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Wed Dec 14 14:22:51 EST 2011


representated by musical styles where they feel they belong, they use the<b=
r>
tattoo as part of their language: those marks which survive the pass of the=
<br>
time, which power resides both in the intimate evocation which exclude all<=
br>
&quot;others&quot;, as in the show off of their designs.<br>
<br>
<br>
<br>
<br>
<br>
In Uruguay, most in Montevideo, the antecedents of this particular social<b=
r>
expression goes to the end of the Uruguayan dictatorship, in the 80:s.=A0 T=
here<br>
is the beginning of the circulation of groups of young people with dark<br>
clothes and colorful accesories, pale faces and expressions showing they<br=
>
were nightowls and the use of alcohol, etc. They went to specific bars,<br>
pubs in special hours; displacements marking the limits between territories=
<br>
which fragility could be interpretated as frustration or as capacity of<br>
constructing microclimates, a kind of defense.<br>
<br>
<br>
<br>
Tattoomakers and tattoed were together during a month in a museum. The<br>
museum was a legitimating institution, constructing the collective memory,<=
br>
keeper of Art and the history of the old, which traditional role in the<br>
last decades has been analyzed, questioned and reformulated and whose<br>
social and cultural responsability it&#39;s not far from the educational<br=
>
emergency, the need of inclusion and the construction of citizenship.<br>
<br>
<br>
<br>
I share with you these open lines.<br>
<br>
<br>
--<br>
<a href=3D"http://www.twitter.com/caravia158" target=3D"_blank">http://www.=
twitter.com/caravia158</a><br>
<a href=3D"http://www.scoop.it/t/art-and-activism/" target=3D"_blank">http:=
//www.scoop.it/t/art-and-activism/</a><br>
<a href=3D"http://www.scoop.it/t/food-history-and-trivia" target=3D"_blank"=
>http://www.scoop.it/t/food-history-and-trivia</a><br>
<a href=3D"http://www.scoop.it/t/gender-issues/" target=3D"_blank">http://w=
ww.scoop.it/t/gender-issues/</a><br>
<a href=3D"http://www.scoop.it/t/literary-exiles/" target=3D"_blank">http:/=
/www.scoop.it/t/literary-exiles/</a><br>
<a href=3D"http://www.scoop.it/t/museums-and-ethics/" target=3D"_blank">htt=
p://www.scoop.it/t/museums-and-ethics/</a><br>
<a href=3D"http://www.scoop.it/t/urbanism-3-0" target=3D"_blank">http://www=
.scoop.it/t/urbanism-3-0</a><br>
<a href=3D"http://www.scoop.it/t/postcolonial-mind/" target=3D"_blank">http=
://www.scoop.it/t/postcolonial-mind/</a><br>
<br>
mobil/cell <a href=3D"tel:%2B4670-3213370" value=3D"+46703213370" target=3D=
"_blank">+4670-3213370</a><br>
<br>
<br>
&quot;When once you have tasted flight, you will forever walk the earth wit=
h<br>
your eyes turned skyward, for there you have been and there you will always=
<br>
long to return.<br>
- Leonardo da Vinci<br>
<br>
</font>
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empyre forum<br>
<a href=3D"mailto:empyre at lists.cofa.unsw.edu.au" target=3D"_blank">empyre at l=
ists.cofa.unsw.edu.au</a><br>
<a href=3D"http://www.subtle.net/empyre" target=3D"_blank">http://www.subtl=
e.net/empyre</a><br></blockquote></div><br><br clear=3D"all"><br>-- <br>Lic=
. Sabela de Tezanos<br><br><br>
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