Re: [-empyre-] Synaesthesia, with James Patterson, Amit Pitaru, and Joel Swanson

["jennifer.gunther@gmail.com" <jennifer.gunther@gmail.com>]

To the artists and community at large: what about this notion of a
digital divide? Some works "Dirty Scrubber" and "Sonic Wire Sculptor"
included require high bandwidth, decent or dual processor capability,
and benefit from great speakers. Potential viewers without the
advantages of these technologies... what do they do? Come to the show
and see the installation? Are there any works that  are both
encompassing of the synaesthetic work you want to do/show AND
accessible to a broader, worldwide audience?

Another question I have is in dealing with the body online.
Synaesthesia online would have an added bonus feature if tactile
sensations could continue to be integrated. For Pitaru, Patterson, and
Swanson: How do movements of the hand converge with synaesthesia in
your work? Or, in a limitless technological world, how do you see
yourself engaging the hand or body or even the belly of your
audience/viewers?