[-empyre-] Practice in Research & odd methods, rude mechanics

[mez breeze]

..+ those who persist in operating outside these boundaries (in art or
academia) are having a tougher time existing in such marginalised
(sometimes engineered, sometimes otherwise) spaces.

Chunks,
mez


On Sat, Jan 19, 2013 at 3:10 AM, Talan Memmott
<t.memmott at underacademy.org>wrote:

> **
>
>
>
> On 18 January 2013 at 15:08 Simon Biggs <simon at littlepig.org.uk> wrote:
>
> > ... and to respond to my own email (probably bad etiquette) one can
> observe the obverse to be the case - just as plenty of research is not
> necessarily instrumental so too is much art instrumental, whether
> responding to a commission brief, applying for thematised funding,
> completing a work destined to be sold in an art gallery or making
> adjustments to a performance in response to audience feedback. Adrian's
> argument has value but is too black and white...
> >
>
>
>
> I would say that this is more and more so ... art becoming instrumental
> (in context) And, some of this has to do with the rise of practice oriented
> PhDs, where there is now the expectation, say for writers to pursue a
> Creative Writing PhD.
>
>
>
> Talan Memmott, Caput Magnum
> Full Digressor of Undefined Arts and Sciences
> UnderAcademy College
> http://underacademycollege.wordpress.com/
> TWITTER: @underacademy
>
>
> _______________________________________________
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