[-empyre-] sample from today

Wed Nov 12 07:22:34 EST 2014

Ana, well not always. Remember Conrad's *The Secret Agent*? But anarchist
had less power than institutional power  to wreak destruction and, as far
as I know, none of them was a suicide bomber, the tool that gives the
modern terrorist the ability to influence minds far beyond their numbers.

Interestingly, Hakim Bey regards himself an anarchist and now lives some
place, I think, upstate New York in "retirement." His books on Sufism, its
subversive position within Islam, had a great influence on my work.

I always wandered the adoption of "Hakim Bey" as a *nom de guerre *since
Hakim Bey is the name of the uniformed Turkish police officer, played by
Orson Wells, in the film *A Cask for Demetrius*.

Ciao,

Murat

On Tue, Nov 11, 2014 at 1:04 PM, Ana Valdés <agora158 at gmail.com> wrote:

> ----------empyre- soft-skinned space----------------------
> I had a discussion with Murray Bookchin once, he visited us, the anarchist
> collective I lived with at that time, in Stockholm. We translated into
> Swedish his book about Ecology. He was a true individualist anarchist, he
> was very suspicious about us, about how we manage to live together work
> together and spend free time together :)
> He defended the right to wear weapon and to defend himself against anyone
> wanting to harm him. For us his these about citizen militie and armed
> vigilantes to watch the autogestionated societies was unthinkable.
> You are totally right, the anarchists nihilists from the end of the 19th
> century and beginning to the 20th century were considered today's
> terrorists :) But their agenda was less bloody ;(
> Ana
>
> On Tue, Nov 11, 2014 at 3:26 PM, Murat Nemet-Nejat <muratnn at gmail.com>
> wrote:
>
>> ----------empyre- soft-skinned space----------------------
>> Ana, in the United States, the Libertarians have an idealized version of
>> 19th century America, a De Toquevillean paradise, where "freedom"
>> prevailed. In my view, all these are different, but very related,
>> expressions of alienation. What is the cause of these splintered explosions
>> of violence? At the heart, it seems to me, is the fall of the Soviet Union.
>> In the preceding bipolar world, where there was an overarching threat of a
>> world war/nuclear explosion, these alienations (always there) were
>> suppressed, very often with the tacit consent of the governed. After the
>> fall, the overarching, unimaginable, maximal threat gone, the tacit
>> contract of the cold war is gone. Previously suppressed (or unheard) voices
>> begin to speak with potentially, often violent, centrifugal force.
>> Ironically, a lot of the violence, which the majority of us experience
>> virtually, is primarily the result of increased freedom; second, the
>> exponential advance in digital technology that makes these
>> expressions--often of alienating violence we choose to call
>> terror(ism)--visible to us. One should remember "terrorist" is a word (an
>> ism) coined by politicians starting in the 1970's.
>>
>> I wonder how "terrorist" is different from "anarchist" which was the word
>> of choice a hundred years ago. Do they, in subtle ways, mean different
>> things? Perhaps, "anarchist" (along with had, in 19th century, a
>> philosophical structure underpinning it. Some political thinkers/actors
>> openly embraced it (read *The Parisian Arcades* or *The Possessed*).
>> Whereas, in our day, no one, no group embraces the term terrorist; but
>> tries to rationalize it, often calling the opposing party the real
>> terrorist. In that sense, terrorism is a violence with no human face, no
>> intellectual rational; it is a convenient term for those actors of
>> "rationalized violence" (states or would-be states) to distinguish
>> themselves from it.
>>
>> We all in this thread have been asking how an individual, particularly as
>> an artist or a thinker or an actor, can react in the face of the pervasive
>> omni-visible, often virtual but potentially actual violence. In my view,
>> the best an individual can do is to analyze and develop a *consciousness*
>> of the machinations of this violence, the methods, the techniques it uses
>> to impose itself on the rest of us.
