Re: [-empyre-] clarifying noiseless challenge



There's a lot of things for me to develop in Henry's message, and I
thank the comments and questions. I expected to remain as a mod,
though things are taking some different directions.

As for atAvism or aCtivism, I feel like both readings are now
unavoidable, so thanks again.

best

S..

On 11/3/06, Christina McPhee <christina112@earthlink.net> wrote:
I thought maybe Sergio might mean

'atavism'

An atavism can mean an organism that is a real or supposed
evolutionary throwback; the unexpected appearance of primitive
traits; or a reversion to or reappearance of a trait that had been
present in a lineage in the past, but which had been absent in
intervening generations. Atavisms occur because genes for previously
existing phenotypical features are often preserved in DNA, even
though the genes are not expressed in some or most of the organisms
possessing them.  (wikipedia)  http://en.wikipedia.org/wiki/Atavism

enjoying the noise,


christina




> So ativism is nice, >

I realise English isn't your first language, and while you write very
well and clearly, I think this is a crucial misspelllling...
"ativism" is not a word - I'm confused: are you suggesting aCtivism
is nice, or atAvism is nice? I think you meant aCtivism, but given
the anti-technology bend of your argument, atAvism also fits.... but
provides a completely different idea...


> That's why I think of > art as perceptual guerrila, as opening the present to understanding. >

So the machine can exploit it?

Interesting stuff. Thanks!

On Nov 3, 2006, at 9:41 AM, Henry Warwick wrote:

>
>> So ativism is nice,
>
> I realise English isn't your first language, and while you write
> very well and clearly, I think this is a crucial misspelllling...
> "ativism" is not a word - I'm confused: are you suggesting aCtivism
> is nice, or atAvism is nice? I think you meant aCtivism, but given
> the anti-technology bend of your argument, atAvism also fits....
> but provides a completely different idea...
>
>> That's why I think of
>> art as perceptual guerrila, as opening the present to understanding.
>
> So the machine can exploit it?
>
> Interesting stuff. Thanks!

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