[-empyre-] LANGUAGE, STEREOCENA, SPACES, INTERNET

["aLexandre Venera" <e.ale@ig.com.br>]

LANGUAGE, STEREOCENA, SPACES, INTERNET

Hi Empyre, my cordial greetings

>From child I try to discover and to see different meanings for the
more different things. For instance, I like songs in languages that I don't know, therefore for me that is a good re-reading exercise. First I like or not of the emotions that she provokes me: I feel the music, and later I make a personal " archeological research " of the significant ones - it is when (in this example) I get to translate the letter of the song (the one that not always it is a deception - hehe;).
I say that it is a "personal archeology" because I prefer to imagine the
metaphors and the many synonyms instead of having a literal translation.
The one that happens is that I make an appropriation of the work mentally (here
in Brazil we called that of cultural anthropophagy).

I think that in that way could invite them to see my works
and later to practice my archeology idea with their own ones symbols.
You could check " PAN PAZ imagines ":::
http://www.eale.hpg.com.br/ppi/
that it is on a poem of Clemente Padin (Uruguay). it is an interactive work, it is not a oil-on-canvas screen. The great idea of Padin stays intact but becomes resonant root for an unfolding of ideas through the images, as says the name " imagines: bread = peace ".

Like this I begin presenting and leaning that can be very interesting for you to know my work in Internet, but I would like to divide your attention in four intentions with my works: 

- language:::
The reconstruction and the (des) construction of the understanding exemplified
through the literature, the music electro-concrete and the sound poetry...
my suggestion, for us to begin, calls " DZG "
http://www.eale.hpg.com.br/2002/dzg/
in partnership with Muriel Frega (Argentina). This work has interactive
hidden (there in the middle of the piece), speech on DESIRE. We used the sound of the letters of the alphabet to form the words and here I use the sound of the language Brazilian and explosions hehe;), if you want to check in English, or the other reverse-readings, on that theme proposed by Muriel, see these marvels: of Komninos Zervos (Australia), Joesér Alvarez (Brazil), Barry Smylie (Canada) and Babel (UK). (we are whole in this same URL above).

- stereocena::
It is treated of the relevant aspects for a real artistic involvement (among
artists, technique and spectators) in the fantastic atmosphere and phenomenological among art and no art. There is a reference here to my works in theater, movies and other partnerships. The stereocena is my concept that gathers a methodology of incentives for the creative and emotional completion of a technical space. For instance, for the web art, the actor is a model (mannequin) that needs to contain an expression/emotion/art that can be reverse-ordinate and reverse-edited, so much in the technical assembly as for the spectator in the interactiv.
Then you could check "CARAMBOLA" (STAR FRUIT)
http://nonfinito.de/carambola/
a superb work of Reiner Strasser (Alemenha) with the stereocenic actress Juliana Teodoro (Brazil), on a my proposal literary-sterocenic calls "aCaRamBoLa", that it was of forming new words (ideas) on the four syllables contained in the word CARAMBOLA. Also observe, please, the initial textual sequence with the explanatory of Strasser.

- spaces:::
Arguments on results among erudite and popular, the
cultural transitions and the use of the current expressive ways..; for instance, the city in that me alive has a great and imposing theater (where I work),
with eternal problems of public's frequency. Our metropolitan area has several cities that doesn't have nor movies, but all have many great night clubs of dance, always full. I am intending to extract more art of there. It is a space, has culture, there is an art. Another experience that I already did was the " Theater of the Earth " whose proposal is to adapt fabulous fantasies inside of a forest. As "full house" is said when they become exhausted the tickets, they were two nights of "charmed forest" with very public, flying snakes and people-animal histories. The place stayed inhuman, momentarily super-town and even so without proposed civilized.
You could check " MANTRASH "
http://www.eale.hpg.com.br/2002/mantrash/
this is a work on a poem of Rosane Martins (Brazil), I didn't think
in presenting that in a dance club or in the forest, but this can illustrate if we want to think in different spaces as only one.... You can interact with the mandala in the end of the piece, but it observes that with the intriguing poem the soundtrack also wants to impose in the same space and they still found amongst themselves contrasting musical mantras of Stockausen, Madonna, Dalai Lama... etc.

- Internet:::
All the artistic effort as individual producer seems to have a sense.
Yes! I am very happy in to share my art and to reward... The    
Internet is an exercise of the people's individuality and strangely it turned more human the human being. I believe in the besides the great media and also in the on this side of the great media. Therefore it would like to finish my presentation with a sincere homage for that whole people of the internet and of the computers (we are us) that is avoiding a total and only control of the herd.
Play a little with " The Magic Rat "
http://www.eale.hpg.com.br/2002/rat/
That work is unfinished, it lacks the music: a coral of mice intoning
Mozart's "Magic Flute", but that is easy of you to imagine...    

thank you very much for all
aLe
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  Le
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                aLexandre Venera
                e.ale@ig.com.br
                2004-03-01