[-empyre-] why if?

[Julien Ottavi]

Hi Murat

that sounds interesting, do you have any examples or links to some of 
your explorations? I am really interested!

you could listen some noise music produced by ants, stratosphere's 
electromagnetic storms, electromagnetic "inaudible" sounds from cities 
and machines...etc http://fibrrrecords.net/doku.php?id=open_recordings

thanks

Julien


Le 26/03/2018 à 19:26, Murat Nemet-Nejat a écrit :
> ----------empyre- soft-skinned space----------------------
>
>
> Very interesting post, Julien. My interest in noise is an attempt to 
> liberate it from the subjectivity that humans impose on it, defining 
> it only as it relates to them. I want to explore "noise's autonomy." 
> Your questions in your post also seem to point to the same direction.
>
> Ciao,
> Murat
>
> On Mon, Mar 26, 2018 at 1:00 PM, Julien Ottavi <julien at apo33.org 
> <mailto:julien at apo33.org>> wrote:
>
>     ----------empyre- soft-skinned space----------------------
>     "Noise: Disorientation, Contamination, and (Non)Communication"
>
>     Hello everyone,
>
>     I was just thinking of this subject and I was wondering why do we
>     present noise as a negative concept?
>
>     Why if noise helped us to direct ourself in our surroundings
>     (Disorientation)?
>     why if noise was a not a virus (contamination) but a way to cure
>     people and nature? or if it was a way to communicate with the
>     universe and the nature?
>     Why if noise was a way to communicate and the signal (being the
>     information) was not the only way of communicated (as in the
>     communication theory)?
>
>     Also what is noise? In which domain, theory or practices?
>     Are we talking about theory of communication, artistic practices?
>     Are we talking about noise music? or nature's noises such as wind
>     or thunder?
>     If we are talking about music, what kind of noises? white noise,
>     brown noise, pink noise? or saturated sounds? "Concrete" music
>     sounds such as everyday life sounds: squeaky doors, fans, trains,
>     cars, planes, cooking sounds...etc?
>
>     We don't have to answer all of those questions during this week
>     but at least maybe we could clarify some of them or express what's
>     our interest in this field.
>
>     For instance, in my case, I am a composer, musician, sound
>     artist...etc. I am using noise-sound in my music but I also make
>     noise music. Noise music does have a positive impact in my life
>     not only in term of production or as a performer but also in the
>     listening of it, specially in concert situation with loudspeakers
>     and sub-woofers to really feeling it.
>     I am also finishing my P.h.D and one chapter is dedicated to this
>     question of the practices of noise music from the perspectives of
>     those who makes it and not only from the academic or the listener
>     point of view.
>
>     So I am wondering where people stand with those concepts? Beyond
>     your background what's is your interest in the subject and from
>     which perspective are you talking about?
>
>     best
>
>     Julien
>
>
>     -- 
>     JULIEN OTTAVI
>     Composer, Artist, curator and PhD student on new music and network
>
>     http://www.noiser.org
>     http://www.apo33.org
>     http://www.fibrrrecords.net
>     http://www.apodio.org
>     http://bruitbrut.lautre.net
>
>     _______________________________________________
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>
>
>
>
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-- 
JULIEN OTTAVI
Composer, Artist, curator and PhD student on new music and network

http://www.noiser.org
http://www.apo33.org
http://www.fibrrrecords.net
http://www.apodio.org
http://bruitbrut.lautre.net

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