>>
>> Ciao,
>>
>> Murat
>>
>> On Tue, Nov 11, 2014 at 10:48 AM, Ana Valdés <agora158 at gmail.com> wrote:
>>
>>> ----------empyre- soft-skinned space----------------------
>>> Thank you Murat! I feel that the apocalyptical utopies from Boko Haram
>>> and ISIS trying to shape their own worldorder are signs of our time. ISIS
>>> is invoking the Caliphate, the go back to Al Andalous, a kind of golden age
>>> where Paradise loomed with it's fruits and rewards. Boko Haram want,
>>> regarding to their narrative, go back to the Africa from before
>>> colonization, a continent where mighty empires lived in harmony with the
>>> Earth.
>>> The fact they impose their new order with terror and harshness is a kind
>>> of symbolical and pagane cosmogony, they want take distance from "our"
>>> gods, for them education in Western terms is an abomination, the suicide
>>> bomber who killed himself yesterday killing 50 students is a true
>>> representant of their philosophy or beliefs. For us is education
>>> normalization, progress, development, enlightenment, for them is education
>>> a deadly sin.
>>> Ana
>>>
>>> On Tue, Nov 11, 2014 at 12:46 PM, Murat Nemet-Nejat <muratnn at gmail.com>
>>> wrote:
>>>
>>>> ----------empyre- soft-skinned space----------------------
>>>> Ana, the "kind of new structure without visible heads[, a] new kind of
>>>> feudal contract... inhabited by people without voices" is actually exactly
>>>> what the largest modern states are striving for, China, the United States,
>>>> Russia: to give enough food and trinkets and spectacles and popular wars to
>>>> the population so that, at least passively, they support you, always the
>>>> implicit threat of violence ("punishment" or withdrawal of goods) against
>>>> those who want "to have a voice." This is a kind of "benevolent feudalism,"
>>>> la familia of an idealized Godfather-like Mafia. In the United States, the
>>>> financial institutions and a small number of corporations are our invisible
>>>> citizens, who supposedly, as "job creators," are feeding the rest of us and
>>>> can keep us at least passively happy..
>>>>
>>>> One should not forget the place of digital technology which, it is
>>>> becoming progressively clearer, is the tool that enables the concentration
>>>> of power and wealth (therefore, the production of supportive mythologies)
>>>> in the hands of fewer and fewer people.
>>>>
>>>> Ciao,
>>>>
>>>> Murat
>>>>
>>>> On Tue, Nov 11, 2014 at 12:01 AM, Ana Valdés <agora158 at gmail.com>
>>>> wrote:
>>>>
>>>>> ----------empyre- soft-skinned space----------------------
>>>>> Thank you Gabriela for your interesting description of the non-violent
>>>>> answer to the state violence installed in Mexico. I was in Yucatan when I
>>>>> did my field work in social anthropology and met many zapatistas and
>>>>> indingeous working in the caracoles, the free zones kept by the zapatistas
>>>>> at that time.
>>>>> It was same years before I was in Gaza and it strucked me Gaza and
>>>>> Mexico and Italy shared a common denominator: a weak state left the
>>>>> citizens vulnerable and frustrated and the field was overtaken for
>>>>> organizations who cared for the everyday life. It explained how the drug
>>>>> cartels when the Colombian Pablo Escobar was alive cared for the citizens
>>>>> in the small towns and got a lot of support from the people.
>>>>> In Mexico it was the zapatistas who built up a feeling of community
>>>>> and started to autogestionate or selfgovern the territories abandonned by
>>>>> the state.
>>>>> In Gaza was Hamas who took care of the police and the daycare.
>>>>> Hakim Bey explains it with his TAZ, Temporary Autonomous Zone, where
>>>>> he uses the examples of the camorra in Italy and the zapatistas as well to
>>>>> explain territories separating themselves from the central state, far from
>>>>> them, a kind of new structure without visible heads. A new kind of feudal
>>>>> contract. The "Non Places" in Marc Augés terms, in the middle of nowhere,
>>>>> inhabitated by the people without voices.
