[-empyre-] art and ethics

Jun-Ann Lehman junann at junann.com
Sat Jan 23 17:08:54 EST 2010


Saul: Yes. Something along those lines.

Christiane: Sorry for the opacity. Emailing on mobile phone is hard.
To clarify. A special amendment should not have been necessary to  
guarantee the basic rights of freed slaves as long as freed slaves  
were recognised as full-Americans, which of course, they weren't. The  
14th amendment almost reads as absolution for enslavement. Should the  
14th amendment, therefore, in this day and age, be regarded as a form  
of segregation for descendants of freed slaves and abused by  
corporate America which has the funds to pay lawyers to rake through  
the constitution for commercial advantage.


On 23/01/2010, at 1:16 PM, Saul Ostrow wrote:

> Perhaps the 14th amendment should have been an affirmation of the  
> rights of all citzens of the United States, regardless of color,  
> religion or national origin
>
>
> On 1/22/10 5:43 PM, "Christiane Jetztzeit" <cpr at mindspring.com> wrote:
>
> Your point is well taken.  However, I find your statement somewhat  
> opaque: "But the thing is, u hv to ask why a special amendment  
> isn't required to guarantee the basic rights of regular Americans."
>
>
>
> On Jan 22, 2010, at 1:58 PM, Jun-Ann Lehman wrote:
>
> Perhaps the reasons for introducing the 14th amendment were flawed.  
> Freed slaves shouldn't hv needed to be singled out as a separate  
> entity requiring basic rights if they had been regarded as a part  
> of the mainstream post -constitutional American population in the  
> first place.
>
> If the 14th amendment was challenged, it could solve a lot of  
> problems. The thing is, no one would dare because it guarantees  
> basic rights for freed slaves. But the thing is, u hv to ask why a  
> special amendment isn't required to guarantee the basic rights of  
> regular Americans. Freed slaves should hv been regarded as  
> Americans protected by the American constitution. Perhaps that's  
> what the 14th amendment should hv sought to achieve - the INCLUSION  
> of freed slaves, not their exclusion.
>
> jun-ann lehman___ junann at junann.com ___+61 410 506 559___
>
> On 23/01/2010, at 7:44, Gerry Coulter <gcoulter at ubishops.ca> wrote:
>
>
> Not to worry Christiane -- Americans will continue to get the  
> politicians they deserve (as do we all)
>
>
>
> best
>
>
>
> gerry
>
>
> From: empyre-bounces at gamera.cofa.unsw.edu.au [empyre- 
> bounces at gamera.cofa.unsw.edu.au] On Behalf Of Christiane Robbins  
> [cpr at mindspring.com]
>  Sent: January 22, 2010 12:20 PM
>  To: soft_skinned_space
>  Subject: Re: [-empyre-] art and ethics
>
>
>
>
> Actually, I find the unleashing of corporatist art to be among the  
> very least of worries as a result of yesterday's ruling.
>
>
>
> I'm certain that others can offer a far more delineated and  
> informed accounting.  However, in the interim, for those of you  
> unfamiliar with this stunning ruling ( some are referring to it as  
> a coup ) from January 21, the US Supreme Court basically has  
> overtly transformed our democracy to that of an oligarchy - all  
> under the aegis of the guaranteed right of free speech to all "  
> individuals , " including "corporate personhood."
>
>
>
> Specifically, and in abbreviated form, the Fourteenth Amendment to  
> the US Constitution was created at the conclusion of the Civil War  
> granting basic rights to freed slaves.  Since that point in time it  
> has often been utilized by attorneys representing corporate  
> interests to extend additional rights to businesses far more  
> frequently than to freed slaves. Prior to 1886, corporations were  
> referred to in U.S. law as "artificial persons." However, in 1886,  
> after a series of cases brought by lawyers representing the  
> expanding railroad interests, the Supreme Court ruled that  
