[-empyre-] empyre Digest, Vol 141, Issue 20

Wed Sep 28 14:19:17 AEST 2016

KRONOS _ TIME CURRENCY
Following your discussion, here is a project about a new blockchain time
currency.
http://www.kronos.money
Cheers

Le mer. 28 sept. 2016 à 04:00, <empyre-request at lists.artdesign.unsw.edu.au>
a écrit :

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> ----------empyre- soft-skinned space----------------------
>
> Today's Topics:
>
>    1. Re: more on finance (David Harris)
>    2. Re: more on finance (Amanda McDonald Crowley)
>    3. Re: more on finance (Jason Bernagozzi)
>    4. Re: thanks to Simon Biggs and Madeleine Casad AND introducing
>       Dene Grigar and Claudia Pederson (Timothy Conway Murray)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Tue, 27 Sep 2016 09:17:11 +1000
> From: David Harris <physicsdavid at gmail.com>
> To: soft_skinned_space <empyre at lists.artdesign.unsw.edu.au>
> Subject: Re: [-empyre-] more on finance
> Message-ID:
>         <
> CALgVd19ni-0UdmAsuT4NLxbgakbDDg32TDYQuY3QS2+TicYq0g at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> Hi Anna,
>
> Last year there was a workshop on artistic explorations of alternative
> currencies at ISEA2015:
> http://isea2015.org/program/workshops-and-tutorials/#currency  I'm not
> sure
> if a project came out of it in the end but it was a very interesting
> discussion. I'm also currently working on a net-art project on quantum
> blockchains but that won't be ready for public consumption for a while yet
> :)
>
> Cheers,
> David Harris
> www.sciartica.net
>
>
> On Thu, Sep 15, 2016 at 8:21 AM, Anna Munster <a.munster at unsw.edu.au>
> wrote:
>
> > ----------empyre- soft-skinned space----------------------
> > I see I have no takers on naming a contemporary net.art/finance project!
> I
> > am wondering if this is because the engagement by artists with new forms
> of
> > networked finance is really only starting to kick off?or is it?
> >
> > Has anyone on this list done any artworks involving blockchain or any alt
> > coin forms? I?d be interested to hear what everyone is doing before I
> > suggest a couple of interesting works in this area?
> > cheers
> > Anna
> >
> > Anna Munster
> > Associate Professor,
> > Faculty of Art and Design
> > UNSW
> > P.O Box 259
> > Paddington
> > NSW 2021
> > Australia
> > a.munster at unsw.edu.au
> > http://sensesofperception.info
> >
> >
> > _______________________________________________
> > empyre forum
> > empyre at lists.artdesign.unsw.edu.au
> > http://empyre.library.cornell.edu
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> ------------------------------
>
> Message: 2
> Date: Tue, 27 Sep 2016 12:40:34 -0400
> From: Amanda McDonald Crowley <amandamcdc at gmail.com>
> To: soft_skinned_space <empyre at lists.artdesign.unsw.edu.au>
> Subject: Re: [-empyre-] more on finance
> Message-ID:
>         <CALrKSXVBkhatfmWpt0tKfVVuKiV=
> yaZdM1YdkA2gCAYRRHEnZA at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> Just quickly, the best example of a finance project I can think of is Fran
> Ilich's SpaceBank Project:
>
> http://franilich.com/
>
> amanda
>
>
>
> On Wed, Sep 14, 2016 at 6:21 PM, Anna Munster <a.munster at unsw.edu.au>
> wrote:
>
> > ----------empyre- soft-skinned space----------------------
> > I see I have no takers on naming a contemporary net.art/finance project!
> I
> > am wondering if this is because the engagement by artists with new forms
> of
> > networked finance is really only starting to kick off?or is it?
> >
> > Has anyone on this list done any artworks involving blockchain or any alt
> > coin forms? I?d be interested to hear what everyone is doing before I
> > suggest a couple of interesting works in this area?
> > cheers
> > Anna
> >
> > Anna Munster
> > Associate Professor,
> > Faculty of Art and Design
> > UNSW
> > P.O Box 259
> > Paddington
> > NSW 2021
> > Australia
> > a.munster at unsw.edu.au
> > http://sensesofperception.info
> >
> >
> > _______________________________________________
> > empyre forum
> > empyre at lists.artdesign.unsw.edu.au
> > http://empyre.library.cornell.edu
>
>
>
>
> --
> Amanda McDonald Crowley
> curator/ cultural worker
> http://publicartaction.net
>
> @amandamcdc
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> ------------------------------
>
> Message: 3
> Date: Tue, 27 Sep 2016 13:58:34 -0400
> From: Jason Bernagozzi <jason at seeinginvideo.com>
> To: soft_skinned_space <empyre at lists.artdesign.unsw.edu.au>
> Subject: Re: [-empyre-] more on finance
> Message-ID:
>         <CAP2e4KkO=
> ELm3Bw0w4HYNVT-4bMSdmK-2JgAUswSqh7oU-_nQQ at mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
>
> Hi Anna,
>
> You may be interested in what Benton C Bainbridge is doing with the moving
> pictures gallery in terms of working with artists editioing their works
> using blockchain technology: http://movingpictures.gallery/
>
> -Jason Bernagozzi
> Co-Founder, Signal Culture
>
> On Wed, Sep 14, 2016 at 6:21 PM, Anna Munster <a.munster at unsw.edu.au>
> wrote:
>
> > ----------empyre- soft-skinned space----------------------
> > I see I have no takers on naming a contemporary net.art/finance project!
> I
