[-empyre-] empyre subscribers...this is the last day to post your projects, bios, interests!!

Tue Jul 2 02:27:54 EST 2013

I have never posted any message, but I follow with great interest what 
appears in Empyre.

Lucia Santaella is full professor at São Paulo Catholic University 
(Pucsp), PhD in Literary Theory (1973-PUCSP) and in Communication 
Sciences (1993-São Paulo University). Head of the post-graduate program 
in Technologies of Intelligence and Digital Design (Pucsp), one of the 
honorary Presidents of the Latin-American Federation of Semiotics and 
member of the Argentinian Academy of Fine Arts, and President of the 
Charles S. Peirce Society, USA, 2007. I have published 39 books, 
organized 11 books, and also published around 300 articles in journals 
and books in Brazil and abroad. I was awarded with 3 Jabuti Prizes, for 
the best published books in 2002, 2009, 2011, also awarded with the 
Nelson Motta prize in Art and Technology (2005), and the Luis Beltrão 
prize for my career, 2010.

Am 01.07.2013 16:15, schrieb Paul Vanouse:
> ----------empyre- soft-skinned space----------------------
>
>
> Hi Renate and empyre,
> hope this is ok.
> cheers,
> paul
>
> Paul Vanouse has been working in emerging media forms since 
> 1990.  Interdisciplinarity and impassioned amateurism guide his art 
> practice. His electronic cinema, biological experiments, and 
> interactive installations have been exhibited in over 20 countries and 
> widely across the US. Venues have included: Walker Art Center, 
> Albright-Knox Art Gallery, Carnegie Museum, Andy Warhol Museum, 
> New Museum, Museo Nacional de Bellas Artes in Buenos Aires, Louvre in 
> Paris, Haus Der Kulturen Der Welt, Berlin, Zentrum fur Kunst und 
> Medientechnologie in Karlsrhue, Centre de Cultura Contemporania in 
> Barcelona, and TePapa Museum in Wellington, New Zealand.
>
> Recent solo exhibitions include: Schering Foundation in Berlin (2011), 
> Kapelica Gallery in Ljubljana (2011), Muffathalle in Munich (2012), 
> and Beall Center at UC Irvine, California (2013).  This work has been 
> discussed in journals including: Art Journal, Art Papers, Art 
> News, Flash Art International, Leonardo, New Scientist, New Art 
> Examiner, New York Times and numerous academic books on art and 
> technology.
>
> Vanouse's artworks have been funded by Renew Media Arts Fellowship 
> (formerly known as Rockefeller New Media Fellowship, 2008), Creative 
> Capital (2006), New York State Council on the Arts project 
> grant (2000, 2005), New York Foundation for the Arts Fellowship 
> (2002), Pennsylvania Council on the Arts project grants (94, 95, 98), 
> PCA Fellowship (98), Mellon Charitable Trust (98), Heinz Foundation 
> (98), Pennsylvania Humanities Council (98), Sun Microsystems equipment 
> grant (2000), National Science Foundation (1997).  He has received 
> awards at festivals including Prix ARS Electronica (2010 and 2007) 
> in Linz, Austria, and Vida, Art and Artificial Life competition (2002, 
> 2011), in Madrid, Spain.  Museum commissions include the Walker 
> Art Center for "The Consensual Fantasy Engine online" (1998), and 
> the Henry Art Gallery in Seattle for "The Relative Velocity 
> Inscription Device" (2002).
>
> Vanouse is a Professor of Visual Studies at the University at Buffalo, 
> NY. He has been a Senior Artist at Banff Center, Alberta, Canada 
> (2011), Foreign Expert at Sichuan Fine Arts Institute, 
> China (2006) Honorary Research Fellow at SymbioticA, University of 
> Western Australia (2005), Visiting Scholar at the Center for Research 
> and Computing in the Arts, UC San Diego (1997), and Research Fellow at 
> the Studio for Creative Inquiry, Carnegie Mellon University 
> (1997-2003). He holds a BFA from the University at Buffalo (1990) and 
> an MFA from Carnegie Mellon University (1996).
>
> For the past decade, Vanouse has been specifically concerned with 
> forcing the arcane codes of scientific communication into a broader 
> cultural language. In The Relative Velocity Inscription 
> Device (2002), he literally races DNA from his Jamaican-American 
> family members, in a DNA sequencing gel, in a installation/scientific 
> experiment that explores the relationship between early 20th Century 
> Eugenics and late 20th Century Human Genomics.  The double entendre of 
> race highlights the obsession with "genetic fitness" within these 
> historical endeavors. Similarly, his recent projects, "Latent Figure 
> Protocol" (2007), "Ocular Revision" (2010) and "Suspect Inversion 
> Center" (2012) use molecular biology techniques to challenge 
> "genome-hype" and to confront issues surrounding DNA fingerprinting.
>
>
> On Jun 29, 2013, at 10:45 PM, Renate Ferro wrote:
>
>> ----------empyre- soft-skinned space----------------------It has been 
>> incredibly great to read about so many of your projects.  We are 
>> hoping that many of you will take this last day of June to respond to 
>> our call.
>> Whether you are a participant or a lurker please let us know what 
>> your current projects are and post a short bio. Thanks to all of you 
>> this month who have shared.  Thanks.  Renate
>>
>>
>> -- 
>>
>> Renate Ferro
>> Visiting Assistant Professor of Art
>> Cornell University
>> Department of Art, Tjaden Hall Office #420
>> Ithaca, NY  14853
>> Email:   <rtf9 at cornell.edu <mailto:rtf9 at cornell.edu>>
>> URL: http://www.renateferro.net <http://www.renateferro.net/>
>> http://www.privatesecretspubliclies.net 
>> <http://www.privatesecretspubliclies.net/>
>> Lab: http://www.tinkerfactory.net <http://www.tinkerfactory.net/>
>>
>> Managing Co-moderator of -empyre- soft skinned space
>> http://empyre.library.cornell.edu/
>> http://en.wikipedia.org/wiki/Empyre
>>
>> _______________________________________________
>> empyre forum
>> empyre at lists.cofa.unsw.edu.au <mailto:empyre at lists.cofa.unsw.edu.au>
>> http://www.subtle.net/empyre
>
>
>
> _______________________________________________
> empyre forum
> empyre at lists.cofa.unsw.edu.au
> http://www.subtle.net/empyre

-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://lists.cofa.unsw.edu.au/pipermail/empyre/attachments/20130701/e0056d0e/attachment.htm>