> corporations were "persons" and entitled to the same rights granted  
> to people under the Bill of Rights. Since this ruling, the States  
> have lost the legal structures that allowed for people to control  
> corporate behavior.  In other words, corporations came to acquire  
> rights reserved for individual citizens.
>
>
>
>
> The US Supreme Court ruled yesterday that corporations (and unions,  
> lest they not be counted!) now have no limits on their financing  
> political campaigns to any political campaign or candidate.   
> Connecting the dots is rather a simple task in this situation.  And  
> this was all done to ensure free speech...
>
>
>
>
> I'm hoping that  others can parse this issue for a better  
> understanding -
>
>
>
>
> Chris
>
>
>
>
>
>
>
>
>
>
>
>
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>
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>
>
>
> On Jan 22, 2010, at 8:26 AM, Timothy Murray wrote:
>
>
>
>
> Nick, could you explain your reference to the recent Supreme Court
>
>
> ruling to our -empyre- community, since a major proportion of our
>
>
> -empyreans- live outside the US?  I'm also wondering why you think
>
>
> that a ruling regarding political lobbying (if this is what you're
>
>
> referencing) would unleash a genre of corporatist art.
>
>
>  Thanks so much.
>
>  Tim
>
>
> international participants...but how to de-link these states seems
>
>
> impenetrable - like the recent Supreme Court ruling that will
>
>
> certainly unleash a whole new genre of freely circulating
>
>
> corporatist art, no?
>
>
>
>
>
>
>
>
> nick
>
>
>
>
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>
>
>
> From: Johanna Drucker < <mailto:drucker at gseis.ucla.edu>  
> drucker at gseis.ucla.edu>
>
>
> To:  <mailto:jhaber at haberarts.com> jhaber at haberarts.com;  
> soft_skinned_space < <mailto:empyre at gamera.cofa.unsw.edu.au>  
> empyre at gamera.cofa.unsw.edu.au>
>
>
> Sent: Mon, January 11, 2010 8:12:46 PM
>
>
> Subject: Re: [-empyre-] empyre Digest, Vol 62, Issue 13
>
>
>
>
>
> John,
>
>
>
>
>
> Much different. I agree.
>
>
>
>
>
> I do want to make a space for art that is not tasked with being the
>
>
> moral conscience of the culture too.
>
>
>
>
>
> Johanna
>
>
>
>
>
> On Jan 11, 2010, at 4:09 PM, John Haber wrote:
>
>
>
>
>
>
> The analogy to rebranding is very interesting indeed, in an excellent
>
>
>
>
> post.  Let me ask more about it, though.  Now, to me it's only an
>
>
>
>
> analogy, and of course whatever venting we may wish to have about
>
>
>
>
> torture and Israeli policy aren't instantly illuminating regarding art
>
>
>
>
> except as a kind of red flag.  (Hey, there's injustice in the
>
>
>
>
> world, so
>
>
>
>
> don't let it happen in this realm.)  Indeed, it could actually
>
>
>
>
> disguise
>
>
>
>
> the problem, by suggesting distinct realms after all, which the whole
>
>
>
>
> problematic of complicity in art is supposed to question.  Thus, my
>
>
>
>
> question would be this:  if the political analogy is silence, then
>
>
>
>
> does
>
>
>
>
> that open possibilities for art, in which making visible is part of
>
>
>
>
> the
>
>
>
>
> game?  Now, I realize that acknowledging something, as argued well,
>
>
>
>
> doesn't make it go away.  But it's still different from silence.
>
>
>
>
>
>
>
>
>
> John
>
>
>
>
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>  --
>  Timothy Murray
>  Director, Society for the Humanities
>   <http://www.arts.cornell.edu/sochum/> http://www.arts.cornell.edu/ 
> sochum/
>  Curator, The Rose Goldsen Archive of New Media Art, Cornell Library
>   <http://goldsen.library.cornell.edu> http:// 
> goldsen.library.cornell.edu
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>  A. D. White House
>  Cornell University
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