If, as people working in the arts on international mailing lists,  
we're talking about what it means to make work that might be termed  
"seditious", then I think we need to be open to learning from all  
kinds of expertise  outside the particular nation-state that we  
might be in. The function of sedition laws themselves is to try and  
maintain a nationalist ideal of the public good that is divorced  
from e.g. international human rights frameworks. The irony is that  
the term sedition was not magically invented in Australia (or the  
United States) but is a cultural export that exists throughout (at  
least) the British Empire. So in that sense, rather than a "legal  
definition of sedition in Australian law" being a pre-requisite for  
the discussion, I think it's a distraction from the deeper  
questions around our orientation to nationalism and creative  
practice, and strategies for survival that have a lot of  
similarities that we can learn from.
--
http://www.dannybutt.net
severn@acay.com.au wrote:
I cant see it, sorry?  Neither of the americans have any  
background in
Australian law and I am completely disinterested in anything they  
have to
say about american sedition when there is so much to discuss about
Australia.
Not relevent to this discussion. The incompetancies of the  
american legal
system have no bearing on issues in Australian art practices.
So we need a legal definition of "sedition" as defined in  
Australian law,
dont we?
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