[-empyre-] Laurent Sauerwein: Resolution for Digital Futures
Timothy Murray
tcm1 at cornell.edu
Sat Jan 31 00:30:36 EST 2009
Speaking of resolution: I remember a conversation
I once had with British pop artist Richard
Hamilton. He was all excited about the advent of
stochastic digital printing, a technology which
consists in introducing a certain degree of
chance in printing images, in order to create
accidents and imperfections, and thus disrupt the
excessive regularity and simplification
associated with ordinary computer output.
Stochastic printing was the key to more
imperfect, therefore more life-like digital
images. Needless to say that simulated
imperfections for the purpose of pictorial
hyper-realism leave me cold. Promising, on the
other hand, is imperfection if it evokes
something which is radically non-quantifiable and
which therefore eludes computation. There are a
few precious things that algorithms cannot in any
way envisage.
That day, Hamilton also spoke about resolution,
as in numbers of pixels, noting that when he had
evoked the subject to a group of students, they
didn't understand at first what he was talking
about. He said: "I think they heard revolution".
I want disruption, to the point that I have
stopped being annoyed by the power-cuts we
frequently have in the otherwise relatively
well-connected tropical forest of Tamil Nadu,
South India, where we currently spend a good part
of the year.
I promise that I am not afraid of prolonged
power-cuts. The last monsoon made us bring out
the candles and we rediscovered the pleasure of
those extraordinary, light-weight, wireless
interactive devices called books. Immersed as I
have been in digital technology for close to 25
years, I never imagined I could live, work and
dream without pixels, bits and bytes. Survival
outside the womb of intangible global networks
seemed impossible. Not so. Well, at least for a
few days of monsoon.
I know it's considered 'passé', if not outright
totalitarian, but I have kept all along a
fondness for utopia. Utopia, capital U, capital
YOU. It's not about hardware, it's about people.
Convinced that the current crisis is not
circumstantial, my sympathy goes to those who use
digital networking (and other means) for social
transformation, toward a more peaceful,
sustainable and just world.
I have a special fondness for utopias that are
within reach, at arms length, at the tip of the
finger. It's the next step that counts.
Meanwhile, I need room to think and move. That's
why we have moved for several months to South
India. There, I pledge to do away with all the
instant ruins of digital technology that encumber
my daily life. I want most of the hardware and
annoying paraphernalia to evaporate, and I
promise that I won't complain about power-cuts.
For the next one, I'll even light a candle.
And so I got myself an iPhone.
== == ==
Bio: Laurent Sauerwein (India/France) is an
artist
(<http://www.youcantouch.com>http://www.youcantouch.com),
designer, former senior reporter on French public
television. For the American University of Paris,
he just taught a graduate course on sustainable
development in Auroville, Tamil Nadu, South India
(<http://globalhub.eu>http://globalhub.eu). He is
also creating a non-profit research center and
production studio devoted to e-learning on cell
phones and mobile video. Named Pondywood, the NGO
will be based near Pondicherry, India.
--
Renate Ferro and Tim Murray
Co-Moderators, -empyre- a soft-skinned-space
Department of Art/ Rose Goldsen Archive of New Media Art
Cornell University
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