[-empyre-] H─▀─▌█GLI.TC/H 20111 [EOL] RUN> EMPYRE█┐

Mon Dec 5 23:19:03 EST 2011

Hi Rosa

thanks for your interesting reply, 

I remember in a conversation with John Satrom during glitch Amsterdam, where I posed the same question about the supposedly lack of politics in things glitch related, I offered the example of my personal and dissented - because not sanctioned by the general assembly- action on Occupy Amsterdam. (http://www.facebook.com/media/set/set=a.10150400659812355.360211.732517354&type=1&l=ab83175229)

I think politics comes creeping in when there is not a *shared* safeguard in protecting some potentially promisseful developments in perceiving our lived environment - with all its imperfections and *bad* behaviours - from the gloomy and dark, slimy fingers of *commodification*, resulting in the obvious *domestication* and the positioning of it into the well established *fetishized* art world, and where it will be just another vehicle in maintaining its - the art world's - deadly grip.

Just as you rightfully expressed its *freshness* is prone to exploitation and possibly quickly gaining an impact which is able to just stop its *own* fluidal development.

So corresponding to the occupy movement, the lack of a recognizable and outwardly directed and actively pronounced *political* point of view, can easily result in a misunderstanding and a falsifying conception of its underlying premisses

Connecing glitch with art will do glitch not any good, and thereby is loosing the possible break with an outdated, insufficient and most of all, elitist art concept.

In which part of society will glitch be of value except for a small number of people sharing a common interest in playfully disrupting technological achievements? And what are the benefits for the people not being part of it?

Will it develop into another 'ism', fed by institutionalized theoreticians and popularized by its youtfullness and freshness or will it function as a means to break the underlying world building rules and do away with our preoccupation with societal and techno oriented *hygiene*?

Mcluhanistic naivety combined with a US dominated visual art conception will in due time eradicate every possible trace of authenticity, replacing it with its commodified merchandazible fetish derivate.

Andreas Maria Jacobs

"A corrupt Society, produces corrupt Art"

http://burgerwaanzin.nl (anti-art)
http://nictoglobe.com (art magzaine)

Sent from my eXtended BodY

On 4 dec. 2011, at 21:30, Rosa Menkman <rosa_menkman at hotmail.com> wrote:

