[-empyre-] Week Two on -empyre: Matthew Brower, Chaya Litvack, and Owen Mundy
Patrick Keilty
p.keilty at utoronto.ca
Mon Nov 11 13:06:03 EST 2013
This is shaping up to be a lively discussion! We're off to a good start. I
am particularly glad to see Camilla, Samara, and micha raise questions
about audience. Hope we hear more on that. Looking forward to the
discussion as we enter our second week. Week two brings us three guest
moderators: Matthew Brower, Chaya Litvack, and Owen Mundy.
Matthew Brower is Lecturer in Museum Studies in the Faculty of Information
at the University of Toronto. Curator of *Mieke Bal: Nothing is
Missing* (University
of Toronto Art Centre<http://www.utac.utoronto.ca/past-exhibitions/154-nothing-is-missing>2009);
*Gord
Peteran: Recent Works*
(UTAC<http://www.utac.utoronto.ca/past-exhibitions/173-gord-peteran-recent-works>2009);
and *Threatened,
Endangered, Extinct* (Open
Studio<http://www.openstudio.on.ca/osgallery.html>2014).Co-curator of
*The
Brothel Without Walls*
(UTAC<http://www.utac.utoronto.ca/past-exhibitions/195-the-brothel-without-walls>2010),
*Suzy
Lake: Political Poetics*
(UTAC<http://www.utac.utoronto.ca/past-exhibitions/221-suzy-lake>2011,
McIntosh
Gallery <http://mcintoshgallery.ca/exhibitions/past/2012.html> 2012, MacDonald
Stewart Art Centre <http://www.msac.ca/> 2012, Mount Saint Vincent
University Art Gallery<http://msvuart.ca/index.php?menid=02&mtyp=17&article_id=407&sby=6&sbyk=2012&sbyn=&pin=0>2012,
Art
Gallery of Peterborough <http://www.agp.on.ca/past2012.php> 2012-13);
and *Collective
Identity │Occupied Spaces
*(UTAC<http://www.utac.utoronto.ca/past-exhibitions/262-public-contact-2012>and
Museum
of Contemporary Canadian
Art<http://www.mocca.ca/blog/exhibition/public201/>2013). Author of
*Developing
Animals: Wildlife and Early American Photography *(University of Minnesota
Press <http://www.upress.umn.edu/book-division/books/developing-animals>2010).
Chaya Litvack is a second year doctoral student in the Faculty of
Information at University of Toronto. Her research centres on strategies
for archiving performance art in order to explore the relationship between
material techniques, temporality, and historiographical practices. She
brings performance practices in contact with archival theory with the goal
of expanding the ways in which archival techniques might foster the
creation of new approaches to writing performance histories.
Owen Mundy is an artist, designer, and programmer who investigates public
space and its relationship to data. His artwork highlights inconspicuous
trends and offers tools to make hackers out of everyday users. He has an
MFA in Visual Art from the University of California, San Diego and is an
Assistant Professor of Art at Florida State University.
--
Patrick Keilty
Assistant Professor
Faculty of Information
University of Toronto
@patrickkeilty <https://twitter.com/PatrickKeilty>
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