[-empyre-] the drone of metaphor and representation
- To: empyre@lists.cofa.unsw.edu.au
- Subject: [-empyre-] the drone of metaphor and representation
- From: ryan griffis <grifray@yahoo.com>
- Date: Wed, 14 Sep 2005 23:57:41 -0500
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- Reply-to: soft_skinned_space <empyre@lists.cofa.unsw.edu.au>
As it stands the project exists in the realm of metaphor and
representation. I think it would be great to extend it beyond that
space either through tele-performance which is suggested by the
interaction presented on the website, or to enact a series of
performances in which a spontaneous audience might be allowed to
control
the LowDrone. This might be something similar to the Institute for
Applied Autonomy's graffiti writer in which pedestrians could write
their own messages using the remotely controlled graffiti vehicle and
therefore enacting a form of civil disobedience.
ricardo
i also found the Low Drone extremely funny and a challenging idea. i
wonder about the desire to enact a functional tactical media in this
case however... not because i don't find the IAA's work (and other
similar efforts) critically effective and interesting, but i wonder
about the need for "realization" of the technology in all cases. i
think of Alex Rivera's other well known project (were you part of this
too Angel?), the Cybracero http://www.cybracero.com/ . and also some of
the actions of other tactical media practitioners like the Yes Men. The
impact of cybracero for me was that it didn't require any technological
spectacle to create the suspension of disbelief. the theatrical (and
tactical) moment came out in the form of a believing disbelief...
"What? are you kidding me?!" predicated on an acceptance of it as
somehow real in the face of apparent unlikelihood. maybe this goes back
to our discussions about the network and locality.
the audience is one predicated on a certain distance - a mediated
distance - from the site of supposed contact. we can fall for the
cybracero hoax because we're already so disconnected from the realities
of food production (and by direct connection, the physical sites of
production). but it reveals that distance (between audience and
site/prodcution) once it's revealed as a hoax - which depends on the
practice of a media bound by principles of fact checking and 'truth.'
i'm not saying that technological manifestations of tactical media
aren't great and useful, but that it can also include mechanisms that
play on our desires/beliefs about 'functionality' from a critical
perspective.
just a thought...
best - ryan
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