>>>>> Ana
>>>>>
>>>>> On Tue, Nov 11, 2014 at 1:51 AM, Gabriela Vargas-Cetina <
>>>>> gabyvargasc at prodigy.net.mx> wrote:
>>>>>
>>>>>> ----------empyre- soft-skinned space----------------------
>>>>>>  Dear all,
>>>>>>
>>>>>> Thank you for this month's discussion and thank you for bringing in
>>>>>> what is happening in Mexico to this very difficult but very needed
>>>>>> conversation.  Here in Mexico the news have been emotionally draining for
>>>>>> most everyone, and now that our President has left to go to China for
>>>>>> diplomatic talks, many Mexicans are asking for his resignation.  The
>>>>>> newspapers have been commenting here in Yucatan how people even from the
>>>>>> wealthier strata of regional society are going to the marches and protests
>>>>>> over the murder of the students.  I guess we are all trying to perform out
>>>>>> our grieving in some way, collectively, so as to feel safer and feel we do
>>>>>> have control over our spaces and lives.  A very important thing that is
>>>>>> happening is that most everyone is chanting repeatedly "no more violence"
>>>>>> and "no to violence": Apparently the burning of the door of the National
>>>>>> Palace was done by a soldier from the Mexican army in order to justify the
>>>>>> intervention of the police against the crowd of protesters; at least that
>>>>>> is what even the major newspapers say.
>>>>>>
>>>>>> I would like to suggest here that the performance of violence and
>>>>>> violent performances are now giving way to the performance of non-violence,
>>>>>> but this is arguably a different kind of performed violence.  The
>>>>>> installations using empy chairs, cards, mementos and photos of the
>>>>>> students, public performances of those marching throwing themselves to the
>>>>>> ground and remaining motionless for many minutes, the holding of signs on
>>>>>> cardboard or cloth, and the chants hostile to the government are all part
>>>>>> of so-called non-violent demostrations, but they are in fact violent, and
>>>>>> they are meant to shake our government officials and public peace keepers
>>>>>> to the bones.  I am not sure these tacticts are working, since neither our
>>>>>> politicians nor the rest of the world seem to pay any attention or be in
>>>>>> the least disturbed, but they are bringing about a new,
>>>>>> publically-constructed collective understanding of non-violent protest.
>>>>>> And it is also a way to re-construct some feeling of being safe.
>>>>>>
>>>>>> I find it interesting that the collective performance of non-violence
>>>>>> is meant as a violent act, and that it is expected to stop the physical
>>>>>> violence of the killings and forced disappearances that sadly mark everyday
>>>>>> life today in much of Mexico.  To my mind, it is a reinvention of passive
>>>>>> aggression, this time in collective forms.  But all in all, perhaps it is a
>>>>>> good step in a good direction.
>>>>>>
>>>>>> Thanks again for this discussion.
>>>>>>
>>>>>> Gabriela Vargas-Cetina
>>>>>> Merida, Yucatan, Mexico
>>>>>>
>>>>>> -- http://antropuntodevista.blogspot.mx
>>>>>>
>>>>>>
>>>>>> On 11/10/14, 4:19 PM, Ana Valdés wrote:
>>>>>>
>>>>>> ----------empyre- soft-skinned space----------------------
>>>>>>
>>>>>>
>>>>>>
>>>>>>  Maybe Mexico is too near the US to be worth some alert in Google? :(
>>>>>>  Ana
>>>>>>
>>>>>> On Mon, Nov 10, 2014 at 7:51 PM, Diana Taylor <
>>>>>> diana.taylorny at gmail.com> wrote:
>>>>>>
>>>>>>> ----------empyre- soft-skinned space----------------------
>>>>>>>  Yes of course you did-- I was referring to the Google news feed
>>>>>>> reported by Alan. I thought THAT was interesting in its omission. Apologies
>>>>>>> if you thought I was referring to your posts Ana!
>>>>>>> Diana
>>>>>>>
>>>>>>> Diana Taylor
>>>>>>> University Professor
>>>>>>> Professor of Performance Studies and Spanish, NYU
>>>>>>> Director, Hemispheric Institute of Performance and Politics
>>>>>>>
>>>>>>> On Nov 10, 2014, at 3:51 PM, Ana Valdés <agora158 at gmail.com> wrote:
>>>>>>>
>>>>>>>  ----------empyre- soft-skinned space----------------------
>>>>>>>
>>>>>>>   Some quick answers: Jon, check the archives of -empyre and you
>>>>>>> can read Alicia Migdal's quotations of Agamben and its Homo Sacer.
>>>>>>>  And Diana, two days ago I posted to the list the links with live
>>>>>>> strem to the protests in Mexico when the news of the killed 43 students
>>>>>>> reached us. And Alicia and me discussed it in the list.