> Andreas, thank you for bringing up the issues of politics and societal consequences. I think these are to definitely very important subjects concerning glitch (art) but also very big - just throwing them around makes me worried of them becoming empty concepts (this year we actually organized a panel on glitch politics and I really liked it but also felt it could do with some -preliminary- conclusions) I would like to try to get one step closer to that conversation now.
> 
> For the last years and especially during the organizing of the festival and the writing of my little book on glitch theory, (which is downloadable from here) I have been looking for ways to create or talk about glitch theory/practice-frameworks. 
> 
> glitch = break in a system
> glitch = a fingerprint of a technology
> But... what is glitch art?
> 
> What other subjects are there to explore, or organize within these frameworks,  and do I really want to set them apart or organize them? What are the dangers of writing these things out? Is it the end of the protocol? (no!)
> 
> 
> I feel that the problems of defining glitch, glitch art (and possibly GLI.TC/H) and their roles within glitch art communities are complex. While glitch is mostly technologically defined, glitch art takes the technological occurrence of a glitch to another, more social or metaphorical level. 
> In GLI.TC/H the festival/gathering/conference we try to reflect on these problems (that also have to do with authority, hierarchy within organizing, etc). We try to create an open, fluid space for the communities that struggle or work within these perspectives and provide a meeting place for conversation about classic subjects surrounding these communities, like politics, media archeology and aesthetics. But I believe we also try to capture the 'fresher' conversations related to glitch art (glitch art and its practitioners are, for good and for bad, very prone to a freshness fetish). 
> Last year the festival focussed on a very particular change within the glitch communities, namely the commodification and standardization of glitch; the domestication of certain glitch effects. There were many motivations for this, but a very specific one was the rise (and demise?) of datamoshing, on which I wrote a blogpost a while back and on which the chapter "From Artifact to Commodity" of my book (as mentioned above) and the exhibition Filtering Failure reflected.
> This year I feel there has been a general movement towards text, vernacular or language based glitch art. A good example for this shift was for instance Curt Cloningers GltchLnguistx and the following presentation he did during the panel, to which Curt linked before  (00:16:30-00:46:00) + http://lab404.com/glitch11.pdf , or the growing amount of largely text related glitch-facebook groups, the resurrection of Zalgo and works like Anthony Antonellis' Impulse 101 and A Bill Millers Glitched Ascii Art, the Gridworks series. 
> I wonder if this is a general trend in digital arts, or if this is something more specific to glitch art practices?
> 
> I also wonder what politics (is there a difference between P/politics?) means, within the perspectives of glitch (art communities) - I know what Nick Briz would say: It is a fluid concept made by the communities. However, I am always looking for more specific definitions, shelves and frameworks so we can break them later and find new glitches. 
> If we are afraid to define something beyond it being fluid - how can we still believe in a future for glitch?
> Warmly, 
> Rosa
> 
> 
> 
> 
> 
> 
> 
> 
> ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝ ⃝
> 
> -- .- -.-- / -.. . / -... --- - ... / .-.. --- --- -.- / --- ...- . .-. / ..- ...
> ЯOSΛ MEИKMΛN▓██▓▒▒▒▒ ▒▒ ▒▒ ░ ░ ░
> http://rosa-menkman.blogspot.com
> GLI.TC/H  ▓██▓▒▒▒▒ ▒▒ ▒▒ ░ ░ ░
> ▐▐▐▐▀▀▀▀▀▀▄▄▀▀▀▀▀▀▌▌▌▌ ▐▐▐▐▐▀▀▀▀▀▄▄▀▀▀▀▀▌▌▌▌▌ ▐▐▐▐▐▐▀▀▀▀▄▄▀▀▀▀▌▌▌▌▌▌ ▐▐▐▐▐▐▐▀▀▀▄▄▀▀▀▌▌▌▌▌▌▌ ▐▐▐▐▐▐▐▐▀▀▄▄▀▀▌▌▌▌▌▌▌▌ ▐▐▐▐▐▐▐▐▐▀▄▄▀▌▌▌▌▌▌▌▌▌
> ▐▐▐▐▐▐▐▐▐▄▀▀▄▌▌▌▌▌▌▌▌▌ ▐▐▐▐▐▐▐▐▄▄▀▀▄▄▌▌▌▌▌▌▌▌ ▐▐▐▐▐▐▐▄▄▄▀▀▄▄▄▌▌▌▌▌▌▌ ▐▐▐▐▐▐▄▄▄▄▀▀▄▄▄▄▌▌▌▌▌▌ ▐▐▐▐▐▄▄▄▄▄▀▀▄▄▄▄▄▌▌▌▌▌ ▐▐▐▐▄▄▄▄▄▄▀▀▄▄▄▄▄▄▌▌▌▌
>>> 
> 
> 
> On Dec 4, 2011, at 8:17 PM, IR3ABF wrote:
> 
>> do not need to be (irritated), it are the tidal waves of internests ever undulating search for the renovation and rebuilding of its own flawed fundamentals
>> 
