[-empyre-] scalability and 'knowledge production'
Christina McPhee
christina at christinamcphee.net
Wed Feb 11 16:39:00 EST 2009
To Christiane and the artists of the exhibition, I wonder if any of
you might wish to comment on any relationship (or none) between this
pervasive scalability in the projects at the U. C. venues and a notion
of art as research within a university context-- or, to put it in the
popular phrase of our day, 'knowledge production."
Christiane notes that 'data is always embodied and has a very real
effect on our lives (along the lines of Foucault's bio politics)" (see
full quote below).
Tom Holert has written recently, " A point of tension that can become
productive here is the traditional claim that artists almost
constitutively work on the hind side of rationalist, explicated
knowledge—in the realms of non-knowledge (or emergent knowledge). As a
response to the prohibition and marginalization of certain other
knowledges by the powers that be, the apparent incompatibility of non-
knowledge with values and maxims of knowledge-based economies
(efficiency, innovation, and transferability) may provide strategies
for escaping such dominant regimes."
http://www.e-flux.com/journal/view/40
-c
Christiane wrote:
I think this is an important observation -- the "loss" of, or at least
"disconnect" from, singular experiences and events is what many people
struggle with in new media. I don't want to generalize and claim that
this is an inherent characteristic of new media art. Sharon Daniel's
projects in the exhibition -- despite the fact that they deal with
relations between a large body of data -- are highly personal,
situated and political. Neither is this loss or disconnect a general
perception -- there are also many people for whom large bodies of data
have the richness of a singular experience. However, algorithmic
processing of large, scalable data bodies -- no matter how
aesthetically appealing -- generally tends to be perceived as
abstract, and I often sense a longing for embodiment in audiences'
reactions to this processing. I would argue that data is always
embodied and has a very real effect on our lives (along the lines of
Foucault's bio politics). I think new media art has addressed or
struggled with this tension between the virtual, connected, collective
and the embodied, singular, personal for quite some time. I don't
think there is a simple formula for creating art that resolves this
tension, I see it more as an important phenomenon that needs to be
explored on the level f the artwork and the audience.
Christina McPhee
http://christinamcphee.net
DANM Digital Arts and New Media
Porter Faculty Services
University of California at Santa Cruz
1156 High Street
Santa Cruz, CA 95064
001 805 878 0301
skype: naxsmash
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