>>>>>>>  Ana
>>>>>>>
>>>>>>> On Mon, Nov 10, 2014 at 2:04 PM, Jon McKenzie <jvmckenzie at wisc.edu>
>>>>>>> wrote:
>>>>>>>
>>>>>>>> ----------empyre- soft-skinned space----------------------
>>>>>>>>  typographic t/error:  "the neutral observer of vita contemplativa"
>>>>>>>>
>>>>>>>>
>>>>>>>>  On Nov 10, 2014, at 9:59 AM, Jon McKenzie <jvmckenzie at wisc.edu>
>>>>>>>> wrote:
>>>>>>>>
>>>>>>>>  I’m enjoying the engagement here, troubling as the topics have
>>>>>>>> been. The posts by Alan, Johannes, Ana, Reinhold, John, Eric and others
>>>>>>>> have been very provocative, and the different speeds and tenors of
>>>>>>>> post-communication is breath-taking.
>>>>>>>>
>>>>>>>> I’ve tried to respond in a slow way, for I think/believe/feel that
>>>>>>>> absolute terror is both unprecedented and yet everyday, as it connects to
>>>>>>>> the slow terror of economic, environmental, and cultural
>>>>>>>> progress-gone-awry.
>>>>>>>>
>>>>>>>> In You Must Change Your Life, Sloterdijk distinguishes vita
>>>>>>>> performativa from both vita contemplativa and vita activa. His figure for
>>>>>>>> Western theoretical man, the neutral observer of vita activa, is one of
>>>>>>>> suspended animation, all head (capital) and no body (Diogenes). In the Art
>>>>>>>> of Life, he traces modernism’s attempts to kill the Man of Logos.
>>>>>>>>
>>>>>>>> The most surprising thing I’ve discovered through our conversations
>>>>>>>> is the uncanny resonance between videoed beheadings and Bataille’s
>>>>>>>> Acephale. The significance of this reverb is as legible as a tarot card.
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> Are pictographics permitted on this list?
>>>>>>>>
>>>>>>>> Like graphe, the term “performance” is polymorphic enough to
>>>>>>>> stretch from acts of violence (those we call real, actual, unmediated, etc)
>>>>>>>> to violence enacted within theatrical and artistic contexts (those we call
>>>>>>>> artificial, representational, mediated etc.), while also opening up
>>>>>>>> unsettling practices in-between. In "Prison Theatricality in the Romanian
>>>>>>>> Gulag,” Ruxandra Cesereanu describes Cold War prison performances in which
>>>>>>>> guards forced prisoners to reenact the torture of saints and other scenes
>>>>>>>> of blasphemy in grotesque living tableaus. More mundane and profound is the
>>>>>>>> realization that all techniques, performances, experiences are generated
>>>>>>>> via practice, repetition, alternation, fine-tuning, etc. that is, are
>>>>>>>> emergent via graphe.
>>>>>>>>
>>>>>>>> So by performances I mean actual and enacted acts and the blur from
>>>>>>>> which this distinction emerges, for each act of terror, torture, rape is at
>>>>>>>> once unique, singular, immediate and at same time multiple, citational,
>>>>>>>> mediated by the material environments and symbolic contexts through which
>>>>>>>> it unfolds, those of victim, perpetrator, witness, etc. This holds long
>>>>>>>> before cameras, poets, and speculators arrive (assuming they’re not always
>>>>>>>> on the scene: where I’m coming from techne operates in physis along the
>>>>>>>> lines Deleuze and Guattari staked out as machinic phylum, graphe meets
>>>>>>>> autopoesis).
>>>>>>>>
>>>>>>>> And once media technologies do arrive, they can’t be assumed as
>>>>>>>> external to the performance of violence, merely exploiting the situation,
>>>>>>>> repeating the event, etc. Images and cameras, audio and sound systems
>>>>>>>> themselves carry force, both physical and performative force, to do things
>>>>>>>> not only to witnesses but also to victims and perpetrators. At US prisons
>>>>>>>> at Guantanamo, Bagram, and Abu Ghraib, cameras and images were part of the
>>>>>>>> psychophysical interrogation regime, used to humiliate, intimidate, and
>>>>>>>> psychologically torture detainees, as well as to document and produce
>>>>>>>> “actionable” intelligence. Videos posted online by ISIS and its precursor
>>>>>>>> organizations serve as warnings to other groups and populations, as
>>>>>>>> provocations to the international community, and also as recruitment tools
>>>>>>>> for seasoned and new jihadists. Electronic terror is built atop public
>>>>>>>> electric utilities.
