gmail.com>]

a couple of other online articles...

http://www.netzliteratur.net/block/p0et1cs.html

http://www.netzliteratur.net/block/full_block.html

http://www.brueckner-kuehner.de/block/p0et1cs.htm

Aarseth, Espen J. Cybertext: Perspectives on Ergodic Literature.
Baltimore: Johns Hopkins UP, 1997.

http://dichtung-digital.de/Interviews/aarseth-16-Dec-99



On 10/19/05, Bill Seaman <bseaman@risd.edu> wrote:
> I thought I would try to add footnotes to these so people could get a
> better idea of some very different approaches to digital writing...
> In many cases this speaks to the continuum between the digital and
> the physical... subjectobject unity.
>
> See Osmose
> 1) http://www.immersence.com/publications/char/os_notes02.htm
> The text environment is one of a number of virtual spaces...
> >When I encounter a meta text in Char Davies Osmose that is the code
> >of the work as presented as meta- architecture (literal virtual
> >architecure --- a pun on architecture), the experiential nature of
> >the environment, in particular the physical interface she has
> >designed to enable one to navigate the virtual environment becomes
> >enfolded phenomenologically with the layers of meaning in the text.
> >All of Peirces modes - firstness, secondness and thirdness co-mingle
> >and change in relation to ongoing navigation of this virtual space.
> >Yet here the environment also enables a charged field of meaning to
> >become part of this layering. The quixotic nature of the ongoing
> >subtle shifts between firstness, secondness and thirdness seem to
> >even transcend the idea that each level is becoming the other (as
> >Marcus suggests) in terms of this larger mutable virtual
> >environmental scheme which also signifies. This constellation of
> >signs, each changing at its own velocity in relation to the
> >participant's movements, seems to move to a heightened level of
> >layering of intersemiotic modes. Might we work on a new word that
> >points at this advanced level of intersemiotic relations. ---
> >  What would Pierce have encountered that would be relevant to
> >compare to such an environment? Here are some potential terms ---
> >  hyperintersemiotic; transintersemiotic (did Marcos Novak already
> >coin this?) supra-intersemiotic? Intra-semiotic?
>
>
> 2) See Warren Sac
> Street Stories
> http://hybrid.ucsc.edu/SocialComputingLab/Projects/StreetStories/Description/index.html
> See also his homepage - http://hybrid.ucsc.edu/SocialComputingLab/projects.php
>  The Corporeal Stenographer: Language, Gesture, and Cyberspace
>
> >I also begin to think about new forms of locative media that depend
> >on landscape and physical navigation, lending levels of meaning to
> >the digital text (context)? Hyperecosemiotic?
>
> See also the work of Teri Rueb  http://www.terirueb.net/flash/TeriRueb.html
>
>
> 3)Tiffany Holmes - Littoral Zone
> http://www.ingentaconnect.com/content/mitpress/leon/1999/00000032/00000005/art00007
>
> >I think about media- behaviors and a-life parameters/potentialities
> >giving text new kinds of electronic "life". Artificial-Semiotic-life
> >- a-sem-life
>
> see also the work of John Maeda's group at mit concerning text behaviors...
> http://acg.media.mit.edu/
>
>
> 4 See Billseaman.com   texts   E-Phany Physics
>
> I think about physics and artificial physics (E-phany physics as I
> coined it) as it is conjoined with texts to present new kinds of
> reactive and intra-active environments. E-phanysemiotics
>
> 5) See Writing Machines by N. Katherine hayles
> also her concept of "Flickering Signifiers"
> http://mitpress.mit.edu/e-books/mediawork/
> She writes about Lexia to Perplexia
> See Talan Memmott's Lexia to Perplexia as an introduction into Creole
> http://www.uiowa.edu/~iareview/tirweb/hypermedia/talan_memmott/
>
> See David Small
> http://www.davidsmall.com/
> the Illuminated Manuscript ; Talmud project; Food for Thought
>
> >Hayles uses the term "Creole" to talk about texts that intermingle
> >code and poetic text ---
> >  Yet what happens when this is extended into the phenomenological
> >space of physical computing. An object|creole enfolding is generated.
>
>
> 6) Lynn Hershmann Leeson
> http://www.fondation-langlois.org/html/e/page.php?NumPage=167
>
> >What happens when the machine writes the text in an autonomous
> >manner that is reacting to various forms of interface input? Lynn
> >Hershmann's Agent Ruby? Does the fact that it is a machine change
> >the meaning in a subtle manner --- is there a word for this?
> >Turingtestmatic writing?
>
>
> 7) Eduardo Kac
> see Genesis
> http://www.ekac.org/geninfo2.html
>
> >Kac wrote a bio-code via the computer that was made physical and
> >transcribed back into a text --- what kind of word points at this
> >accretive layering of meaning - digitaccretive?
>
>
> 8) sharon Daniels
> Her writing on the subject http://arts.ucsc.edu/sdaniel/further/papers.html
> See Narrative Contingencies -
> http://arts.ucsc.edu/sdaniel/further/narrative_contingencies.html
> see also subtract the sky
> http://arts.ucsc.edu/sdaniel/further/subtractthesky.html
>
> >Works where all variables are supplied by the participant and are
> >then formed by the code into a new work--- participant driven
> >semiosis?? I-semiosis?
>
>
> 9) See Friedrich W. Block -- the tee shirt for p0es1s (he mentions
> the shirt in a post on this list...)
>
> >Or works that actually are auto destructive in terms of meaning
> >production --- the virus t-shirt code? Diss-semiosis
>
> Erasure...
> see also  Adriana de Souza e Silva and Fabian Winkler
> http://www.eliterature.org/state/work-deSouzaA.shtml
>
>
>
> b
> --
> Professor Bill Seaman, Ph.D.
> Department  Head
> Digital+ Media Department (Graduate Division)
> Rhode Island School of Design
> Two College St.
> Providence, R.I. 02903-4956
> 401 277 4956
> fax 401 277 4966
> bseaman@risd.edu
>
> http://billseaman.com
> http://www.art.235media.de/index.php?show=2