Re: [-empyre-] art



Forget my last ill-advised outburst for the moment, or in french style put a line through it so we can pretend it isn't there.

The interesting question for this list (as opposed to the other ones processing JB) as I see it is: if Baudrillard is more popular among artists than other theory readers, what does this tell us about the relationship between art and theoretical production?

There are some interesting questions in there perhaps about how theory is taught in art schools, and also the channels of theory circulation.

Perhaps rather than talking about Baudrillard in the negative (wasn't captured by academia, escaped being pinned down by discipline x, never fit in) it would be possible to articulate something distinctive about the modes of circulation his work participated in and expanded - Semiotext(e) a case in point as Ken suggested earlier.

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http://www.dannybutt.net






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