>>>>>>>>
>>>>>>>> To miss the tele-pathy (pathos, suffering, passion at a distance)
>>>>>>>> of anachronistic (wars on) terror is to miss the most proximate of events
>>>>>>>> and all the affective networks in-between, here, for instance, on this
>>>>>>>> listserv. Triads of victim, perpetrators, and witnesses multiply, morph,
>>>>>>>> recombine, and rotate over time and at different scales. Whether one misses
>>>>>>>> the tele-pathy or not, it’s bound to reverb, if not return.
>>>>>>>>
>>>>>>>> “Homo sacre data body” is a term coined a decade ago to tune in the
>>>>>>>> reverb by mashing up Giorgio Agamben and Critical Art Ensemble. If
>>>>>>>> Agamben’s camp signals the democratization and generalization of homo
>>>>>>>> sacre, CAE’s data body doubles the physical body with a virtual double
>>>>>>>> composed of information stored in networked databases. Ideally, homo sacre
>>>>>>>> data body is ubiquitous yet intimately customizable. Facebook meets
>>>>>>>> Acephale. The intersection of homo sacre and data body can be a drone
>>>>>>>> strike, a care package, or getting hauled away by border officials. Its
>>>>>>>> thumbprints are your passport, ID cards, passwords, and cookies.
>>>>>>>>
>>>>>>>> Homo sacre data body emerges as a microcosm of hypergraphe, the
>>>>>>>> metasisizing of graphic violence and graphic media, producing the vast
>>>>>>>> intermittent images of contemporary terror. The society of spectacle of
>>>>>>>> scaffold is as much temporal as spatial, as much rhythm and break as stage
>>>>>>>> and spectacle. Theater and spectacle hook up with visualizations,
>>>>>>>> algorithms, and 24/7 dataveillance. Coming and going, mobile biometrics are
>>>>>>>> the happy form of tiny terror.
>>>>>>>>
>>>>>>>> To think and act on links between absolute terror and the globality
>>>>>>>> of economic, cultural environmental devastation is to grapple with the
>>>>>>>> emergence and dissolution of individuals and lifeworlds near and far and to
>>>>>>>> struggle with one’s own performances as victim, perp, and witness.
>>>>>>>>
>>>>>>>> In puppet theory form, today’s installation of global performance
>>>>>>>> might be called “The deaths of God and Man are trying the patience of Gaia.”
>>>>>>>>
>>>>>>>> Jon
>>>>>>>>
>>>>>>>>  On Nov 10, 2014, at 9:08 AM, Alan Sondheim <sondheim at panix.com>
>>>>>>>> wrote:
>>>>>>>>
>>>>>>>> ----------empyre- soft-skinned space----------------------
>>>>>>>>
>>>>>>>>
>>>>>>>> I want to thank Johannes for all the work he's done here, and all
>>>>>>>> the guests current and future; it's an amazing and intense month.
>>>>>>>>
>>>>>>>> and from my current Google newsfeed (space and time displacements) -
>>>>>>>>
>>>>>>>> Suicide bombing at Nigerian school kills 47Sydney Morning Herald
>>>>>>>> Military Plans 'Operation No Mercy' Against Boko HaramAllAfrica.com
>>>>>>>> <http://haramallafrica.com/>
>>>>>>>> Palestinian stabbed Israel soldier in attack near Tel Aviv train
>>>>>>>> station, police say
>>>>>>>> :Palestinians break through West Bank barrier to mark Berlin Wall
>>>>>>>> anniversary RT
>>>>>>>> Egypt jihadists vow loyalty to ISIS In this Tuesday, Nov. 4, 2014
>>>>>>>> photo, smoke rises from explosions demolishing houses on the Egyptian side
>>>>>>>> of the border town of Rafah as seen from the Palestinian side of Rafah in
>>>>>>>> the southern Gaza Strip.
