[-empyre-] (no subject)

[FILE_Arquivo]

  Hello Denise!

It will be interesting to talk with you about digital art in Brazil, we 
should do this off topic what do you think?
Nice to meet you! are you from São Paulo?
Cheers!
Gaby

On 30/09/2010 13:25, Denise Bandeira wrote:
>
> Hello!
>
> All Empyre's members and Gabriela Previdello
>
> Congratulations to Tim Murray and Renate Ferro for powered the Empyre 
> soft skinned board of discussion and for make the invitation to some 
> institutions like FILE to discuss these topic.
>
> It's interesting for me to read these emails about the experiences in 
> archives because I'm a researcher on digital art at Brazil and 
> beginnig to make a survey about the complex coexistence of large, 
> often privately-financed and politically influential to production of 
> art digital.
>
> best regards!
>
>
> Denise Bandeira
>
>
>
>
> Thu, 30 Sep 2010 09:53:05 -0300, FILE_Arquivo escreveu:
>
>     Dear all
>
>     Thank you very much to Tim Murray and Renate Ferro for the
>     invitation to participate in Empyre soft skinned board of
>     discussion. I also want to congratulate Vanina Hoffman and Renato
>     Dal Farra, people that I've met in Taxonomedia Seminar in Buenos
>     Aires, and the respective works on Taxonomedia Website and the
>     Langlois Foundation I've appreciated for a long time.
>
>     It's interesting for me to hear here all the experiences on
>     different levels of the digital media arts archive spaces. It
>     contributes a lot to our developments of FILE Archive ambiance
>     (http://www.file.org.br). By the way, I've researched the FILE
>     Archive for a few years and nowadays I'm working on it.
>
>     As far as the artworks I'm studying in FILE Archive are concerned,
>     the /ephemeral/ is turning into a condensed and heavy cloud of
>     bits. Personally, /ephemerality/ it is positive, it's a
>     potentiality that we need to respect and it's not something that
>     we need to worry about. With all the difficulties that a Latin
>     American archives go through in their structure, equipments and
>     financial things, in FILE Festival history (11 years) the
>     conservation ways conducted to an organic and non linear way of
>     work, totally referenced by the /ephemerality/. This heavy cloud
>     of bits starts to auto organized itself, oriented by FILE local
>     exhibitions and by the concepts in how to show electronic and
>     digital art, task that we must face every year of FILE Festival.
>
>     /Sustainability/, in this version of festival/archive ambiance, is
>     totally connected to C/omplexity/. This generative perspective of
>     archives is suggesting to the artworks, artists and researches to
>     go deeply in their archive intentions (or events, in a
>     technological term), beyond the common tools of index, search and
>     access. This made way to organize this amount of information; it's
>     facing the instabilities, errors and /ephemeralilties/ as inherent
>     part of the complex electronic/digital art archive ambiances.
>     Therefore, from a /sustainability/ perspective, it's working to
>     allow the sampler, the replicas and the lectures of the
>     potentialities, a way to conserve the artwork and their parts itself.
>
>     This is a philosophical point of view, which we are trying to put
>     in practice, working hard on interface design and in the database
>     structure.
>
>     It's a pleasure enjoy Empyre and meet you all!
>
>     All the Best,
>
>     -- Gabriela PrevidelloFILE Archive Coordinationfilearquivo00 at gmail.comskypename: gabrielaprevidello55|11|9896 6644www.file.org.br
>
>
> _______________________________________________
> empyre forum
> empyre at lists.cofa.unsw.edu.au
> http://www.subtle.net/empyre


-- 
Gabriela Previdello
FILE Archive Coordination
filearquivo00 at gmail.com
skypename: gabrielaprevidello
55|11|9896 6644
www.file.org.br

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