> > am wondering if this is because the engagement by artists with new forms
> of
> > networked finance is really only starting to kick off?or is it?
> >
> > Has anyone on this list done any artworks involving blockchain or any alt
> > coin forms? I?d be interested to hear what everyone is doing before I
> > suggest a couple of interesting works in this area?
> > cheers
> > Anna
> >
> > Anna Munster
> > Associate Professor,
> > Faculty of Art and Design
> > UNSW
> > P.O Box 259
> > Paddington
> > NSW 2021
> > Australia
> > a.munster at unsw.edu.au
> > http://sensesofperception.info
> >
> >
> > _______________________________________________
> > empyre forum
> > empyre at lists.artdesign.unsw.edu.au
> > http://empyre.library.cornell.edu
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> ------------------------------
>
> Message: 4
> Date: Tue, 27 Sep 2016 17:02:17 +0000
> From: Timothy Conway Murray <tcm1 at cornell.edu>
> To: soft_skinned_space <empyre at lists.artdesign.unsw.edu.au>
> Subject: Re: [-empyre-] thanks to Simon Biggs and Madeleine Casad AND
>         introducing Dene Grigar and Claudia Pederson
> Message-ID: <D4101A9C.72324%tcm1 at cornell.edu>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Thanks ever so much, Simon and Madeleine, for sharing your probing
> thoughts with us on -empyre-.  It has been such a gift for us to be
> challenged conceptually by both of you again.
>
> I'm sorry that a diversion yesterday has delayed my introduction of our
> last guests for the week (believe it or not, Renate and I spent yesterday
> in a Buffalo NY US border patrol office getting our travel documents in
> order, where, it turns out, no phones were allowed).  So no access to
> Net.Art on the border!!!
>
> It's my great pleasure to introduce this month's concluding featured
> guests as we wrap up our dialogue on "Through the Net: Net Art Then and
> Now." Many of you will have worked alongside Dene Grigar (US) in her role
> as President of the Electronic Literature Organization and has recently
> been working with me, the Rose Goldsen Archive, and other to guarantee that
> the net.art site, Turbulence.org, will remain archived and online when
> Helen Thorington and Joanne Greene discontinue thei heroic hosting of the
> site and its artistic commissions at the end of 2016.  Claudia is a
> frequent participant on -empyre- and has collaborated frequently with me
> and Renate on various projects in and around Ithaca and the Finger Lakes
> Environment Film Festival.
>
> We look forward to hearing your thoughts, Dene and Claudia, on Net Art
> Then and Now as we conclude this month's discussion on -empyre-.
>
>
> Dene Grigar (US)   is Professor and Director of The Creative Media &
> Digital Culture Program at Washington State University Vancouver whose
> research focuses on the creation, curation, preservation, and criticism of
> Electronic Literature, specifically building multimedial environments and
> experiences for live performance, installations, and curated spaces;
> desktop computers; and mobile media devices. She has authored 14 media
> works such as "Curlew" (2014), "A Villager's Tale" (2011), the "24-Hour
> Micro E-Lit Project" (2009), "When Ghosts Will Die" (2008), and "Fallow
> Field: A Story in Two Parts" (2005), as well as 52 scholarly articles. She
> also curates exhibits of electronic literature and media art, mounting
> shows at the Library of Congress and for the Symposium on Electronic Art
> (ISEA) and the Modern Language Association (MLA), among other venues. With
> Stuart Moulthrop (U of Wisconsin Milwaukee) she is the recipient of a 2013
> NEH Start Up grant to support the digital preser
>  vation of early electronic literature, a project that culminated in an
> open-source, multimedia book entitled Pathfinders and book of criticism,
> entitled Traversals, for The MIT Press. She is President of the Electronic
> Literature Organization and Associate Editor of Leonardo Reviews.
>
> Claudia Pederson (US) is an Assistant Professor of Art History in New
> Media & Technology.  Claudia's writings on play, games, digital
> photography, and techno-ecological art are published in Afterimage,
> Intelligent Agent, Eludamos, as well as the International Symposium on
> Electronic Art (ISEA), Design Automation Conference (DAC), and CHI
> conference proceedings. Her most recent essay on contemporary Latin
> American artists working with robotics is forthcoming in an anthology on
> Latin American Modernism. She has been a curatorial contributor to the
> Finger Lakes Film Festival (FLEFF) since 2007. Other recent curatorial
> projects include, G?n, with Turkish women working in the intersections of
> media and feminism (2011-2012), and Home/s, a curatorial event with
> Turkish, Greek, and Bulgarian women at the Benaki Museum, Athens, Greece in
> 2013.
>
> All our best,
>
> Tim and Renate
>
>
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>
> _______________________________________________
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>
> End of empyre Digest, Vol 141, Issue 20
> ***************************************
>
-- 
David Guez
http://www.guez.org
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