[-empyre-] whose "our systems"

[Sue Hawksley]

Dear John, Johannes and all

To John - 
On 7 Jul 2014, at 13:06, John Hopkins <jhopkins at neoscenes.net> wrote: 

> I suspect that you perhaps have explored some of the aspects of breathing modeled by yogic teachings  -- as some of the play you describe here are moving somewhat in that direction -- patterning, awareness, presence, pacing, not-knowing, and even fear -- these are, of course, broad principles of embodied energy flow... (Richard Freeman's teachings on 'pranayama' are quite profound in their lucid descriptions of how to fully integrate the breath into embodied and energized presence)
> 
 Yes, absolutely, the design of the breath experiment drew on yoga practices. I am not aware of Richard Freeman's writings but have read and practiced a fair bit within similar traditions and will look up his work. THanks for that. 

To Johannes - 
On 7 Jul 2014, at 23:13, Johannes Birringer <Johannes.Birringer at brunel.ac.uk> wrote:

> How do you know what the others felt or feared?  how to you share (reflect? articulate) awareness after the presence/present and virtual moments  (and Simon must then not understand your work at all, does he?)?


Of course I don't know anything about others or my own experience;  just make the best attempt at approaching an understanding, using my practice and that wonderful technology of language. Phenomenological methodologies are useful and Don Ihde's proposals of the post-phenomenological make sense to me. I think the processes and outcomes of collaborative and interdisciplinary practices are also means whereby we sharing our knowing / not-knowing through doing.

all the best, Sue


SUE HAWKSLEY
independent dance artist
sue at articulateanimal.org.uk
http://www.articulateanimal.org.uk




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