>>>>>>>> Cyberespionage group targets traveling execs through hotel networks
>>>>>>>> Russia Says Sanctions Hurting as Bank Moves to Defend Ruble
>>>>>>>> Russian Military Encounters With West at Cold War Levels: Report
>>>>>>>> Suicide bomber kills 47 boys in Nigeria school massacre
>>>>>>>> Daily Mail - 1 hour ago
>>>>>>>> Suicide bomber kills 48 at school assembly in Nigeria
>>>>>>>> IBNLive - 1 hour ago
>>>>>>>> UPDATE 3-Suicide bomber kills dozens at school assembly in Nigeria
>>>>>>>> Reuters - 45 minutes ago
>>>>>>>> ... * Suicide bomber dressed as student kills 48, injures 79. *
>>>>>>>> Detonates device during school's morning assembly. * Angry locals block
>>>>>>>> access to school buildings, hospital.
>>>>>>>> Leaders of China and Japan hold first face-to-face talks amid
>>>>>>>> tensions CNN
>>>>>>>> Trending on Google+:Palestinians break through West Bank barrier to
>>>>>>>> mark Berlin Wall anniversaryRT
>>>>>>>> Opinion:Terror attack in Tel Aviv: Palestinian stabs, critically
>>>>>>>> wounds IDF soldierJerusalem Post
>>>>>>>> From Nigeria:Scores Of Insurgents Killed In Mubi By
>>>>>>>> SoldiersNAIJ.COM <http://soldiersnaij.com/>
>>>>>>>> Clashes with Israel Police settle down in Arab locales
>>>>>>>> ISIS gaining followers but losing leaders?
>>>>>>>> CBS News - 52 minutes ago
>>>>>>>> CAIRO -- Ansar Beit al-Maqdis, a jihadi organization based in the
>>>>>>>> Sinai Peninsula that has carried out several attacks targeting Egyptian
>>>>>>>> security forces, has pledged allegiance to the Islamic State of Iraq and
>>>>>>>> Syria (ISIS).
>>>>>>>> African nations counter Ebola's tourism damageTimes of Malta
>>>>>>>> Mali due to declare 108 Ebola-free after quarantineeNCA
>>>>>>>> China's president praises Hong Kong chief's handling of democracy
>>>>>>>> protests
>>>>>>>> Los Angeles Times - 1 hour ago
>>>>>>>> In a high-profile meeting, Chinese President Xi Jinping expressed
>>>>>>>> his support for the Hong Kong government's handling of the ongoing
>>>>>>>> pro-democracy demonstrations even as student protest leaders seek to
>>>>>>>> schedule direct talks with central government ...
>>>>>>>> Opinion:Russian Forces Provoked West 40 TimesDaily Beast
>>>>>>>> In Depth:Russia's 'close military encounters' with Europe
>>>>>>>> documentedBBC News
>>>>>>>>
>>>>>>>> _______________________________________________
>>>>>>>> empyre forum
>>>>>>>> empyre at lists.cofa.unsw.edu.au
>>>>>>>> http://empyre.library.cornell.edu
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>>
>>>>>>>> _______________________________________________
>>>>>>>> empyre forum
>>>>>>>> empyre at lists.cofa.unsw.edu.au
>>>>>>>> http://empyre.library.cornell.edu
>>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> --
>>>>>>>  http://www.twitter.com/caravia15860606060
>>>>>>> http://www.scoop.it/t/art-and-activism/
>>>>>>> http://www.scoop.it/t/food-history-and-trivia
>>>>>>> http://www.scoop.it/t/urbanism-3-0
>>>>>>>
>>>>>>>
>>>>>>>
>>>>>>> cell Sweden +4670-3213370
>>>>>>> cell Uruguay +598-99470758
>>>>>>>
>>>>>>>
>>>>>>> "When once you have tasted flight, you will forever walk the earth
>>>>>>> with your eyes turned skyward, for there you have been and there you will
>>>>>>> always long to return.
