[-empyre-] Welcome to Week 2 on -empyre_

Renate Ferro rferro at cornell.edu
Fri Apr 10 02:46:05 AEST 2020


Many thanks to our special guests Christina McPhee and Melinda Rackham.  Also to William Bain, Simon, Aviva Rahmani, Brett Stalbaum, Cengiz Salman, Gary Hall and of course my two fellow moderators Tim Murray and Junting Huang for posting this past week.  The tone this week has been introspective yet also critical of the political, social, and cultural conditions so many of us are facing globally.  We welcome our next set of invited guests Jonathan Basile, Sorelle Henricus, Gloria Kim, Cengiz Salman, Paul Vanouse, and Elizabeth Wijiaya.  We invite you all to share your thoughts about your own work and experiences from where you are writing this week.  Looking forward to hearing from all of you and again please be well and stay safe. 

Also, just to throw this out Christina McPhee had a great idea.  If any of you are making COVID inspired work or work that is generated from our current situation please feel free to post links within the empyre text but also to post on our FACEBOOK page.  
https://www.facebook.com/groups/empyrelistserv/

Best to you all, 
Renate Ferro

Week 2:  Biographies
Jonathan Basile is a Ph.D. Candidate in Emory University’s Comparative Literature program and the creator of an online universal library, libraryofbabel.info. His first book, Tar for Mortar: “The Library of Babel” and the Dream of Totality, has been published by punctum books and translated into Portuguese. His academic writing on biodeconstruction and on irony has been published in the Oxford Literary Review, Critical Inquiry, Derrida Today, Variaciones Borges, Environmental Philosophy, Postmodern Culture, CR: The New Centennial Review and is forthcoming in Angelaki. His para-academic writing has been published in The Paris Review Daily, Public Books, Berfrois, Guernica, and minor literature[s]. This work can be accessed at jonathanbasile.info.

Sorelle Henricus works in the areas of critical theory, modern and contemporary literature and visual arts, and aesthetics and politics especially as it pertains to science and technology in culture. Her doctoral work traced the significance of the parallels between deconstruction and molecular biology, particularly converging around the concept of the gene as being constructed as primarily an artefact of data. 

Gloria Kim is Assistant Professor of Media and Culture at the University of California-Riverside. She works in the areas of the environmental humanites, science and technology studies, and media and visual culture. She is currently writing a book manuscript titled "The Microbial Resolve: Vision, Mediation, and Security," in which she  explores modes of mediation, forms of kinship, means of capital, and senses of life and living surfacing amid efforts to manage emerging viruses. In a second project, Gloria examines discourses of the microbiome bridging insight from critical data studies, social theory, affect, security studies, material culture, and the anthropocene. 

Cengiz Salman (he/him) is a PhD candidate in the Department of American Culture (Digital Studies) at the University of Michigan, Ann Arbor. His dissertation research broadly focuses on the relationship between digital media, algorithms, unemployment, and racial capitalism. He holds a
Master of Arts degree in Social Science from the University of Chicago (2013), and a Bachelor of Arts degree in Anthropology with a specialization in Muslim Studies from Michigan State University (2011). Salman is a recipient of a Fulbright IIE Award, which he used to conduct research on urban transformation projects in Turkey from 2011-2012.

Paul Vanouse is an artist and professor of Art at the University at Buffalo, NY, where he is the founding director of the Coalesce Center for Biological Art. Interdisciplinarity and impassioned amateurism guide his (bio-media) art practice, which uses molecular biology techniques to challenge “genome hype” and to explore critical issues surrounding contemporary biotechnologies. Vanouse’s projects have been funded by Rockefeller Foundation, Creative Capital Foundation, National Endowment for the Arts, New York State Council on the Arts, New York Foundation for the Arts, Pennsylvania Council on the Arts, Sun Microsystems, and the National Science Foundation. His bio-media and interactive cinema projects have been exhibited in over 25 countries and widely across the US. His scent-based bioartwork, Labor, was awarded a Golden Nica at Prix Ars Electronica, 2019. He has an MFA from Carnegie Mellon University.


Elizabeth Wijaya is Assistant Professor of East Asian Cinema in the Department of Visual Studies and Cinema Studies Institute at the University of Toronto. She is co-founder of the Singapore-based film production company, E&W Films. She is working on her book manuscript on the visible and invisible worlds of trans-Chinese cinema.  

Renate Ferro
Visiting Associate Professor
Director of Undergraduate Studies
Department of Art
Tjaden Hall 306
rferro at cornell.edu
 
 



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