[-empyre-] Introductions and beginnings (October on -empyre-)



Thanks, Tracey for the introduction, and deGeuzen as well for the invitation to participate in the discussion this month.

There are a couple of challenges looming, at least for me, that i feel compelled to address, but certainly have no answers for. i will just state them here, then present the context of the Under Fire show that was mentioned by Tracey in the introductions, in which deGeuzen presented some of their recent work.

Challenge one: the post-critical/projective/utopian realism - this set of ideas has been most articulated in discussions of architecture, but a primary point of reference is the work of Bruno Latour, who is becoming a popular reference in a lot of discussions. To (over) simplify the point, this challenge asks if critical theory, in its dominant form, hasn't outlived its context. Not just a post- Marxist position, the goals of those making the challenge don't seem different from those employing "historical" critical theory, but the question is whether or not the target of critique has shifted and requires new tools and methods to engage it, and might possibly require a form of positivism/pragmatism.
see:
http://tloguser.totalcare.nl/tlog_projective.pl? owner=projectivelandsc&filter=39
http://www.ensmp.fr/%7Elatour/articles/article/089.html


Challenge two: the continued analysis of Brian Holmes, regarding practice and theory in our current realities. To quote the end of a recent post by Holmes' to the iDC list:
"The moment of believing you could "get there first" and determine the destiny of a new technological phylum by sheer force of enthusiasm has been gone since the tech bubble burst and the corps started demanding hard returns on their investment. Nowadays, doing anything real means accepting a minority, undergound status and all the undertainties of working without any clear support or public. The elected representatives of a democratic country just voted to fuck off the Geneva convention. At the very best, the post-critical future is a name for a contemporary utopia."
See the whole post and following thread here: http:// mailman.thing.net/pipermail/idc/2006-September/000816.html


So, to get to the context of the Under Fire exhibition in Chicago, and deGeuzen's contribution to it:
deGeuzen's (with Tsila Hassine) "Global Anxiety Monitor" and "Historiographic Tracer" ( http://www.geuzen.org/underfire.html ) both represent an instance of research (in the general sense of collecting/analyzing data) and symbolic framing. In this sense, it contributes to the project of "tactical media" (if anyone's still using that term) by assuming the role of a "tool" for engaging/ studying a given situation as well as consciously politicizing the data and its means of collection (the tool itself). In many ways, these projects, and much, if not all, of deGeuzen's work also builds on the practices and theories of people like Martha Rosler and Alan Sekula who practice a "critical documentary" in which the potential for affect provided by photography is neither abandoned nor surrendered to, but engaged to find those instances where desires to represent and change reality can be made politically reflexive.
In this light, i found the work of deGeuzen presenting some ways of navigating (addressing positively) the previously mentioned challenges, along with the work of other included artists like Trevor Paglen, Mariam Ghani + xurban_collective.
i would also like to point people to a short essay written for the exhibition by Dan S. Wang, which presents perhaps, a third challenge regarding notions of "commitment."
http://www.art.uiuc.edu/projects/underfire/#essay
Without framing any direct questions, i hope that this provides at least some defined space to start with -- and i know that deGeuzen will have some provocations of their own. i also know that my own US- centric bias is ever present in these discussions, so i hope others will reveal those limitations and expand on them.
i look forward to the exchanges.
best,
ryan




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