>> what I do miss are the politcal and societal consequences it needs to expose, for now it is merely based on a *dirty* and *speedy* aesthetics and lacking substance and contemplation, but its alleged freshness and playfullness could eventually develop into something more sustainable and less volatile
>> 
>> for a previous FB discussion see:
>> 
>> http://www.netbehaviour.org/pipermail/netbehaviour/20110816/022380.html
>> 
>> Andreas Maria Jacobs
>> 
>> http://nictoglobe.com
>> 
>> Sent from my eXtended BodY 
>> 
>>> 
>>> 2011/12/3 GLI.TC/H <glitch at gli.tc>
>>> < rel="nofollow" value="off">
>>> 
>>> Dear DNSBL,  
>>> Good news! We just passed the EMPYRE CAPPSII system!
>>> WE ARE GLAD TO BE GREY LISTED ON YOUR LIST
>>> <insert email="white-list", "NoBL list", "Yellow List", "Black List">
>>> 
>>> We are happy to share GLI.TC/H long tails, heavy tails, fat tails, power-law tails and recent events of the new distribution. GLI.TC/H the 20111 conference/festival/gathering, which has reached end of line [EOL]. 
>>> 
>>> GLI.TC/H was exe.cuted in Chicago US from: NOV 3 - 6; Amsterdam NL from: NOV 11 & 12; and Birmingham UK on NOV 19. Modules included: lectures, workshops, performances, screenings and gallery worx. The bots are initiating routines to reflect and absorb GLI.TC/H as a whole and how it interfaces, supports, and shares within/around the glitch.art communities... 
>>> 
>>> Thnx to Patrick and every01 for the invitation to unpack/decode/unzip publicly.
>>> 
>>> Jump to: navigation, search ...
>>> ▄┘┐█▄┘─█┐█▄┘─▀┐─▄┘─
>>> █┐█▄┘─▀┐─▄┘─█┐█▄┘─▀┐─▄──█─▀─▌█▀┐█┐┐─▄──█─▀─█▄┘─▄┘─█┐█▄┘─▀┐─▄─██▌▌█▀─██▌▌█
>>> █▌▌█▌█
>>> █▌█▀─██─▀─▌█▀┐██▌█▀
>>> ─██▌█▌█▀─██▌█─▌
>>> █▌█
>>> █▌██▌█▀─
>>> 
>>> Ye Olde tradition of GLI.TC/H reaches back more than 1 year, to a time when human thinkers, makers, and breakers were featured in a festival/conference/exhibition/happening. This network on individual units converged on Chicago for 4 days.
>>> 
>>> This year the monster traversed 3 countries, 2 continents, garnered 450 submissions from 30 countries from which ~100 artists from 12 countries were distilled, there were ~10 glitch art lectures, we were were supported by 146 backers (Kickstarter donors), 2 books were published, 2 broken limbs (one elbow and one leg), 2 missed trains, 2x1 missed airplane, and one GLI.TC/H/BABY...
>>> 
>>> Click here to learn more: HTTP://GLI.TC/H
>>> 
>>> 
>>> Sincerely,
>>> 
>>>  
>>> GLI.TC/H/BOTS
>>> CEO OF YOUR BOTNET
>>> + Nick Briz
>>> + Rosa Menkman
>>> + jon.satrom
>>>  
>>> 
>>> 
>>> ------>> /* fix for farm overflow:hidden */
>>> 
>>> 
>>> GLI.TC/H/BOTS Executives and Professionals
>>> HTTP://GLI.TC/H
>>> GLITCH at GLI.TC
>>> 
>>> 
>>> 
>>> Want to get your zombie computer back onto the Classless Inter-Domain Routing? feed him ORBS for breakfast!
>>> 
>>> Honeypots, spidertraps and nofollow values - bounce easy with our new value="allow" attributes 
>>> make your own \core\Minidump\smelly.dmp now!
>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> -- 
>>> 
>>> .- -. -.. / - .... . / -... --- - ... / ... .- .. -.. / .. - / .-- .- ... / --. --- --- -..
>>> 
>>> GLI.TC/H  ▓██▓▒▒▒▒ ▒▒ ▒▒ ░ ░ ░
>>> ▐▐▐▐▀▀▀▀▀▀▄▄▀▀▀▀▀▀▌▌▌▌ ▐▐▐▐▐▀▀▀▀▀▄▄▀▀▀▀▀▌▌▌▌▌ ▐▐▐▐▐▐▀▀▀▀▄▄▀▀▀▀▌▌▌▌▌▌ ▐▐▐▐▐▐▐▀▀▀▄▄▀▀▀▌▌▌▌▌▌▌ ▐▐▐▐▐▐▐▐▀▀▄▄▀▀▌▌▌▌▌▌▌▌ ▐▐▐▐▐▐▐▐▐▀▄▄▀▌▌▌▌▌▌▌▌▌
>>> ▐▐▐▐▐▐▐▐▐▄▀▀▄▌▌▌▌▌▌▌▌▌ ▐▐▐▐▐▐▐▐▄▄▀▀▄▄▌▌▌▌▌▌▌▌ ▐▐▐▐▐▐▐▄▄▄▀▀▄▄▄▌▌▌▌▌▌▌ ▐▐▐▐▐▐▄▄▄▄▀▀▄▄▄▄▌▌▌▌▌▌ ▐▐▐▐▐▄▄▄▄▄▀▀▄▄▄▄▄▌▌▌▌▌ ▐▐▐▐▄▄▄▄▄▄▀▀▄▄▄▄▄▄▌▌▌▌
>>> ▄┘┐█▄┘─█┐█▄┘─▀┐─▄┘█┐█▄┘─▀┐─▄┘─█┐█▄┘─▀┐─▄──█─▀─▌█▀┐█┐┐─▄──█─▀─█▄┘─▄┘─█┐█▄┘─▀┐─▄─██▌▌█▀─██▌▌
>>> █▌▌█▌█
>>> █▌█▀─██─▀─▌█▀┐██▌█▀
>>> ─██▌█▌█▀─██▌█─▌
>>> █▌█
>>> █▌██▌█▀─
>>> █
>>> █
>>> ▌
>>> ▌
>>> ▌
>>>>> 
>>>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> _______________________________________________
>>> empyre forum
>>> empyre at lists.cofa.unsw.edu.au
>>> http://www.subtle.net/empyre
>>> 
>>> _______________________________________________
>>> empyre forum
>>> empyre at lists.cofa.unsw.edu.au
>>> http://www.subtle.net/empyre
>> 
>> _______________________________________________
>> empyre forum
>> empyre at lists.cofa.unsw.edu.au
>> http://www.subtle.net/empyre
> 
> _______________________________________________
> empyre forum
> empyre at lists.cofa.unsw.edu.au
> http://www.subtle.net/empyre

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.cofa.unsw.edu.au/pipermail/empyre/attachments/20111205/1d3774d1/attachment.htm>