[-empyre-] Welcome to empyre Week 4:Rethinking Curatorial Options: Globally

[Lakeeren Gallery]

Dear All,

Want to respond to many strands that are taking place here.
First, Rene congrats on your upcoming show at the Freud’s museums …it
is such an factinating museum and I can imagine your interest to show
there. All the best !

Second, not a fan of curatorial programs…I went to Goldsmiths College
2000, I can’t believe you can learn curating from a course( sorry its
my own take on it). Also  it is very encouraging to believe that
“curatorial programs will play a major role in encouraging future
boundary crossings.” A decade ago it was difficult to speak about
Indian art in class without people loosing interest. I think a lot
acceptibility of art today is linked to the market. It seems that
Chinese and Indian art have gained a new respectibility since their
economies are growing. Would love to know your thoughts on this…

Third, I think Christiane point about seeing art with “a distinctly
different aesthetic language ” is significant.  I agree this is
necessary on all counts including the need for more “international
curatorial voices.” But when will we stop this tokenism of the “usual
suspect” list of artist and curators. Can we truly curate another
culture without a deep-ened research or not employing Spivak’s term “
native –informant.” I have been thinking about this a lot..especially
in the Indian case we have  international curators who curate the same
artists repeately…outline the same issues globalization…etc producing
similar looking show.

I am currently working towards a large exhibtiion on New media from
India … I wondered if anyone saw the exhibit at Guggenheim, NYC Being
Singular Plural that features 7 Indian artist. Would love to know your
thoughts..

http://www.guggenheim.org/new-york/press-room/releases/4437-beingsingularplural

More to follow..
Arshiya


On Sun, Apr 29, 2012 at 7:52 PM, jonCates <joncates at gmail.com> wrote:
> its good to read these accounts of these hystories && i hopes yawl + others
> will propose && present these @ RE:NEW, the upcoming Media Art Histories
> conference hosted by RIXC to be held in Riga, Latvia:
> http://www.mediaarthistory.org/renew
>
> im wondering outloud also about, as Christiane writes, the global / regional
> / local in relation to imperialisms, colonial projects, the flows of global
> capital in globalized hypercapitalism, etc... && questions of scale. in
> other words, on what scales can these issues bue mobilized by artists,
> curators + artists/curators?
>
> my own response has been to move towards && maintain small scales (1), to
> operate in as ARAM writes, super-niches (2) + out of the way places (3), not
> unlike Nate's Apache Projects project. but then to be able to translate
> between these small scale operations && other worlds, such as the academic
> worlds i work in (4)
>
> + following Elvira Dyangani Ose's questions... ARAM's SPEED SHOW platform /
> project activates the art of the Internet-cafe as a specific && specifically
> globalized place && activates Internet-cafes w/ art of the Internet, also a
> specific && specifically globalized space
>
> another project which bears these issues out, but differently, + has been
> invoked in this conversation is Rafael Rosenthal's initiation of the BYOB
> platform / project: http://www.byobworldwide.com
> which i have been involved in versions of + have mobilized critiques of
> through my participation:
> http://systemsapproach.tumblr.com/post/11911744459/byob-chicago-joncates-digital-arts-collector
>
> i would be vry curious / interested in others' perspectives on how these
> projects / platforms, either those proposed +/or those realized, make real
> various aspects of New Media Art in which we are "Rethinking Curatorial
> Options: Globally" online && AFK...
>
> // jonCates
> http://systemsapproach.net
>
> 1. PROPOSAL FOR A MESHWORK OF R4WB1T5 MICRO.FESTS - Amanda Gutierrez,
> jon.satrom and jonCates (2006)
> http://www.scribd.com/doc/4057921/PROPOSAL-FOR-A-MESHWORK-OF-R4WB1T5-MICROFESTS
> 2. SPEED SHOW vol.4: ’Super Niche’ - ARAM Bartholl (2010)
> http://speedshow.net/speed-show-vol-4-super-niche/
> 3. Entropic elasticity: Critical Glitch Artware & the demoscene - Rosa
> Menkman (2010)
> http://www.furtherfield.org/reviews/entropic-elasticity-critical-glitch-artware-demoscene
> 4. Teaching without Philosophy - jonCates (2009 revision)
> http://systemsapproach.net/TEACHPHIL.html
>
> _______________________________________________
> empyre forum
> empyre at lists.cofa.unsw.edu.au
> http://www.subtle.net/empyre



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