[-empyre-] Introductions and beginnings (October on -empyre-)
- To: empyre@lists.cofa.unsw.edu.au
- Subject: [-empyre-] Introductions and beginnings (October on -empyre-)
- From: Ryan Griffis <ryan.griffis@gmail.com>
- Date: Tue, 3 Oct 2006 19:36:12 -0500
- Delivered-to: empyre@gamera.cofa.unsw.edu.au
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=beta; d=gmail.com; h=received:mime-version:in-reply-to:references:content-type:message-id:content-transfer-encoding:from:subject:date:to:x-mailer; b=mO+KDKl6eP6ICq7SCK03nQy3j5ksLEymGqJyOUnF5RyyhV18saqIuRpL3XOemgsc6pmzeJuu/J2sNNsJNz1TimoeJZfG2UTFesc2mUizJYRawulsEdDFU+r0RnlPNPwWHrpb1GvekEIK7eUD0LzAlFawtZuRe/Vm0TGC9u8EASU=
- In-reply-to: <20061003020003.A5CAA27B413B@gamera.cofa.unsw.edu.au>
- References: <20061003020003.A5CAA27B413B@gamera.cofa.unsw.edu.au>
- Reply-to: soft_skinned_space <empyre@lists.cofa.unsw.edu.au>
Thanks, Tracey for the introduction, and deGeuzen as well for the
invitation to participate in the discussion this month.
There are a couple of challenges looming, at least for me, that i
feel compelled to address, but certainly have no answers for. i will
just state them here, then present the context of the Under Fire show
that was mentioned by Tracey in the introductions, in which deGeuzen
presented some of their recent work.
Challenge one: the post-critical/projective/utopian realism - this
set of ideas has been most articulated in discussions of
architecture, but a primary point of reference is the work of Bruno
Latour, who is becoming a popular reference in a lot of discussions.
To (over) simplify the point, this challenge asks if critical theory,
in its dominant form, hasn't outlived its context. Not just a post-
Marxist position, the goals of those making the challenge don't seem
different from those employing "historical" critical theory, but the
question is whether or not the target of critique has shifted and
requires new tools and methods to engage it, and might possibly
require a form of positivism/pragmatism.
see:
http://tloguser.totalcare.nl/tlog_projective.pl?
owner=projectivelandsc&filter=39
http://www.ensmp.fr/%7Elatour/articles/article/089.html
Challenge two: the continued analysis of Brian Holmes, regarding
practice and theory in our current realities. To quote the end of a
recent post by Holmes' to the iDC list:
"The moment of believing you could "get there first" and determine
the destiny of a new technological phylum by sheer force of
enthusiasm has been gone since the tech bubble burst and the corps
started demanding hard returns on their investment. Nowadays, doing
anything real means accepting a minority, undergound status and all
the undertainties of working without any clear support or public. The
elected representatives of a democratic country just voted to fuck
off the Geneva convention. At the very best, the post-critical future
is a name for a contemporary utopia."
See the whole post and following thread here: http://
mailman.thing.net/pipermail/idc/2006-September/000816.html
So, to get to the context of the Under Fire exhibition in Chicago,
and deGeuzen's contribution to it:
deGeuzen's (with Tsila Hassine) "Global Anxiety Monitor" and
"Historiographic Tracer" ( http://www.geuzen.org/underfire.html )
both represent an instance of research (in the general sense of
collecting/analyzing data) and symbolic framing. In this sense, it
contributes to the project of "tactical media" (if anyone's still
using that term) by assuming the role of a "tool" for engaging/
studying a given situation as well as consciously politicizing the
data and its means of collection (the tool itself). In many ways,
these projects, and much, if not all, of deGeuzen's work also builds
on the practices and theories of people like Martha Rosler and Alan
Sekula who practice a "critical documentary" in which the potential
for affect provided by photography is neither abandoned nor
surrendered to, but engaged to find those instances where desires to
represent and change reality can be made politically reflexive.
In this light, i found the work of deGeuzen presenting some ways of
navigating (addressing positively) the previously mentioned
challenges, along with the work of other included artists like Trevor
Paglen, Mariam Ghani + xurban_collective.
i would also like to point people to a short essay written for the
exhibition by Dan S. Wang, which presents perhaps, a third challenge
regarding notions of "commitment."
http://www.art.uiuc.edu/projects/underfire/#essay
Without framing any direct questions, i hope that this provides at
least some defined space to start with -- and i know that deGeuzen
will have some provocations of their own. i also know that my own US-
centric bias is ever present in these discussions, so i hope others
will reveal those limitations and expand on them.
i look forward to the exchanges.
best,
ryan
This archive was generated by a fusion of
Pipermail 0.09 (Mailman edition) and
MHonArc 2.6.8.