>>>>>>> — Leonardo da Vinci
>>>>>>>
>>>>>>>  _______________________________________________
>>>>>>> empyre forum
>>>>>>> empyre at lists.cofa.unsw.edu.au
>>>>>>> http://empyre.library.cornell.edu
>>>>>>>
>>>>>>>
>>>>>>> _______________________________________________
>>>>>>> empyre forum
>>>>>>> empyre at lists.cofa.unsw.edu.au
>>>>>>> http://empyre.library.cornell.edu
>>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> --
>>>>>>  http://www.twitter.com/caravia15860606060
>>>>>> http://www.scoop.it/t/art-and-activism/
>>>>>> http://www.scoop.it/t/food-history-and-trivia
>>>>>> http://www.scoop.it/t/urbanism-3-0
>>>>>>
>>>>>>
>>>>>>
>>>>>> cell Sweden +4670-3213370
>>>>>> cell Uruguay +598-99470758
>>>>>>
>>>>>>
>>>>>> "When once you have tasted flight, you will forever walk the earth
>>>>>> with your eyes turned skyward, for there you have been and there you will
>>>>>> always long to return.
>>>>>> — Leonardo da Vinci
>>>>>>
>>>>>>
>>>>>> _______________________________________________
>>>>>> empyre forumempyre at lists.cofa.unsw.edu.auhttp://empyre.library.cornell.edu
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>> _______________________________________________
>>>>>> empyre forum
>>>>>> empyre at lists.cofa.unsw.edu.au
>>>>>> http://empyre.library.cornell.edu
>>>>>>
>>>>>
>>>>>
>>>>>
>>>>> --
>>>>> http://www.twitter.com/caravia15860606060
>>>>> http://www.scoop.it/t/art-and-activism/
>>>>> http://www.scoop.it/t/food-history-and-trivia
>>>>> http://www.scoop.it/t/urbanism-3-0
>>>>>
>>>>> <http://www.scoop.it/t/postcolonial-mind/>
>>>>>
>>>>> cell Sweden +4670-3213370
>>>>> cell Uruguay +598-99470758
>>>>>
>>>>>
>>>>> "When once you have tasted flight, you will forever walk the earth
>>>>> with your eyes turned skyward, for there you have been and there you will
>>>>> always long to return.
>>>>> — Leonardo da Vinci
>>>>>
>>>>> _______________________________________________
>>>>> empyre forum
>>>>> empyre at lists.cofa.unsw.edu.au
>>>>> http://empyre.library.cornell.edu
>>>>>
>>>>
>>>>
>>>> _______________________________________________
>>>> empyre forum
>>>> empyre at lists.cofa.unsw.edu.au
>>>> http://empyre.library.cornell.edu
>>>>
>>>
>>>
>>>
>>> --
>>> http://www.twitter.com/caravia15860606060
>>> http://www.scoop.it/t/art-and-activism/
>>> http://www.scoop.it/t/food-history-and-trivia
>>> http://www.scoop.it/t/urbanism-3-0
>>>
>>> <http://www.scoop.it/t/postcolonial-mind/>
>>>
>>> cell Sweden +4670-3213370
>>> cell Uruguay +598-99470758
>>>
>>>
>>> "When once you have tasted flight, you will forever walk the earth with
>>> your eyes turned skyward, for there you have been and there you will always
>>> long to return.
>>> — Leonardo da Vinci
>>>
>>> _______________________________________________
>>> empyre forum
>>> empyre at lists.cofa.unsw.edu.au
>>> http://empyre.library.cornell.edu
>>>
>>
>>
>> _______________________________________________
>> empyre forum
>> empyre at lists.cofa.unsw.edu.au
>> http://empyre.library.cornell.edu
>>
>
>
>
> --
> http://www.twitter.com/caravia15860606060
> http://www.scoop.it/t/art-and-activism/
> http://www.scoop.it/t/food-history-and-trivia
> http://www.scoop.it/t/urbanism-3-0
>
> <http://www.scoop.it/t/postcolonial-mind/>
>
> cell Sweden +4670-3213370
> cell Uruguay +598-99470758
>
>
> "When once you have tasted flight, you will forever walk the earth with
> your eyes turned skyward, for there you have been and there you will always
> long to return.
> — Leonardo da Vinci
>
> _______________________________________________
> empyre forum
> empyre at lists.cofa.unsw.edu.au
> http://empyre.library.cornell.edu
>
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